Alto Saxophone,Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1204265 By Frank Mills. By Frank Mills. Arranged by Vanessa Klassen. Pop,Rock. 4 pages. Vanessa Klassen #802777. Published by Vanessa Klassen (A0.1204265). Music Box Dancer is originally a piano instrumental piece composed by Canadian musician Frank Mills. Mills wrote and recorded the piece in 1974, and the work became an international hit in the late 1970s when it was released as a single. The piece features a cheerful melody in the upper range of the piano that is reminiscent of a music box.This arrangement is for Bâ™­ clarinet and Eâ™­ alto saxophone. The clarinet part features the melody and is at an intermediate difficulty level, while the saxophone part contains the bassline and can be played by a beginner. The performers should pay special attention to the balance between the two instruments.

Instrumental Duet Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.934292 Composed by Johann Sebastian Bach. Arranged by Sergio Vettore. Classical. Score and parts. 9 pages. Sergio Vettore #5902615. Published by Sergio Vettore (A0.934292). The famous song air on g string has been arranged in many ways and with various instruments. My arrangement presented here is for two guitars. I tried to be faithful to the original system, moving some voices to the second guitar for greater smoothness and ease of execution. I preferred to write the piece entirely, avoiding repetitions, even for some variations - see bars 4 and 16. The performance is facilitated by an accurate fingering of the left hand, present throughout the piece. The performer of the first guitar, pay particular attention to bars 46-47 and 7071, where there is a particular rhythm, also with the help of listening to the recording of the attached song. Below, the link to listen to the song recorded by me.

Bass Guitar,Instrumental Solo - Level 5 - Digital Download SKU: A0.1077739 Composed by Simon Jeffes. Arranged by Calum Wood. Classical,Contemporary,Folk. Individual part. 2 pages. Calum Wood #681935. Published by Calum Wood (A0.1077739). Attention all guitar players and fans of instrumental music - we are excited to offer our BASS guitar score of the iconic tune Music for a Found Harmonium by the Penguin Cafe Orchestra.Our bass guitar score of Music for a Found Harmonium is written in both TAB and music notation, making it accessible to players of all levels. This tune is perfect for intermediate to advanced players looking to challenge themselves with a complex and nuanced piece of music.What makes our guitar score unique is the attention to detail and accuracy that we've applied to transcribing every note and chord. Our score captures the intricate fingerpicking patterns and playful melody of the original recording, allowing you to play the song just as the Penguin Cafe Orchestra intended.Music for a Found Harmonium is a unique and captivating song that defies genre and classification. The song's melody is both playful and hypnotic, and the intricate interplay between the guitar and harmonium creates a rich and textured sound that is unlike anything else.The history of Music for a Found Harmonium dates back to the early 1980s, when it was first recorded by the Penguin Cafe Orchestra. The song quickly gained a following and has since become a beloved classic in the world of instrumental music.Our guitar score of Music for a Found Harmonium is the perfect way to pay tribute to this iconic song and showcase your guitar skills. From the intricate fingerpicking patterns to the playful melody, our score captures the essence of this beloved tune and allows you to recreate it in your own unique style.Don't miss out on this opportunity to add Music for a Found Harmonium to your repertoire and showcase your love of instrumental music. Order your guitar score today and take your first step toward becoming a musical innovator!

Piano Solo - Level 2 - Digital Download SKU: A0.1199422 By Ennio Morricone. By Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score. 5 pages. Flavio Regis Cunha #798489. Published by Flavio Regis Cunha (A0.1199422). A Fistful Of Dollars for Piano SoloUnlock the Soul of Music with A Fistful of Dollars Sheet Music by Ennio Morricone!Attention all passionate pianists, both professionals, and amateurs! Elevate your musical journey with the iconic A Fistful of Dollars (Title Theme) by the legendary Ennio Morricone.Immerse yourself in the emotive melody that transcends time and space, taking you on a cinematic journey of passion, courage, and adventure. Why choose our sheet music?Authenticity: Immerse yourself in the original composition, beautifully transcribed for piano, capturing every nuance of Morricone's masterpiece.Precision: Meticulously notated with attention to detail, our sheet music ensures an accurate representation of the composer's vision, empowering you to deliver a truly captivating performance.Versatility: Suitable for pianists of all levels, whether you're a seasoned professional or a budding enthusiast. Challenge yourself and bring the magic of Morricone to life!Emotional Impact: Connect with your audience on a profound level, evoking powerful emotions through the timeless beauty of A Fistful of Dollars. Limited Time Offer: Order now and receive exclusive access to a digital recording of the theme, expertly played by a professional pianist. Immerse yourself in the essence of Morricone's creation before you even touch the keys!Unleash your creativity and embark on a musical adventure that will leave a lasting impression. Don't miss this opportunity to own a piece of cinematic history![Order Now - A Fistful of Dollars Sheet Music]Transform your piano into a storytelling instrument and let the enchanting notes of Morricone's masterpiece resonate in your heart and soul.Easy-Intermediate.Format: Concert, 9 x 12 inches.5 pages.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond

Full Orchestra - Level 4 - Digital Download SKU: A0.938524 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 41 pages. Christopher Schwinger #17619. Published by Christopher Schwinger (A0.938524). The 7th Christian vocal solo I've written, about the essence of Jesus. Part 2 of 2 of the orchestral version contains the individual parts, including the tenor voice, in their appropriate formats (transposed for the Bb clarinet). The tenor part goes from C below middle C to F above middle C. Instrumentation required: 2 flutes, 1 Bb clarinet, 1 bassoon, 1 euphonium, 1 trombone, 1 tuba, violin (1 part, any number of players), and cello (1 part, any number of players). Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.

Brass Ensemble Trombone,Tuba - Level 2 - Digital Download SKU: A0.786369 Composed by Priscilla J. Owens and William J. Kirkpatrick. Arranged by Beka Wilson. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 8 pages. Beka Wilson #4337819. Published by Beka Wilson (A0.786369). This arrangement for trombone quartet would be perfect for a bold, attention-catching offertory or prelude for a church service, yet it is relatively easy for timid or inexperienced musicians. This piece would also work well as a trombone or brass choir. Don't have four trombones? Don't worry, this piece is compatible with product S0. 523783 (trumpet quartet) and S0. 523789 (horn quartet) for alternate instrumentation. Performance time is approximately 2 minutes. Includes a score and a set of trombone parts.

Brass Quintet Baritone Horn TC,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1461296 By The Beatles. By Paul McCartney. Arranged by Will Corbin. Pop. 11 pages. Will Corbin #1040104. Published by Will Corbin (A0.1461296). Paul McCartney wrote Junk while the Beatles were contemplating their belly buttons in India in 1968 (he bailed on that excursion fairly early). The song was passed over for both the White Album and Abbey Road, so, after the Beatles broke up, McCartney included it on his self-titled first solo album. That record also included a singalong version of Junk, which is approximately what this would be.This is more elevator music, definitely useful for when the band is not necessarily the center of attention.It's scored for baritone instead of trombone. If you'd like different instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

Cymbals,Horn,Organ Accompaniment,Timpani,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1289074 Composed by Thomas Williams. Arranged by David Lantz. Advent,Lent,Sacred. 28 pages. Lantz Choral Publications #879908. Published by Lantz Choral Publications (A0.1289074). Intended use: Palm Sunday / AdventTheme: Christ's triumphal entry into Jerusalem / the coming of ChristThis triumphant hymn is traditionally used for both Palm Sunday and Advent. Written for choir, organ, optional brass quintet and percussion (timpani and cymbals), the flashy introduction immediately grabs the listener’s attention. The vocal writing is accessible, the tempo infectiously swift, and the brass and percussion punctuate the music in dramatic fashion. Sure to inspire your singers and congregation on either occasion.Brass and percussion accompaniment to my SATB Choir arrangement of this well-known hymn. (Score and parts included)*NOTE: The SATB Choir part and organ accompaniment are on the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with organ accompaniment) available at Sheet Music Direct and Sheet Music Plus. Instrumentation: SATB (for reference only)Organ (for reference only)Bb Trumpet IBb Trumpet IIHorn in FTromboneTubaTimpaniSuspended Cymbal (and optional Crash Cymbals).For comments, questions, or special requests, please email me at davidlantziii@gmail.com

Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….

Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1264763 Composed by Johann Sebastian Bach. Arranged by Robert Coulter. Baroque. Score and Parts. 29 pages. Gordon Cherry #857599. Published by Gordon Cherry (A0.1264763). Preis und Dank Chorus is a magnificent choral movement from the Easter Oratorio, BWV 249 composed by Johann Sebastian Bach. This exultant piece is filled with joy and gratitude, capturing the essence of the Easter season. The chorus begins with a triumphant fanfare, instantly commanding attention. The voices intertwine in glorious harmonies, expressing praise and thanksgiving for the resurrection of Jesus Christ. The intricate counterpoint, dynamic contrasts, and soaring melodies create a sense of grandeur and reverence. Preis und Dank Chorus showcases Bach's masterful composition skills and his ability to evoke profound emotions through music, making it a cherished highlight of the Oratorio and the Easter season.Robert Coulter has also masterfully arranged this glorious work for a 15-part Brass Ensemble with Timpani. The instrumentation is for:6 Trumpets (3 Piccolo Trumpets in A, Trumpet in D, Trumpet in C, Flugelhorn), 3 Horns, 3 Trombones, 3 Tubas (Euphonium & 2 Tubas) and Timpani. This arrangement is appropriate for advanced performers.

Small Ensemble Bassoon,Harpsichord,Soprano Recorder - Digital Download SKU: A0.1012027 Composed by Stella Tartsinis. Contemporary. Score and parts. 4 pages. Stella Tartsinis #3547429. Published by Stella Tartsinis (A0.1012027). Diligence written in 6/8 has rhythmic and loop type of structure.  The recorder has the melody throughout in which the bassoon and harpsichord being in baroque instrumentation are used in a modern way.  The addition of the clave is to reinforce the element of attention.

Acoustic Guitar,Drum Set,Electric Bass Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.1221991 By The Beatles. By George Harrison and Paul McCartney. Arranged by Peyber Augusto Medina Hidalgo. Classical,Funk,Historic,Multicultural,Rock,World. 12 pages. Peyber Medina #818266. Published by Peyber Medina (A0.1221991). Peyber A. Medina H. has created an exceptional and awe-inspiring arrangement for violin and classic 50's Rock'n Roll Band of In Spite Of All The Danger by The Beatles, originally written for The Quarrymen by Paul McCartney & George Harrison. This multi-talented musician has breathed new life into this classic track, infusing it with a modern energy that is sure to captivate audiences of all ages. Also, this is probably the first arrangement of this classical 50's rock tune made for a violin cover.With intricate instrumentation and dynamic violin performance, this rendition of In Spite Of All The Danger is a true masterpiece. Medina's attention to detail is evident in every note, creating a rich and immersive listening experience that will leave you wanting more.From the soaring violin solos (accompanied by the band) to the infectious rhythm section, every aspect of this arrangement is carefully crafted to perfection. Whether you're a die-hard Beatles fan or simply appreciate great music, you won't want to miss this extraordinary performance.So if you're looking for a truly unforgettable musical experience, look no further than Peyber A. Medina H.'s rendition of In Spite Of All The Danger for Violin & 50's Rock'n Roll Band. With its captivating sound and impeccable execution, this arrangement is sure to take the music world by storm and earn a well-deserved place in music history..