Composed by Folliott S. Pierpoint. Arranged by Billy Madison. Sacred, Thanksgiving. Score and parts. Composed 1996. 3 pages. Duration 1'30 . Published by David E. Smith (DX.124132). - Score and parts - Sacred, Thanksgiving - David E. Smith

Viola and piano - Grade 5 - Digital Download SKU: DX.W29119VA Composed by Elisha Albright Hoffman. Arranged by Rich Heffler. Key of Eb. Traditional. Score and part. 5 pages. David E. Smith - Digital Sheet Music #W29119VA. Published by David E. Smith - Digital Sheet Music (DX.W29119VA). This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats back to the first section and proceeds to a Coda section- again, in a triplet format.

Composed by Traditional. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score. 34 pages. Published by David McKeown

Composed by John W. Peterson. Arranged by Monty J. Budahl. Traditional. Sacred instrumental music. Score and parts. Composed 2004. 6 pages. Published by David E. Smith - Digital Sheet Music (DX.MBF103). - score and parts - Sacred instrumental music - David E. Smith - Digital Sheet Music

Violin solo - Grade 3 - Digital Download SKU: DX.161113 Composed by Isaac Watts. Arranged by Marilyn Carlson. Traditional. Sacred instrumental music. Score and parts. 7 pages. David E. Smith - Digital Sheet Music #161113. Published by David E. Smith - Digital Sheet Music (DX.161113). A solo beginning with unrelated melodic in the piano then join by the soloist in a straight forward manner with the theme. The chorus continues in much the same way and then concluded with a simple transition in the piano. The second verse is much like the first, melodically only supported by changing moods in the piano. The third section melody is in the piano while the soloist presents a gently obbligato. The next transition is more active rhythmically and then concludes in a sense of determined solemnity.

By Lalo Schifrin. Score. 3 pages. Published by David McKeown (H0.189069-551468). - Score - - David McKeown

Brass Sextet - Grade 3.5 - Digital Download SKU: DX.145613 Composed by Various. Traditional. Sheet Music. Sacred instrumental music. Score and Parts. 21 pages. David E. Smith - Digital Sheet Music #145613. Published by David E. Smith - Digital Sheet Music (DX.145613). A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of Leaning On The Everlasting Arms. After a motivic transition the piece continues with a tuba solo A Shelter In The Time Of Storm. with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time The Solid Rock in a slower tempo giving resolve and purpose. The Coda is in a fanfare stance gaining more power leading up to the final chord.

By Thelonious Monk. 2 pages. Published by David Thompson (H0.196193-704250). - - - David Thompson

Brass Quartet - Grade 2.5 - Digital Download SKU: DX.145414 Composed by Moultrie and St. James. Arranged by Douglas Smith. Christmas. Sheet Music. Score and parts. 23 pages. David E. Smith - Digital Sheet Music #145414. Published by David E. Smith - Digital Sheet Music (DX.145414). Four Plus Brass Series- for two Trumpets and two Trombones (with opt. Horn and Tuba for color). In a slow alle breve the piece begins in a mysterious fashion in octave unisons. Leading into the section where the parts move in a two part counterpoint until it becomes more choral. Then it segues into a solemn mood with a trombone solo carrying the tune with answering sections in the trumpets. With a segment of strength and power and in a block chordal movement the piece continues to settle into solemnity until it concludes to a single pitch.

Alto sax solo - Grade 2.5 - Digital Download SKU: DX.124130 Composed by Samuel Trevor Francis. Arranged by Dana F. Everson. Traditional. Sacred instrumental music. Score and parts. 6 pages. David E. Smith - Digital Sheet Music #124130. Published by David E. Smith - Digital Sheet Music (DX.124130). This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.

Composed by Austin Miles. Arranged by Dana F. Everson. Traditional. Main key: Bb, Eb. Sacred instrumental music. Score and parts. Composed 2004. Duration 3'30. Published by David E. Smith (DX.118143). - Score and parts - Sacred instrumental music - David E. Smith

Alto saxophone solo - Level 1 - Digital Download SKU: DX.124106 Composed by Henry Francis Lyte. Arranged by David E. Smith. Keys of Eb, F. Traditional. 3 pages. Duration 2'30. Published by David E. Smith - Digital Sheet Music (DX.124106). This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest.

Guitar (classical and lute) - Beginning-Intermediate - Digital Download Composed by David Grimes. Edited by David Grimes. Editiones Classicae. Early Music / Renaissance. E-book. 180 pages. Mel Bay Publications - Digital Sheet Music #99227EB. Published by Mel Bay Publications - Digital Sheet Music

Clarinet solo - Grade 3 - Digital Download SKU: DX.118113 Arranged by Monty J. Budahl. Traditional. Sacred instrumental music. Score and parts. 5 pages. David E. Smith - Digital Sheet Music #118113. Published by David E. Smith - Digital Sheet Music (DX.118113). The effect of a parade coming and going... using: Jesus Loves The Little Children; Onward Christian Soldiers; I've Got the Joy, Joy, Joy.

Brass Quartet - Grade 2.5 - Digital Download SKU: DX.145408 Arranged by Douglas Smith. Christmas. Sheet Music. Score and parts. 23 pages. David E. Smith - Digital Sheet Music #145408. Published by David E. Smith - Digital Sheet Music (DX.145408). Four Plus Brass Series- for two Trumpets and two Trombones (with opt. Horn and Tuba for color). The piece begins in a trumpet duet fashion and then echoed back in similar manner by the trombones. The next section is tossed about with bell like support motives, only to be broken down in motives and passed around the various voices. A modulation takes place and pieces like the beginning are once again presented and then back to the motive repeats bringing the piece to a strong conclusion.