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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart.  .
Rhapsody for Concert Band
Orchestre d'harmonie
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
$20.00 17.37 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1257934 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #851170. Published by Regis Bookshar (A0.1257934). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Woodwind Quintet (1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn, 1 Bassoon) - Advanced /Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Littel Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Woodwind Quintet - 1 Flute, 1 Oboe, ...)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$30.00 26.06 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Piano,Trombone - Level 4 - Digital Download SKU: A0.1236631 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832151. Published by Hoopla Sheet Music (A0.1236631). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
High Flight
Trombone et Piano

$9.99 8.68 € Trombone et Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1391537 By Cristian Vivaldi. By Cristian Vivaldi. Arranged by Cristian Vivaldi. Classical,Contemporary,Film/TV,New Age. Score. 2 pages. Cristian Vivaldi #975062. Published by Cristian Vivaldi (A0.1391537). We Are Eternal is a heartfelt solo piano composition that tenderly explores the enduring nature of love and memory. Through its emotive melody, the song gently reminds listeners that while loved ones may have departed from this earth, their presence lives on in our hearts and memories. It serves as a poignant tribute to those who have passed away, inviting listeners to reflect on the lasting impact they have had on our lives. With its comforting tones and introspective mood, We Are Eternal offers solace and reassurance, reminding us that the bonds of love transcend the boundaries of time and space.
We Are Eternal
Piano seul
Cristian Vivaldi
$1.99 1.73 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.994711 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 25 pages. Music Studio #4320903. Published by Music Studio (A0.994711). Los Poemas del Olvido belongs to my piano music album Imagenes de Amor/Images of Love by Darian Stavans.Images of Love is a musical reflection intending to describe that love has no images. Inside ourselves we build impressions, we merge together emotions, affections and the bonds of love to form the images life gives us as we walk along its mundane paths. From that first light we see at birth and all through our daily lives and emotional existence, we link together the daily events that guide us to protection and elicit the courage to face ourselves. That is precisely the instant in which we create our images of love, those impressions that will forever remain in our minds and souls giving us an identity. After all of this, after feeling and extracting all the best from these sensations, we return to the starting point, that point where once again love has no images. This album is part of that amazing world summarized in our souls, of that potential to constantly create new images of love according to what life deals us and the value we assign to such images before we again come to terms with the fact that the only common thread consists in cultivating the knowledge that love is a chain of acts and actions… like the images we carry inside.12 pages.Duration: 12:54Performing Rights Organization: CD Baby / SACM Mexicowebsite: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1
Los Poemas del Olvido
Piano seul

$3.99 3.47 € Piano seul PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0017313_VN2 2nd Violin. Composed by Steven H. Brook. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017313_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017313_VN2). UPC: 038081517254.The perfect technical piece for developing tone, listening skills, string crossings, smooth bow changes, and independence; as well as celebrating beautiful days at a park as melodies and dynamics move up and down between sections, as on a seesaw. The lines of music that the various instruments have weave up and down across each other as friendships weave throughout our lives. Imagine a leisurely day at the park, perhaps on a seesaw, and ponder this poem by the composer, Steven H. Brook. While pleasant breezes grace the sky, and clouds of joy drift gently by, our friendship bonds, we learn to play---and now, with you, we share today. (2:00)Concert/Contest; Festival.
Seesaw: 2nd Violin
Orchestre à Cordes

$5.99 5.2 € Orchestre à Cordes PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1280383 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Tom Armbruster. Broadway,Musical/Show,New Age,Spiritual. Octavo. 9 pages. Tom Armbruster #871820. Published by Tom Armbruster (A0.1280383). This song, originally from Broadway, evokes the majesty and tranquility of the natural world as seen through the eyes of one freed from the bonds of slavery. Today it’s message is clear that we must open to the beauty in all things.The Songs For New Thought collection offers pop songs which are suitable for expressing spiritual truth. They contain positive messages of love, peace and unity.New Thought, Unitarian Universalist, Agape, Centers for Spiritual Living, Religius Science, Science of Mind, Spirit, Peace, Love & Unity.
Feeling Good
Chorale 3 parties
Michael Buble
$2.04 1.77 € Chorale 3 parties PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #6565287. Published by TheComposerStudio.Com, LLC (A0.980596). Sacrum Creaturae  (2019) (score and parts) for string quartet and digital acoustic commissioned and premiered August 18th, 2021 at the Stringwood Chamber Music Festival by the Artaria String Quartet, profiles three endangered creatures: wolves, dolphins, and birds in the three movements of this string quartet. Each of the digital acoustics, the recorded and processed sounds of wolves, dolphins, and birds, explore the sounds of these creatures from three perspectives.  Canis Lupus-Nocturne developed through the exploration of wolf howls, growls, snarls, barks, and choruses. My goal in integrating the sounds of wolves with the string quartet was to make them equally passionate and expressive driving the dynamic and emotional climaxes of the music with equal intensity. Programatically, I have placed the wolves deep in the forest, in an environment that allows the string quartet to evoke the mystery and primal energy associated with these animals. I make musical references to the controversy of re-introducing these animals in the wild and the history of violent annihilation by hunters.         Delphinus-Cradlesong comprises the slow, middle movement of this piece. The cradlesong is literal and is inspired by the recent discovery by marine scientists that a mother dolphin will sing to its unborn calf so that it bonds with the mother and is familiar with her voice after birth. I have essentially orchestrated my Cradlesong for solo piano for string quartet and the whistling sounds of a mother dolphin singing to its calf. The final movement, 21 Birds, incorporates the bird calls of 21 birds in the Driftless region of the upper Mississippi, integrated with the thematic music of the string quartet. I treat the birds as 21 soloists and as an orchestra of birds accompanying the quartet. In the performance with the quartet, I have employed various special effects, such as reverberation, echo, and delay to blend the two acoustics. Parts rental for performance including the digital acoustic files and support http://www.thecomposerstudio.com/chamber-music/#tab-13006   Inquires at: thecomposerstudio@gmail.com.
Sacrum Creaturae
Quatuor à cordes: 2 violons, alto, violoncelle

$30.00 26.06 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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