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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.584540 Composed by Richard Rodgers. Arranged by Jeff Tincher. Contemporary. Score and parts. 13 pages. Jeff Tincher #5805589. Published by Jeff Tincher (A0.584540). Here is a song that was written in 1949 that is so appropriate today. In the original key from James Taylor's American Standards project, this song is from Rogers and Hammerstein's South Pacific musical. It's a song that basically says that children learn from their parents and that we need to be careful what we teach them. Duration = 2:37. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
You've Got To Be Carefully Taught
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 11.23 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pages. Adrienne Inglis (ASCAP) #873161. Published by Adrienne Inglis (ASCAP) (A0.1281812). Boy at Sea (2023) for TB choir and piano is great for community choruses looking for something fun, easy, and interesting for lower voices! TB and pianoText: excerpts from a 1915 letter by Robert Inglis to the Commissioner of PensionsDuration about 5 minutesDifficulty 2 (Advanced high school, collegiate or community chorus) Language: EnglishSheet music is available for purchase soon.Performances:8 Aug 2023 Inversion Coda performed Boy at Sea at Spider House Ballroom Austin, Texas (world premiere)Commissioned by Inversion Ensemble for Coda’s Tales of the Sea concert in August 2023, Boy at Sea by Adrienne Inglis for tenor and bass chorus with piano recounts the sea-faring adventures of the composer’s great-grandfather as a boy. The text comes from a letter that Robert Inglis wrote in 1915 to the Commissioner of Pensions asking for a raise in his civil war pension. In providing information apparently requested by the Pension office, Robert details many events in his early years, adding a fair bit of sarcasm and wit to the narrative. The composer edited the content to fit into more of a strophic sea-shanty style. The piano part offers a sense of ocean waves as well as a few popular tunes of the day as commentary on the story. When he and his sister were in boarding school in Cowes on the Isle of Wight, he witnessed a historic yacht race. The following year, they sailed across the Atlantic with the family of their father’s third wife. Life with his stepmother must have been unbearable, because he “went to sea†time after time to escape the unpleasantness she brought to bear. The final departure left him shipwrecked on Hatteras with drunken shipmates. He made his way to Maryland where, to his horror, he witnessed a slave auction. Sensing the tension and possibly inspired to action, he headed west to join the 20th Indiana Infantry. He later served in the 51st Pennsylvania, the Provost Guard, and the U. S. Navy. He fell off of a train in 1863, leaving him injured and in pain for the rest of his life.https://adrienneinglis.com/.
Boy at Sea for TB and piano
Chorale 2 parties

$1.99 1.72 € Chorale 2 parties PDF SheetMusicPlus

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).
Guthrie: The Liturgical Organbook, Volume 1
Orgue

$32.95 28.47 € Orgue PDF SheetMusicPlus






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