Jazz Ensemble Jazz Ensemble - Digital Download

SKU: A0.820081

Composed by Count Basie. Arranged by Marcus Day. Jazz. Score and parts. 27 pages. Marcus Day Music #2863013. Published by Marcus Day Music (A0.820081).

This is an arrangement of the Count Basie classic, Duet, originally written for two trumpets. This is an arrangement by British Composer, Marcus Day, arranged for Jazz Ensemble, instrumentation; Soprano Sax One, Soprano Sax Two, Alto Saxophone, Tenor Saxophone, Trombone, Piano, Double Bass and Drum Kit. The four parts are fully written out, including drum part and a very interesting and influential Double Bass part. 

It is a pretty simple piece, and is very good fun to play, suitable for High School musicians and above. .

Lead Sheet - Digital Download

SKU: AX.00-PS-0009230

By Count Basie. By Neal Hefti. Jazz. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0009230. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0009230).

Bb Instruments - Advanced - Digital Download By Count Basie. Arranged by Rob Ames. Lead Sheet. 3 pages. Published by Rob Ames

Jazz band Drums - Level 3 - Digital Download

SKU: HX.275207

Arranged by Mark Taylor. Blues,Jazz. Individual instrument part. 4 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.275207).

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1273793

By Basie Count & Vaughan Sarah. By Al Hoffman, Mabel Wayne, and Maurice Sigler. Arranged by Will Healy. Jazz. 16 pages. The Chamberlain Brass #865920. Published by The Chamberlain Brass (A0.1273793).

Beautiful brass quintet arrangement by Will Healy of Little Man You've Had A Busy Day. Based on the 1961 recording by Sarah Vaughn and Count Basie. Trombone feature.

By Count Basie. Jazz. Piano/Vocal/Guitar (chords only). 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.284054). - Piano/Vocal/Guitar (chords only) - Jazz - Hal Leonard - Digital Sheet Music

Composed by Ala/Jones/Basie. Arranged by Nick Roels. Jazz, Swing, Big Band. Individual Part. 2 pages. Published by Nick Roels (S0.215615). - Individual Part - Jazz,Swing,Big Band - Nick Roels

Composed by Harry Warren/Ala/Basie. Arranged by Nick Roels. Jazz, Big Band. Score, Set of Parts. 31 pages. Published by Nick Roels (S0.174569). - Score,Set of Parts - Jazz,Big Band - Nick Roels

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_T2

2nd B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T2).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_TX1

B-flat Tenor Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TX1).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download

SKU: AX.00-PR-0004481

Score. Composed by Benny Carter. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0004481. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004481).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_T4

4th B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T4).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_TX2

2nd B-flat Tenor Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TX2).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_TN2

2nd Trombone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TN2).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.