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Bassoon,Piano - Level 3 - Digital Download SKU: A0.786664 Composed by Daniel C. Roberts, George William Warren. Arranged by Beka Wilson. Christian,Holiday,Patriotic,Sacred. Score and part. 7 pages. Beka Wilson #6343129. Published by Beka Wilson (A0.786664). This arrangement of God of Our Fathers would be a perfect occasion song for Father's Day, Independence Day, Memorial Day, or Veterans Day. Length: around 2 minutesLevel: intermediate for most instruments7 pages (includes score and separate solo part)This arrangement is available as a solo for voice, piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available for SATB Choir.
God of Our Fathers--bassoon solo
Basson, Piano (duo)

$6.99 6.13 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon Solo - Level 1 - Digital Download SKU: A0.1485403 Composed by Richard Wagner. Arranged by Jps Arrangements. Christian,Opera,Romantic Period,Wedding. Individual part. 1 pages. Jps Arrangements #1062468. Published by Jps Arrangements (A0.1485403). Richard Wagner's Wedding March, also known as the Wedding Choir, is a classic piece often played at weddings. It evokes a feeling of celebration and solemnity, being perfect to accompany the bride's entrance. Here are some reasons to consider purchasing sheet music:Ease of performance: The easy version for Bassoon is accessible even to beginners. The notes are simplified, allowing anyone to play this iconic melody.Emotion and meaning: The Wedding March is loaded with emotional meaning. It symbolizes the couple's union and happiness, making it a touching choice. for the big day.Tradition: Since the 19th century, the Wedding March has been a tradition choice for weddings. When you touch it, you connect to a long history of marriage celebrations.Customization: You can adapt the interpretation to your personal style. Try different dynamics, rhythms and expressions to make it unique.The arrangement is in E and has no chords.
Bridal Chorus for Bassoon
Basson

$4.99 4.38 € Basson PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1039918 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #644792. Published by Diego Marani (A0.1039918). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for bassoon with piano is suitable for classroom, repertoire and recital.
Pomp and Circumstance March No. 1 for Bassoon and Piano
Basson, Piano (duo)

$9.99 8.76 € Basson, Piano (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.750878 Composed by Brendan Elliget MAGA 537. Contemporary. 19 pages. BJE Music #4330135. Published by BJE Music (A0.750878). Just as two butterflies dance around each other in flight during the sunny days of Spring or Summer, so do these Clarinet melodies in this short composition for Clarinet Choir with optional piano accompaniment. It should work well as a Clarinet Quartet or Quintet…If you use this piece, let me know how it goes - Write a review!Also available as a Flute or Clarinet duet, Bassoon duet and as an arrangement for Orchestra - See related ScoresThe MP3 was recorded with NotePerformer…Grade = 3 Duration = 1:40 mins.
Butterflies - Clarinet Choir Score and Parts PDF
Flûte, Hautbois, Clarinette, Basson

$10.00 8.77 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1045404 Composed by Francois-Joseph Gossec. Arranged by Carson Yu. Classical. 22 pages. Carson Music Gallery #649973. Published by Carson Music Gallery (A0.1045404). François-Joseph Gossec (1734-1829), a respected composer in his time, worked mainly in Paris. Tambourin is a French dance which has to play the tambourin when dancing. The piece is one of his best known and is still favoured today. Arranged to Solo Flute and accompanied by Flute Choir (4C, Al. & B. Fl) by Carson Yu. Advance intermediate level. Suitable for concert, gigs, party, teaching materials or any occasions. Score and parts. Published by Carson Music Gallery E-mail: carsonmusicgallery2022@gmail.com.
<b>Tambourin </b>for Solo Flute and Flute Choir (<i>arr. Carson Yu</i>)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$22.99 20.16 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1325401 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 9 pages. RayThompsonMusic #913639. Published by RayThompsonMusic (A0.1325401). Bring Us in Good Ale is a medieval English drinking song celebrating good drink and honoring Our Lady. For the medieval man, convivial drinking was a part of life, and drinks were enjoyed with nearly every meal. The English beverage of choice was ale. In Bring us in Good Ale the singers jocularly excuse themselves from mutton, eggs and pudding and instead stand firm in their call for their favorite drink. As they list all the dishes they refuse, the singers indirectly give thanks for the good season that has led to the plenty they are enjoying.Gustav Holst arranged it for unaccompanied choir as one of his 4 carols Op.34.It is quite short.Arranged here for wind quintet.Bring us in good ale, and bring us in good ale;For our Blessed Lady's sake, bring us in good ale.Bring us in no brown bread, for that is made of bran,Nor bring us in no white bread, there therein is no game;But bring us in good ale.Bring us in no beef, for there is many bones,But bring us in good ale, for that goes down at once;And bring us in good ale.Bring us in no bacon, for that is passing fat,But bring us in good ale, and give us enough of that;And bring us in good ale.Bring us in no mutton, for that is often lean,Nor bring us in no tripes, for they be seldom clean.Bring us in no eggys, for there are many shells,But bring us in good ale, and give us nothing else.Bring us in no butter, for there are many hairs;Nor bring us in no pig's flesh, for that will make us bears.Bring us in no puddings, for therein is all God's good;Nor bring us in no venison, for that is not for our blood;But bring us in good ale.Bring us in no capon's flesh, for that is often dear;Nor bring us in no duck's flesh, for they slobber in the mere;But bring us in good ale. Arranged wind quintet
Holst: Bring Us In Good Ale (4 Carols for A Capella Choir Op.34 No.4 H.131) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$3.95 3.46 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

B-Flat Clarinet,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349240 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933985. Published by Phil Beaman (A0.1349240). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz clarinet and upright double bass
Clarinette, Contrebasse (duo)

$4.99 4.38 € Clarinette, Contrebasse (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.551498 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and parts. 62 pages. Jmsgu3 #5306303. Published by jmsgu3 (A0.551498). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
Grieg: Peer Gynt Suite Complete for Bassoon & Piano
Basson, Piano (duo)

$59.95 52.57 € Basson, Piano (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.860447 Composed by Daniel Leo Simpson. Christian,Christmas,Easter,Spiritual,Wedding. Score and parts. 9 pages. ScorePerfect #2032027. Published by ScorePerfect (A0.860447). The hauntingly beautiful Ave Maria by San Francisco's award-winning composer Daniel Leo Simpson is a new setting of the traditional sacred text (in English) and an exciting addition to the repertoire. Arrangements are available for all voices, typical choir formats and instruments with easy keyboard accompaniments, or, request an arrangement if you don't see it listed! This timely classic will warm the hearts of players and audiences alike and is suitable for weddings, church, recitals and educational opportunities for teachers and their students. With it's serene melody and moments of bold, dramatic climaxes, this piece will not disappoint.
Ave Maria (for Bassoon & Piano)
Basson, Piano (duo)

$9.99 8.76 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Basson

$5.00 4.38 € Basson PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549542 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 11 pages. Jmsgu3 #3506315. Published by jmsgu3 (A0.549542). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
Grieg: Ase's Death from Peer Gynt Suite for Bassoon & Piano
Basson, Piano (duo)

$24.95 21.88 € Basson, Piano (duo) PDF SheetMusicPlus






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