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Marching Band - Level 4 - Digital Download SKU: A0.1348282 By F.l.y. - Fast Life Yungstaz. By Alviticus Bryant, Jared Rice, Keishaun Patrick Watts, Kevin Michael Erondu, Michael Gordon Jr., and Sedarius Spearman. Arranged by Ward Miller. Hip-Hop. 25 pages. Dr. Ward Miller, LLC #933066. Published by Dr. Ward Miller, LLC (A0.1348282). This hit from F.L.Y. is the perfect choice to get crowds on their feet! Written as a vamp that you can repeat during time-outs or big game moments, the audience and band alike will get into the vocals during the swing shuffle laid down by the basses and drums. Like all arrangements in this series, this publication includes: Score (8.5x11 landscape) Parts (flip folder sized) Flute/Piccolo Clarinet 1-2 Bass Clarinet Alto Sax 1-2 Tenor Sax Bari Sax Trumpet 1-3 Mellophone 1-2 Trombone 1-2 Baritone (BC and TC) Tuba Electric Bass Snare Tenors Bass Drums (5-line) Cymbals
Swag Surfin'
Fanfare
F l
$69.99 67.96 € Fanfare PDF SheetMusicPlus

Concert band - Grade 4 - Digital Download SKU: IZ.CBS173 Composed by Arthur J. Michaels. Pathways Series. Score and Parts. 71 pages. Duration 3'45. Imagine Music - Digital #CBS173. Published by Imagine Music - Digital (IZ.CBS173). 9 x 12 in inches.Escapade in Swing is a Grade 4 concert band piece with a duration of about 3:45. Jazz swing style began in the United States in the 1930s. It was America's favorite popular music form from about 1935 to 1945. This piece is a tribute to that style. Escapade in Swing begins in a moderate, laid-back feel with an ample sprinkling of cool. The piece then changes to a much faster Lively, Driving Swing tempo. A four-measure transition separates the coolness of the first part from the heat of the second part.The second part includes 2-measure written solos for clarinet, alto saxophone, tenor saxophone, and euphonium. Some of these solos are cued in other instruments. Directors can use discretion in assigning the solos: Solo passages can be played as written or ad-libbed, and each written solo can be assigned as a section soli.Escapade in Swing provides ample opportunities to teach lessons in jazz style, jazz notation and techniques, maintaining a steady tempo, intonation, soli and ensemble playing, and improvisation. Be sure to begin and maintain (don't rush!) the initial tempo of M.M.=108. Establishing this tempo best ensures pleasing contrast with the faster section, beginning at measure 32.This exciting piece makes an excellent concert closer, and it will be well-received by toe-tapping players and by toetapping audiences.Relight this piece's sizzle with an encore! Strike up a searing finish by taking it from measure 78 with the repeat!
Escapade in Swing
Orchestre d'harmonie

$80.00 77.68 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.980052 Composed by Thomas Weelkes. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renaissance. Score and parts. 73 pages. Kyle Skrivanek #2890997. Published by Kyle Skrivanek (A0.980052). As Vesta Was From Latmos Hill Descending tells the story of the Roman Goddess Vesta descending from a mythical hill and encountering the maiden queen, Oriana, ascending. The English composer and organist Thomas Weelkes composed this madrigal as part of a series of madrigals honoring Queen Elizabeth I known as The Triumphes of Oriana (Queen Elizabeth I was often called Oriana). Weelkes employed the technique of word painting in his composition and I maintained as much as possible in this arrangement for concert band. This arrangement is playable by advanced middle school and high school ensembles.
As Vesta Was From Latmos Hill Descending
Orchestre d'harmonie

$40.00 38.84 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
Medioevo By Jannes Jacobs
Orchestre d'harmonie

$15.00 14.57 € Orchestre d'harmonie PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)

$3.50 3.4 € Hautbois (partie séparée) PDF SheetMusicPlus






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