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Clarinet,Flute,Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1381377 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary. 39 pages. Barabba Music #966088. Published by Barabba Music (A0.1381377). Torschlußpanik: “Literally translated as a “gate-closing panicâ€. It is sense of anxiety or fear that one’s life is passing them by and that their future opportunities are diminishing.†(From www.betterthanenglish.com)Torschlußpanik was commissioned by the Verismo Trio, supported by the Wyoming Excellence FundThe clarinet part was written to be performable on Soprano Saxophone without alteration.A quick note about the tempo. This piece doesn’t work if it goes noticeably slower than the indicated quarter = 126. Ensembles are encouraged to be as faithful to that tempo as possible. There must be a sense of urgency and rushing for the entire five minutes of this piece. Ideally you should be performing it just a bit faster than you’re comfortable with..pdf download includes a full set of perfomance parts. For more information visit www.jasonbarabba.com.
Torschlußpanik

$20.79 17.59 € PDF SheetMusicPlus

Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965749. Published by Barabba Music (A0.1381033). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:              Anita Ward’s “Ring My Bellâ€Â              “Night Fever†by the Bee Gees              Gloria Gaynor’s “I Will Survive†(Just had to be included)              Lipps Inc’s “Funktownâ€Â              and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with Flute and Oboe in place of the clarinet available. For more information visit www.jasonbarabba.com.
Non mi porti a Funkytown? (Disco & Pavane)

$45.60 38.59 € PDF SheetMusicPlus

Percussion Septet Drum Set,Multi-Percussion - Level 5 - Digital Download SKU: A0.1403087 By Tsoof Baras. By Tsoof Baras. 21st Century,Classical,Multicultural,World. 31 pages. Tsoof Baras #986287. Published by Tsoof Baras (A0.1403087). Instrumentation - Drum Set, Woodblocks, Log drums, Temple BlocksPlayers - 7Written for the advanced percussion ensemble, Blocks Babeee is a piece for assorted blocks, log drums and drum set.This piece is inspired by the log drumming tradition of polynesia and the pacific islands. I extend a great appreciation to the tradition that these instruments and the musicians that play them carry and hope this piece is accepted as appreciation and a celebration.Parts are labelled Blocks 1-6, arranged in pitch from highest to lowest.I recommend performers use log drums, wood blocks or temple blocks of similar timbres to allow for blending of sound.
Blocks Babeee
Tsoof Baras
$45.00 38.08 € PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.901388 Arranged by Camilo Barahona. Country,Folk,Traditional. Score and parts. 4 pages. Camilo Barahona #5217659. Published by Camilo Barahona (A0.901388). I have included two different versions of Blackberry Blossom written for the fiddle, each with corresponding guitar parts for accompaniment. I've added bowings with careful consideration given in regards to phrasing and playability. Please feel free to reach out if you have any questions. I am a performer as well as an instructor.Teaching website: CamiloBarahona.comBluegrass band: BigBadRoosterMusic.comAmericana/Punk band: HoisttheColors.com   .
Blackberry Blossom : Fiddle & Guitar
Violon, Guitare (duo)

$4.99 4.22 € Violon, Guitare (duo) PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1380774 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Comedy,Contemporary. Score. 29 pages. Barabba Music #965563. Published by Barabba Music (A0.1380774). Text adapted from the essay by Edgar Allan PoeEdgar Allan Poe must have been cheated or swindled by someone good because only that can explain the existence of this angry little essay. In it he rails against the dark hearts of men who seek out to steal or cheat from others. If you’re getting some sort of double entendre from his now largely extinct use of the term diddling … well … you’ve got a dirty mind and I have no idea what you’re talking about.For more information, visit www.jasonbarabba.com.
Diddling: Considered as One of the Exact Sciences
Piano, Voix

$21.53 18.22 € Piano, Voix PDF SheetMusicPlus

Flute,Horn,Voice - Level 4 - Digital Download SKU: A0.1381380 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Historic. 36 pages. Barabba Music #966091. Published by Barabba Music (A0.1381380). For Flute, Horn and NarratorTexts taken from Forsyth’s Orchestration. Commissioned by Peggy Moran with Kent Leslie, Bernhard Scully and Angela Winter Duration Approximately 11 minutesDecisions about the narration should be made with the acoustics of the hall and the voice of the narrator in mind. If no amplification is needed, that’s great. All the narrator’s parts are in the bold, boxed texts with quote marks. When a specific beat is not indicated, the text can be ready calmly and at a comfortable speed without concern for meter or pulse. The narrator should read the text with a sense of importance, but also sound relaxed…like an academic lecture. Even in places where the text is indicated for a specific beat within a measure, they should sound natural and not performative..pdf download include a full set of performance parts. For more information visit www.jasonbarabba.com.
Visiting with Cecil Forsyth, 1914

$31.40 26.57 € PDF SheetMusicPlus






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