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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.911473 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #517507. Published by RayThompsonMusic (A0.911473). Arranged standard wind quintet Paperback Writer is a song by the English rock band the Beatles. Written primarily by Paul McCartney and credited to the Lennon–McCartney partnership, the song was released as the A-side of their eleventh single in May 1966.It topped singles charts in the United Kingdom, the United States, Ireland, West Germany, Australia, New Zealand and Norway. On the US Billboard Hot 100, the song was at number one for two non-consecutive weeks, being interrupted by Frank Sinatra's Strangers in the Night. Paperback Writer was the last new song by the Beatles to be featured on their final tour in 1966.
Paperback Writer
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
The Beatles
$17.95 15.74 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
Backwards Decade
Orchestre de chambre

$8.00 7.02 € Orchestre de chambre PDF SheetMusicPlus

Small Ensemble Flute,Harp,Piano,Violin - Level 3 - Digital Download SKU: A0.774290 Composed by Public Domain. Arranged by Peggy Duquesnel. 20th Century,Holiday,New Age,Sacred,Spiritual. Score and parts. 5 pages. Duquesnel Music Publishing #6630965. Published by Duquesnel Music Publishing (A0.774290). Peggy's unique arrangement of this classic hymn combines with J.S. Bach's 2-part Invention # 13 in Am is fresh and inspiring and a new approach to this traditional piece. The solo piano arrangement is suitable for intermediate level pianists and great for church services, memorials concerts and recitals. I've enjoyed playing the music of J.S. Bach since my early years. One day I was studying Bach's Invention #13 and was inspired to combine it with the popular hymn, Praise God From Who All Blessings Flow, also know as the Doxology. Enjoy! https://orcd.co/praisegod_bachinventionhttps://www.pianoorchestrations.com/MusicCDs/PraiseGod/https://joyspringmusic.com/product/praise-god/Nature Video: https://youtu.be/p-CJYxVcvkQDuquesnel Music Publishing Page on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/duquesnel-music-publishing/2288 Piano Orchestrations Website Sheet Music: https://www.pianoorchestrations.com/MusicCDs/sheetmusic.asp Peggy Duquesnel Music & Social Media Links: https://www.pianoorchestrations.com/MusicCDs/sheetmusic.asp https://www.sheetmusicplus.com/publishers/duquesnel-music-publishing/228 https://joyspringmusic.com/ https://open.spotify.com/artist/3jMbAF5hPhRw3o6H8mD3ee https://itunes.apple.com/us/artist/peggy-duquesnel/id4259082 https://www.youtube.com/user/peggyduquesnel https://www.amazon.com/s?k=peggy+duquesnel+cds&ref=nb_sb_noss https://soundcloud.com/peggy-duquesnel https://twitter.com/peggyduquesnel http://www.reverbnation.com/peggyduquesnel https://www.facebook.com/PeggyDuquesnel https://www.linkedin.com/in/peggy-duquesnel-malbon-834aa19/ https://www.instagram.com/peggymusic1/
Praise God From Whom All Blessings Flow / Bach 2-part Invention #13 (Solo Piano)

$4.99 4.38 € PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
Back to the Heart
Voix Alto, Piano

$4.95 4.34 € Voix Alto, Piano PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.757286 Composed by Johann Sebastian Bach. Arranged by Ray Kamada. Baroque,Christmas,Concert,Easter,Sacred. Score and parts. 10 pages. The Lone Arranger #3007947. Published by The Lone Arranger (A0.757286). Written for chamber orchestra in 1749 but not performed during his life, the Benedictus is part of what some call one of the greatest classical compositions. Here, the cello plays Bach's soprano melody line but in the tenor range. The viola (or violin) plays what was Bach's bass counterpoint in the alto range. And the soprano violin is given an entirely new melody in place of Bach's formerly straight alto harmony. Thus, three contrapuntal melody lines now weave dynamically between fore and background. Suitable for concerts, this arrangement is not recommended as sight reading for gigs, especially for the cello.
Benedictus from the B Minor Mass (BWV, 232 #24), J.S. Bach, arranged for Cello, Viola or Violin, and
Trio à Cordes: violon, alto, violoncelle

$12.99 11.39 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$25.00 21.92 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.901077 Composed by Paul Copeland. 20th Century,Contemporary. Score. 8 pages. Paul Copeland #4270195. Published by Paul Copeland (A0.901077). Here is my little avant-garde improvisation on the very well known J.S. Bach Two Part Invention in B Flat, that just about every piano student has learnt at one time.Bach did not give any musical directions in his scores for keyboard, and I have therefore provided two versions; one version without any performance instructions, and the other version with minimal instructions. I suggest you look at the version without performance instructions, and work out your own interpretation. One interpretation might be to play the piece as if you are playing a two manual harpsichord. You could have two volumes for various sections, say pp and mf, but of course you would not have any crescendo or decrescendo in your performance. Michael Kieran Harvey,. an internationally acclaimed concert pianist and composer performed this piece as part of my prize winning work Audacious Binary Forms. Here is a link to the world premiere performance http://bit.do/jsbachI hope you enjoy my little musical offering. Best wishes to you in your music making, and bye for now.
Improvisation on J.S. Bach's Two Part Invention in B flat.
Piano seul

$1.99 1.75 € Piano seul PDF SheetMusicPlus






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