Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1266143 By Fabio Eduardo de Oliveira. By Georges Bizet. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Opera,Wedding. Score and part. 5 pages. Fabio Eduardo #858887. Published by Fabio Eduardo (A0.1266143). FREE Download Backing TrackHabanera is the popular name for L'amour est un oiseau rebelle, an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.

Piano,Tenor Trombone - Level 1 - Digital Download SKU: A0.1266669 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Opera,Wedding. Score and part. 4 pages. Fabio Eduardo #859347. Published by Fabio Eduardo (A0.1266669). FREE Download Backing TrackLa donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the aria was rehearsed under tight secrecy: a necessary precaution, as La donna è mobile proved to be incredibly catchy, and soon after the aria's first public performance it became popular to sing among Venetian gondoliers.

Cello,Piano - Level 1 - Digital Download SKU: A0.1266666 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Opera,Wedding. Score and part. 4 pages. Fabio Eduardo #859344. Published by Fabio Eduardo (A0.1266666). FREE Download Backing TrackLa donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the aria was rehearsed under tight secrecy: a necessary precaution, as La donna è mobile proved to be incredibly catchy, and soon after the aria's first public performance it became popular to sing among Venetian gondoliers.

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1265246 By Fabio Eduardo de Oliveira. By Franz Schubert. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 7 pages. Fabio Eduardo #858093. Published by Fabio Eduardo (A0.1265246). Backing Track and Demo Free Donwload

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1266123 By Fabio Eduardo de Oliveira. By Fabio Eduardo de Oliveira. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #858868. Published by Fabio Eduardo (A0.1266123). Free download Mp3 Backing TrackPachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842.

Piano,Violin - Level 1 - Digital Download SKU: A0.1265719 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Traditional,Wedding. 4 pages. Fabio Eduardo #858498. Published by Fabio Eduardo (A0.1265719). Free Mp3 Download Demo and Backing TrackThe Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the codaI wish that had been a success!.