Large Ensemble Voice - Level 3 - Digital Download SKU: A0.730310 Composed by Pietro A Yon. Arranged by James Nathaniel Holland. 20th Century,Christian,Christmas,Opera,Sacred. Score and parts. 46 pages. James Nathaniel Holland #2877683. Published by James Nathaniel Holland (A0.730310). Gesu Bambino, the timeless Italian Christmas Carol by Pietro A Yon. Now with new English lyrics by American composer James Nathaniel Holland, more true to the original Italian and arranged for baritone vocal soloist and orchestra. Offered here is the full score (transposed) and all instrumental and vocal parts.  Range B2 to G4.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1082668 By Text: John Wesley, - Digital KB performance plus live by Blake Davidson. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. 20th Century,Contemporary,Praise & Worship,Spiritual. Score. 62 pages. Francis Osentowski #686837. Published by Francis Osentowski (A0.1082668). DIRECTIONS FOR SINGING is my setting of the well-known text by John Wesley giving a litany of advice to congregational singers. My colleague at North Lake College was an outstanding bass/baritone and a church choir director. He handed me a copy of Wesley's directions for singers...found in many old hymnals...and we both enjoyed good laughs at how accurate the words are to modern congregations. My song is a type of theater presentation...or a short cantata and portrays the contrasting emotions in the text. For example: Sing lustily and with good courage ...singing the songs of Satan! Will be a dramatic high point! But, Wesley's beautiful ending makes a great conclusion. Above all sing spiritually. Have and eye to God in every word you sing Directions requires a good pianist but the voice part doesn't require a huge range. Note: there is a Mezzo Soprano score enclosed.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1243881 Composed by Sue Edgar and Alan Edgar. Classical,Historic,Patriotic. Score. 18 pages. Alan Edgar Ted Moon #838853. Published by Alan Edgar Ted Moon (A0.1243881). Baritone solo (A up to G), pianoforte, optional SATB chorus.  This song sympathetically reflects on the burden of royal responsibility. Coronation Reflections is the Composer's title for this piece: lyricist Sue Edgar, my Wife, simply entitled her poem Coronation of King Charles. I have thought of it in four sections: the procession and ceremony; the music and acclamations; the weight of duty; his care for the environment and Youth, and I give each its own musical style. For the first part of the refrain, the baritone soloist uses the same do, re ,me, fa, each time in a different order: the second part uses the same music every time. Scares with chorus and without chorus included. 5 minutes. History, ceremonial.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1236281 By Amazing Grace (for baritone vocal with easy piano). By John Newton. Arranged by John Newton. Early Music,Instructional,Religious,Traditional,Wedding. Score. 2 pages. Daniel Nakamura #831794. Published by Daniel Nakamura (A0.1236281). Simplified arrangement for Baritone vocal with easy piano accompaniament.Key of Eb major.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.844370 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329599. Published by Dan Cutchen Music (A0.844370). Vocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For mezzo-soprano/baritoneRange: mezzo-soprano: Bb3 to Eb5; baritone: Bb2 to Eb4 Historically, Psalm 22:1 is known as the fourth saying of the Seven Last Words of Christ.There is also a version for tenor/soprano in the key of G.For the PIANO ACCOMPANIMENT track, please search for, Dan Cutchen-Why Have You Forsaken Me? Key of Eb, Piano Accompaniment.The attached VIDEO is for soprano/tenor in the key of G.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1498509 Composed by George Frideric Handel. Arranged by L. Müller. Baroque,Classical,Early Music,Opera,Sacred. Score. 4 pages. Müller Publishing company #1074807. Published by Müller Publishing company (A0.1498509). Ombra Mai Fù - G. F. Handel - for Baritone solo with Accompaniment in F MajorImmerse yourself in the serene elegance of G. F. Handel's Ombra mai fù with this refined arrangement by L. Müller for Baritone and Accompaniment. This version captures the timeless charm of Handel’s music, complemented by a rich accompaniment that beautifully enhances the vocal line. Ideal for performances in concerts, recitals, and worship settings, it is accessible for both seasoned and aspiring singers. This arrangement is available in various keys, with other tonalities listed on our profile. A stunning addition to any vocalist's repertoire.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1498507 Composed by George Frideric Handel. Arranged by L. Müller. Baroque,Classical,Early Music,Opera,Sacred. Score. 4 pages. Müller Publishing company #1074805. Published by Müller Publishing company (A0.1498507). Ombra Mai Fù - G. F. Handel - for Baritone solo with Accompaniment in D MajorImmerse yourself in the serene elegance of G. F. Handel's Ombra mai fù with this refined arrangement by L. Müller for Baritone and Accompaniment. This version captures the timeless charm of Handel’s music, complemented by a rich accompaniment that beautifully enhances the vocal line. Ideal for performances in concerts, recitals, and worship settings, it is accessible for both seasoned and aspiring singers. This arrangement is available in various keys, with other tonalities listed on our profile. A stunning addition to any vocalist's repertoire.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1498506 Composed by George Frideric Handel. Arranged by L. Müller. Baroque,Classical,Early Music,Opera,Sacred. Score. 4 pages. Müller Publishing company #1074804. Published by Müller Publishing company (A0.1498506). Ombra Mai Fù - G. F. Handel - for Baritone solo with Accompaniment in Db MajorImmerse yourself in the serene elegance of G. F. Handel's Ombra mai fù with this refined arrangement by L. Müller for Baritone and Accompaniment. This version captures the timeless charm of Handel’s music, complemented by a rich accompaniment that beautifully enhances the vocal line. Ideal for performances in concerts, recitals, and worship settings, it is accessible for both seasoned and aspiring singers. This arrangement is available in various keys, with other tonalities listed on our profile. A stunning addition to any vocalist's repertoire.

Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.702343 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christian,Easter,Praise & Worship,Sacred. 5 pages. Kevin G. Pace #6364631. Published by Kevin G. Pace (A0.702343). A sacred vocal solo for baritone voice. Music by Kevin G. Pace. Text by Mary Ann Snowball. See text below:

Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.702346 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christian,Easter,Praise & Worship,Sacred. 6 pages. Kevin G. Pace #6370759. Published by Kevin G. Pace (A0.702346). A sacred vocal solo written for baritone voice. Music composed by Kevin G. Pace. Text by Mary Ann Snowball. She text below:

Instrumental Duet Cello,Instrumental Duet,Medium Voice - Level 4 - Digital Download SKU: A0.939675 Composed by Richard St. Clair. 20th Century. Score and parts. 10 pages. Richard St. Clair #3000549. Published by Richard St. Clair (A0.939675). A short set of impressionistic poems by Donald Rubinstein, for solo baritone voice and cello accompaniment. Duration about 6 minutes. MP3 Audio Clip of premiere performance by Composers in Red Sneakers, Cambridge, Massachusetts USA.

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.964381 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321041. Published by Leyandder Trustworthy (A0.964381). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Baritone Saxophone along with a piano accompaniment that comes with the product.

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1047137 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651666. Published by Woods Only, Arrangements (A0.1047137). This easy arrangement for baritone sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1349698 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score and part. 6 pages. SCORE EDITIONS #934470. Published by SCORE EDITIONS (A0.1349698). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach’s favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1501044 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077001. Published by SCORE EDITIONS (A0.1501044). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.