Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1111430 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 pages. RayThompsonMusic #713717. Published by RayThompsonMusic (A0.1111430). Arranged standard wind quintet. I have arranged this with opening and closing phrases played by clt, hn and bsn. The main melody is given to the oboe, with the flute doubling at the octave. I have created sustaining semibreves in the horn part to hold the crescendo section together. Finally I have transposed the piece from D to Eb major Ave verum corpus (Hail, true body) is a motet in D major (K. 618), composed by Wolfgang Amadeus Mozart. It is a setting of the 14th century Eucharistic hymn in Latin Ave verum corpus in 1791. Mozart wrote it for Anton Stoll, a friend of Mozart and Joseph Haydn. Stoll was the musical coordinator in the parish of Baden bei Wien, near Vienna. This setting of the Ave verum corpus text was composed to celebrate the feast of Corpus Christi; the autograph is dated 17 June 1791. It is only forty-six bars long and is scored for SATB choir, string instruments, and organ. Mozart's manuscript contains minimal directions, with only a single sotto voce at the beginning. Check out my arrangements of movements from Mozart’s Requiem K626.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.931264 Composed by Johann Sebastian Bach. Arranged by Alessandro Macrì. Baroque,Christmas,Instructional,Sacred. Score and parts. 43 pages. Music Macri Editions #5805697. Published by Music Macri Editions (A0.931264). The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the Ascension Oratorio (BWV 11) and the Easter Oratorio (BWV 249). All three of these oratorios to some degree parody earlier compositions. The Christmas Oratorio is by far the longest and most complex work of the three.The Christmas Oratorio is in six parts, each part being intended for performance on one of the major feast days of the Christmas period. The piece is often presented as a whole or split into two equal parts. The total running time for the entire work is nearly three hours.The first part (for Christmas Day) describes the Birth of Jesus, the second (for December 26) the annunciation to the shepherds, the third (for December 27) the adoration of the shepherds, the fourth (for New Year's Day) the circumcision and naming of Jesus, the fifth (for the first Sunday after New Year) the journey of the Magi, and the sixth (for Epiphany) the adoration of the Magi.

Piano and voice - Digital Download SKU: LV.12864 Composed by Helen B. Chamberlin. William Jennings Bryan, Presidential elections, Poor persons, Economic & social conditions, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12864). On To Victory. Words and music By Helen B. Chamberlin [composer's autograph on cover]. Published 1900 by in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include William Jennings Bryan, Presidential elections, Poor persons, Economic & social conditions, Patriotism. First line reads We hear our children crying For the bread we cannot win.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Guitar - Level 4 - Digital Download SKU: A0.910190 Composed by Johann Sebastian Bach. Arranged by Hernán D. Ramallo. Baroque,Instructional,Rock,Standards. Guitar Tab. 6 pages. Hernan D. Ramallo #5198169. Published by Hernan D. Ramallo (A0.910190). This is a transcription for electric guitar of Johann Sebastian Bach's Prelude in C minor (Bach Werke Verzeichnis 847), from the first book of The Well Tempered Clavier. The source for this transcription is Bach's autograph (1722/23), retrieved from Berlin's State Library: http://digital.staatsbibliothek-berlin.de/werkansicht/?PPN=PPN813072077&DMDID=DMDLOG_0002 Preliminary notes are available separately. Duration: 1'40'' Difficulty: Advanced

String Quartet String Quartet - Digital Download SKU: A0.1092055 Composed by Carl Stamitz. Arranged by Artaria Editions. Classical. Score and parts. 20 pages. Artaria Editions #696193. Published by Artaria Editions (A0.1092055). For string quartet Artaria Editions AE020 Edited by Allan Badley 20 pages This is a scholarly edition of a public domain work. This edition is based a copy of the Sieber print now preserved in The British Library in London (Sig. g.412.a.(8.) ). In the absence of both the autograph score and an authentic set of parts,the edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. The style and notation of articulation and dynamic markings have been standardized throughout and,wher e missing,r econstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources,the Sieber print is inconsistent at times in its notation of appoggiature ; these too have been standardized to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from thesource are placed within brackets.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.842371 Composed by Carl Maria von Weber. Arranged by Mike Eades. Romantic Period. Brass Band. 94 pages. Mike Eades #3505749. Published by Mike Eades (A0.842371). Composed for the festival held at Dresden in commemoration of the 50th anniversary of the accession of Frederick Augustus I. of Saxony. The autograph is dated Dresden, Sept. 11, 1818, and the first performance was at the Court Theatre on Sept. 20. The overture winds up with 'God save the King.'

Concert Band - Digital Download SKU: AX.00-PC-0015835_TMP Timpani. Composed by Gustav Holst. Arranged by Douglas E. Wagner. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015835_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015835_TMP). UPC: 038081452777.Based on the original opening of the original introduction for Second Suite in F for Military Band, Holst replaced this section with the now-familiar morris dance tune, Glory Shears. The 38-measure passage (crossed out in the autograph score) draws upon the English folk song, Young Reilly, and presents an alluring work in itself for younger players. Serious band literature for your developing band! (2:15) This title is available in SmartMusic.Concert/Contest; Festival.

Concert Band - Digital Download SKU: AX.00-PC-0015835_BC B-flat Bass Clarinet. Composed by Gustav Holst. Arranged by Douglas E. Wagner. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015835_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015835_BC). UPC: 038081452777.Based on the original opening of the original introduction for Second Suite in F for Military Band, Holst replaced this section with the now-familiar morris dance tune, Glory Shears. The 38-measure passage (crossed out in the autograph score) draws upon the English folk song, Young Reilly, and presents an alluring work in itself for younger players. Serious band literature for your developing band! (2:15) This title is available in SmartMusic.Concert/Contest; Festival.

Cello,Piano - Level 3 - Digital Download SKU: A0.1427906 Composed by Gaetano Donizetti. Arranged by Fabrizio Capitanio and Michele Galvagno. 19th Century,Chamber,Classical,Opera,Romantic Period. Score and part. 32 pages. Artistic Score Engraving di Galvagno Michele #1008651. Published by Artistic Score Engraving di Galvagno Michele (A0.1427906). Among all opera composers, Gaetano Donizetti (1797–1848) was perhaps the most prolific when it comes to chamber music. He composed sixteen string quartets, countless pages for piano (solo and four-hands), and several fantasia-style pieces for solo instrument and piano. The autograph of the Largo for cello and piano survived to this day thanks to virtuoso cellist Alfredo Piatti (1822—1901), in whose collection it safely rested until it could be unearthed once more. Crafted with meticulous attention to detail, this edition of the Largo brings the piece back to life, providing a comprehensive and accurate representation of the original manuscript. A thorough section of Critical Notes will let you compare the four existing sources and understand why this edition was needed.This edition comes in a bundle of full score and two separate cello part, one unedited, and one with performance suggestions by Michele Galvagno.

Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher.  Includes complete notes.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092151 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 26 pages. Artaria Editions #696265. Published by Artaria Editions (A0.1092151). For string quartet Artaria Editions AE221 Edited by Robert Hoskins 26 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1459520 By Giovanni Battista Pergolesi. By Giovanni Battista Pergolesi. Arranged by Ray Thompson. Baroque,Wedding. 9 pages. RayThompsonMusic #1038473. Published by RayThompsonMusic (A0.1459520). Arranged wind quintetStabat Mater (P.77)is a musical setting of the Stabat Mater sequence, composed by Giovanni Battista Pergolesi in 1736.Composed in the final weeks of Pergolesi's life, it is scored for soprano and alto soloists, violin I and II, viola and basso continuo.The autograph manuscript of the work is preserved in the Benedictine Abbey of Monte Cassino.The work is divided into twelve movements, each named after the incipit of the text. Much of the music is based on Pergolesi's earlier setting of the Dies irae sequence.This is probably the most well known piece, it is the first movement.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092054 Composed by Carl Stamitz. Arranged by Artaria Editions. Classical. Score and parts. 40 pages. Artaria Editions #696192. Published by Artaria Editions (A0.1092054). For string quartet Artaria Editions AE019 Edited by Allan Badley 40 pages This is a scholarly edition of a public domain work. This edition is based a copy of the Sieber print now preserved in The British Library in London (Sig. g.412.a.(8.)). In the absence of both the autograph score and an authentic set of parts,the edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. The style and notation of articulation and dynamic markings have been standardized throughout and,wher e missing,r econstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources,the Sieber print is inconsistent at times in its notation of appoggiature ; these too have been standardized to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.