Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

Piano Solo - Level 3 - Digital Download SKU: A0.1194951 By John, Johnny B., Bushell. By John, Johnny B., Bushell. Arranged by John, Johnny B., Bushell. Classical,Holiday,Instructional,Wedding. Score. 3 pages. John Bushell #794141. Published by John Bushell (A0.1194951). Walk in to an auditorium and witness a rehearsal of beginning balerinas. They fill the stage with enthusiasm and beauty. Capture that moment in this moving piece in 6/8 time. Play it free and with grace. Imagine that you are in the audience watching this Balerina Girl.Composer John, Johnny B., Bushell, has lived in Alaska for over forty years and composed this piece after watching a small group of dancers practicing in the school gym in Talkeetna, Alaska.

Voice Duet High Voice,Soprano voice - Digital Download SKU: A0.1288909 Composed by Annibale Gregori. Arranged by Early Music Scores. Baroque. 9 pages. Early Music Scores #879749. Published by Early Music Scores (A0.1288909). Two voices and continuoComposed by Annibale Gregori (1633+). From Ariosi Concenti, Venezia, 1635. Edited by Felipe Dias. 9 pages.

Percussion Ensemble - Digital Download SKU: A0.952995 Composed by Lewis Nielson. Contemporary. Score and parts. 59 pages. American Composers Alliance Inc. #4632125. Published by American Composers Alliance Inc. (A0.952995). Scored for 6 percussionists. PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental. Percussion needed:Perc. 1: triangle, small crash cymbal, Thai gong (muted), c. 36 tam-tam, 5 temple blocks, 2 bongos, timbale, 10 tom-tomPerc. 2: anvil, medium crash cymbal, 2 brake drums, 30 tam-tam, woodblock, 4 tom-tomsPerc. 3: triangle, China cymbal, Chinese opera gong (muted), 24 tam-tam, woodblock, 2 tambourines, 3 tom-tomsPerc. 4: anvil, Tibetan cymbal, 2 almglocken, large nipple gong, woodblock, large timbale, 3 tom-tomsPerc. 5: triangle, medium ride cymbal, 1 almglocke, medium nipple gong, 2 cowbells, log drum (2 tones), 2 low tom-toms, 22 bass drumPerc. 6: bell, large ride cymbal, Thai gong (muted), 10 Chinese opera gong, woodblock, brake drum, 3 tom-toms, 26 bass drum.

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1243800 Composed by Dmitriy Kabalevskiy. Arranged by Lila Lali. 20th Century,Children,Classical,Historic,Holiday. Score. 2 pages. Lila Lali #838771. Published by Lila Lali (A0.1243800). Waltz - Dmitriy Kabalevskiy  Op. 39, No. 13 for Group Piano (from 4 studants or more).

Piano - Interactive Download SKU: HX.304249 By Dmitri Kabalevsky, Jeffrey Biegel, and Margaret Otwell. By Dmitri Kabalevsky. Arranged by Richard Walters. This edition: Interactive Download. Classical. 2 pages. Published by Hal Leonard - Digital (HX.304249).

Guitar - Level 3 - Digital Download SKU: A0.820648 Composed by Dmitri Kabalevsky. Arranged by Kenneth Pasciak. Contemporary. Guitar Tab. 3 pages. Kenneth Pasciak #6696869. Published by Kenneth Pasciak (A0.820648). A Little Song, Op. 27, No. 2, by Dmitri Kabalevsky arranged for solo classical guitar in E minor. Includes 1-page score with tablature and fingering suggestions plus individual guitar part without tab.

Piano Solo - Level 3 - Digital Download SKU: A0.933610 Composed by Thomas Coker. 20th Century,Instructional,Standards. Score. 9 pages. Thomas Rembert Coker Jr #3503503. Published by Thomas Rembert Coker Jr (A0.933610). To quote Wikipedia: Sweet Betsy from Pike is an American ballad about the trials of a pioneer named Betsy and her lover Ike who migrate from Pike County (Missouri?) to California. The cover art here is drawn by artist, Kaytha Coker Potts, whose image captures the imagined Betsy and Ike as they cross rivers, plains, and mountains on the way to California. The music for the various movements of Sweet Betsy, similarly, can be seen as musical pictures of this harrowing yet thrilling trip. Movement I pictures a joyful determination to make the trip, accompanied by energy enough to make the early struggles endurable. Movement II pictures rest and reflection. The evening comes when one thinks through the events of the day with peace and anticipation of continuing the journey tomorrow. Movement III paints the joy of the journey with the end in sight. High energy and much joy is found here.This sonatina was inspired by – and in many ways patterned after – Dmitri Kabalevsky’s Sonatina Op. 13, No. 1.  The first movement, Allegretto, imitates Kabalevsky’s use of the arch phrase in which two bars are mirrored by the following two bars. As the movement progresses, the tempo adjusts to meet continuing challenges – all filled with energy.    In the second movement, Introspection Andante, one takes the time to rest and reflect and, in so doing, to find the mental and musical balance needed on a journey as well as in music.  Movement III, the sonatina’s name sake, is in rondo form and rollicks along in b minor and 6/8 meter. The tune, Sweet Betsy, always in mind yet unstated, finally erupts three times in the center section, first in the left hand (in B Major), then a second time (in F Major) before appearing in the right hand (in C# Major) while accompanied (in B Major) in the left hand. The resulting conflicting tonalities are followed by a transitional sixteenth note run leading back to the first theme in b minor as the rondo plays out.

Clarinet Solo - Level 1 - Digital Download SKU: A0.909660 Composed by Dmitri Kabalevsky. Arranged by Nichole N. Contemporary. Individual part. 23 pages. Nichole N #6047241. Published by Nichole N (A0.909660). Including 4 short pieces from Kabalevsky piano songs. Notes range is very limited. Good for Beginner players.

Guitar - Level 3 - Digital Download SKU: A0.1292173 Composed by Dmitri Kabalevsky. Arranged by Kenneth Pasciak. 20th Century,Classical,Folk,Romantic Period. Guitar Tab. 6 pages. Kenneth Pasciak #882760. Published by Kenneth Pasciak (A0.1292173). Jeu by Dmitri Kabalevsky arranged for solo fingerstyle or classical guitar with variations in C. Includes 4-page score with tablature and fingering suggestions.Contents:Jeu (Theme)Variation 1 - Two StepVariation 2 - Slur StudyVariation 3 - Chorale IVariation 4 - MinoreVariation 5 - Chorale IIVariation 6 - FinaleKenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.525274 Composed by Dmitri Kabalevsky. Arranged by Christophe Pochon. 20th Century. Score and parts. 18 pages. Christophe Pochon #135812. Published by Christophe Pochon (A0.525274). Arrangement for 4 F Horns, 3 Bb Trumpets, 2 Trombone, 1 Bass Trombone, 1Tuba of this short piece for piano by Dmitri Kabalevsky.

Piano Solo - Level 1 - Digital Download SKU: A0.1209798 Composed by Dmitri Kabalevsky. Arranged by Gianluca Giovannetti. Classical. Score. 1 pages. Gianluca Giovannetti #807824. Published by Gianluca Giovannetti (A0.1209798). Dance on the lawn - Dmitri Kabalevsky.

Congas,Drum Set,Timbales,Timpani - Level 3 - Digital Download SKU: A0.1488023 Composed by Daniel Burwasser. 21st Century,Contest,Festival,Latin,Multicultural,World. 42 pages. Head and Stem Music #1064910. Published by Head and Stem Music (A0.1488023). NOTES on CirclesCircles, for drum quartet, was partly inspired by Latin rock and funk bands such as Santana, Earth, Wind and Fire and Afro-Latin infused groups that were particularly prominent during the 1970s. This work explores the rhythmical intricacies and interplay of that music and in part represents a synthesis of what the composer heard in his youth. Circles is made up of a chain of diverse dance beats or grooves, some of which are heard multiple times in the piece. These grooves feature timbales and congas solos that often trade off with each other. The timpani provide bass lines and the drum set functions as the centerpiece supplying different backbeat rhythms throughout.--NYC, July, 2024Instrumentation:TimbalesDrum setCongas4 Timpani You can contact the composer directly at: danielburwasser9@gmail.comWebsite: https://www.danielburwasser.com/Youtube channel: https://www.youtube.com/channel/UCrCnkSRO-XOjUu7bMB8tzCg?view_as=subscriber

Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled.  The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2  Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument.  The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden.  At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work.  There was also a room with 3 great pianos, sat to perform on 3 different stages.  Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed.  I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream.   About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me.  Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Disclaimer:  The score was written on Finale and the sound file was p.