Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.559830 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 22 pages. Lisa L Ochoco #4831881. Published by Lisa L Ochoco (A0.559830). Handel's Messiah is one of the most popular musical works of all time, and choirs around the world perform Part 1 of Messiah every Christmas season.

Full Orchestra - Level 5 - Digital Download SKU: A0.712965 Composed by Peter Ilyich Tchaikovsky. Arranged by Doug Clyde. Christmas,Romantic Period. Score and parts. 163 pages. ALBEDO MUSIC #4615789. Published by ALBEDO MUSIC (A0.712965). Waltz of the Snowflakes from the ballet The Nutcracker for Full Orchestra and Female Choir. Composed by Pyotr Ilyich Tchaikovsky. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet in Bb, Bassoon 1, Bassoon 2, Horn in F I, Horn in F III, Horn in F II, Horn in F IV, Trumpet in Bb 1, Trumpet in Bb 2, Trombone 1, Trombone 2, Bass Trombone, Tuba, Timpani, Percussion (Triangle, Cymbals), Glockenspiel, Harp 1, Harp 2, Female Choir (Soprano, Alto), Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 5:50. AMDS186. © 2016 by ALBEDO MUSIC.

Full Orchestra - Level 5 - Digital Download SKU: A0.1179704 By Patrick Sheehan. By Traditional Polish. Arranged by Patrick Sheehan. Children,Christmas,Classical. Score and parts. 74 pages. Patrick Sheehan #779688. Published by Patrick Sheehan (A0.1179704). A new arrangement of the traditional Polish Christmas carol which features a solo baritone vocalist, youth choir and orchestra.INSTRUMENTATION:  Piccolo, Flute I, Flute II, Oboe, English Horn (F), Bassoon I, Bassoon II, Clarinet I (Bb),Clarinet II (Bb), Bass Clarinet (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, Solo Baritone Voice, Youth Chorus, Crash Cymbals, Bass Drum, Timpani, Harp, Violin I, Violin II, Viola, Violoncello, Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

Woodwind Ensemble Alto Flute,Bass Clarinet,Bass Flute,Contra Alto Clarinet,Contrabassoon,Piccolo - Digital Download SKU: A0.830662 Composed by Maurice Ravel. Arranged by Richard Byrnes. 20th Century. 39 pages. Richard Byrnes #3412085. Published by Richard Byrnes (A0.830662). Le Gibet is the second movement from Maurice Ravel's Gaspard de la Nuit. This is an arrangement by Richard Byrnes for 2 Piccolos, 3 Flutes, 3 Alto Flutes, 2 Bass Flutes, Bass Clarinet, Contralto Clarinet, & Contrabassoon.

Large Ensemble Choir - Level 3 - Digital Download SKU: A0.984538 Composed by Tito Abeleda. Contemporary. Score and parts. 80 pages. Visionary Quest Records #4780997. Published by Visionary Quest Records (A0.984538). Full Orchestra and SATBB Choir: Piccolo, E Flat Flute, Flute, Oboe, Cor Anglais, Clarinet in E Flat, Clarinet in B Flat, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Horn in F 1-3, Trumpet in C 1-3, Bass Trumpet in E Flat, Trombone 1-2, Tenor Tuba in B Flat, Bass Tuba in F, Timpani, Snare Drums, Bass Drum, Cymbals, Anvil, Wood Blocks, Tubular Bells, Soprano, Alto, Tenor, Baritone, Bass, Violin I, Violin II, Viola I, Viola II, Violoncello, ContrabassProcession in D Minor (for Orchestra and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.Email: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449265 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028411. Published by Rodrigo Faleiros (A0.1449265). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ?? Check out my other choir arrangements by clicking here ??

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449264 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028410. Published by Rodrigo Faleiros (A0.1449264). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ?? Check out my other choir arrangements by clicking here ??

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449262 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028407. Published by Rodrigo Faleiros (A0.1449262). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ?? Check out my other choir arrangements by clicking here ??

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449263 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028408. Published by Rodrigo Faleiros (A0.1449263). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ?? Check out my other choir arrangements by clicking here ??

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.516753 Composed by Santino Cara. A Cappella,Christian,Christmas,Classical,Easter. Octavo. 57 pages. Santino Cara #1911487. Published by Santino Cara (A0.516753). 20 sacred songs in the classic style for men's choir of tenors, baritones and basses, compounds over the past 20 years by Santino Dear on ancient sacred texts, poets of the Renaissance and Baroque. == 20 canti sacri in stile classico per coro maschile di tenori, baritoni e bassi, composti nel corso degli ultimi 20 anni da Santino Cara, su antichi testi sacri, poeti del Rinascimento e del Barocco.

Woodwind Ensemble Alto Flute,Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,English Horn,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1103553 Composed by Claude Debussy. Arranged by Joel Denney. Chamber,Classical. 72 pages. Joel Denney Music #706823. Published by Joel Denney Music (A0.1103553). Composed in 1889 for piano four hands by Claude Debussy. Orchestrated in 1907 by Henri Büsser. Arranged for woodwind choir + percussion in 2022 by Joel Denney. Key changed from E to Eb. Instrumentation: 4 flutes, alto flute, 2 oboes, English Horn/cor anglais, 2 bassoons, 3 Bb clarinets (all divisi), bass clarinet (divisi), 2 alto saxophones, tenor saxophone (divisi), baritone saxophone, harp, timpani, triangle, suspended cymbal and crash cymbal, opt. bells. Parts are extensively crossed cued with important solo/soli sections for performances where instrumentation is incomplete. This work was arranged for a large concert band woodwind section, but may also be played one-on-a-part with the following exceptions: Bb (soprano) clarinet parts each require at least two players due to extensive divisi. Two bass clarinets and two tenor saxophones are recommended, but not required. This PDF download includes an 11x17 conductor's score (recommended), an 8.5x11 study score, and 8.5x11 individual parts.

Small Ensemble - Level 2 - Digital Download SKU: A0.550377 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. Score and parts. 25 pages. Jmsgu3 #4616351. Published by jmsgu3 (A0.550377). Quadruple canon: Nesciens mater virgo virum. Score: 7 pages. Duration: ca. 3:00. Instrumentation: 1 English Horn, 3 Oboes, 2 Oboes d'Amore, 2 Bassoons, 1 Contrabassoon (optional).

Woodwind Ensemble - Digital Download SKU: A0.1049899 By Richard Byrnes. By Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. 92 pages. Richard Byrnes #654290. Published by Richard Byrnes (A0.1049899). Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works.Barely 20 years old, Brahms wrote this in 1853. It is the second of five movements. Being his last piano sonata, it is his biggest solo piano work.This movement begins with a quotation from a poem by Otto Inkermann:Through evening's shade, the pale moon gleamsWhile rapt in love's ecstatic dreamsTwo hearts are fondly beating.This is an arrangement by Richard Byrnes for Piccolo, 2 Flutes, 2 Oboes, 4 Clarinets, 3 Bassoons, Contralto Clarinet, & Contrabassoon.In addition to works by Brahms, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.

Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.