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Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar. Arranged by Greg Bartholomew. 20th Century,Concert,Standards,World. Score and parts. 22 pages. Burke & Bagley #4793345. Published by Burke & Bagley (A0.787361). This is an orchestra arrangement of Elgar's choral setting of the Tennyson poem, There Is Sweet Music.  Scored for single winds, horn in F, and strings.  1111 1000 Strings.  Duration approx. 3'45.   Among the best-known compositions of Sir Edward Elgar (1857-1934) are his orchestral works, the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies among them. He is also known for his choral works, including The Dream of Gerontius, chamber music and songs.   Elgar’s 1907 set of Four Part Songs, choral miniatures for unaccompanied mixed chorus, are some of the most challenging in the repertoire.  The first of these, setting a poem by Alfred, Lord Tennyson (1809-1892), There Is Sweet Music presents a particularly special challenge to the singers, as apparently the first music ever published composed in two simultaneous keys.  The men are in G major throughout, while the women are in A-flat major, two harmonically distant keys.  Nevertheless, the music never sounds particularly dissonant and the effect is gentle.   Choral conductor Dr. Gary D. Cannon noted an orchestral quality in Elgar’s choral writing and suggested the possibility that There Is Sweet Music might be transcribed for orchestra, giving the men’s parts to the strings and the women’s parts to the winds.  Composer Greg Bartholomew accepted this challenge and produced this arrangement. 
There Is Sweet Music
Orchestre

$35.00 30.11 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video:  https://www.youtube.com/watch?v=5VVW1Ah6kqE  SONG OF THE MOUNTAINS  Climb the mountains and get their good tidings.  Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us.  The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
Song of the Mountains
Chorale SATB

$2.50 2.15 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.787366 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 16 pages. Burke & Bagley #6189295. Published by Burke & Bagley (A0.787366). This instrumental arrangement is an adaptation of Greg Bartholomew's setting for men's chorus of the poem To a Friend by James Fenimore Cooper, Jr. (1892-1918), the great-grandson of the famous novelist.  Available for trombone quartet, trumpet quartet, horn quartet, sax quartet, clarinet quartet and string quartet.  Duration ca. 5 minutes. Here's a video of the piece played on euphonium:  https://www.youtube.com/watch?v=v7JO-QL_DCs  Watch a score video of the choral arrangement:  https://youtu.be/ihIwlFzps0M
To a Friend (Trombone Quartet)
Quatuor de cuivres: 4 trombones

$16.00 13.76 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.787311 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 80 pages. Burke & Bagley #50565. Published by Burke & Bagley (A0.787311). Ah, My Children is an adaptation for orchestra of the opening scene of the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. In the opening scene of Act Two, Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and that he has now been caught and executed. For orchestra: 1111 4111 Timpani & Strings. Duration ca. 8'20. A Back to School 2015 feature.
Ah, My Children for orchestra
Orchestre

$24.99 21.5 € Orchestre PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.899139 Composed by Bella Bartok. Arranged by Rod Whittle. Folk. Individual part. 4 pages. Maggie Creek Music #4349077. Published by Maggie Creek Music (A0.899139). for solo classical guitar   4 pp   (7 min.)BELA BARTOK Welcome to the enchanting world of Bartok’s folk music. These pieces have been transcribed from arrangements for flute and guitar. Bela Bartok, considered one of the 20th century’s most important composers, was born in Hungary in 1881. A prodigy, he was a professor at the Budapest Music Academy by the age of 26. His interest in traditional music led him to make many journeys (with his colleague Zolta Kodaly) through Hungary, Romania and Slovakia collecting songs and dances, the styles of which were synthesised into compositions of his own. He emigrated to the USA in 1940 where he died five years later of leukaemia. The pieces are deceptively simple, and it would be a mistake to take their natural forms, clear melodies, tonal harmonies and strong rhythms as an invitation to play inattentively. Quite the contrary. They stand any amount of playing, but only when the composing is heeded, the dynamics observed, and modulations anticipated.
Four Folk Songs
Guitare

$5.00 4.3 € Guitare PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.995180 Composed by Anthony Bannach. 20th Century,Contemporary. Score and parts. 76 pages. Anthony Bannach Music #4735689. Published by Anthony Bannach Music (A0.995180). My first string quartet draws a lot of inspiration from early 20th century composers, which perhaps might be my favorite era of classical music. I am oft inspired by the music from Stravinsky, Nielsen, and Debussy, among others. However, the composer to have the most influence on me for the past few years is Bartok, and I believe it is evident in this work as well. I loved Bartok's use of the tritone as a tonal center, the vast and frequent changes of tempo, and the multitude of textural colors and extended techniques in his works. Most of the extended techniques are found in the second movement, an example of which is the Bartok pizzacatto, which today is a commonly found and utilized articulation. But I also have some newer techniques such as aleotoric passages, originally created by composers such as Charles Ives and Henry Crowell and which saw more prominent usage through the likes of John Cage and Witold LutosÅ‚awski, are still quite new and fresh compositional tools. The third movement is much more song-like and tonal in nature than the first two movements, but really adapts Bartok's style of changing the tempo often to bridge different sections. Ultimately, I see the quartet as a microcosm of the music I want to continue writing in the future, not over-indulging in the intellectual exercises of mid-to-late 20th and 21st century classical music, while at the same time not relying on the tonal and emotional tropes of the past. .
String Quartet No. 1
Quatuor à cordes: 2 violons, alto, violoncelle

$15.00 12.9 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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