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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.735901 Composed by Wolfgang Amadeus Mozart. Arranged by Andrew Middleton. Classical. Score and parts. 6 pages. Andrew Middleton #5803181. Published by Andrew Middleton (A0.735901). Originally composed by W.A. Mozart between 1764-5 for piano, this arrangement of Rondo in F is ideal for the early intermediate bassoon ensemble. This arrangement is also available for flute, oboe, clarinet and saxophone duet too!For a full list of available arrangements please visit https://www.sheetmusicplus.com/publishers/andrew-middleton/5200?aff_id=653449For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ 
Rondo in F K.15 arranged for Bassoon Duet
2 Bassons (duo)

$5.99 5.2 € 2 Bassons (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549147 Composed by W. A. MOZART (1756 - 1791). Arranged by James M. Guthrie, ASCAP. Classical,Easter,Standards. Score and parts. 7 pages. Jmsgu3 #3454725. Published by jmsgu3 (A0.549147). Mozart: Ave verum corpus K. 618. Duration: 2:30 Score: 4 pg, Solo part: 1 pg, Piano part: 2 pg. This is an amazing masterpiece of music written by one of the greatest composers in our history. This popular piece by Mozart was composed only 6 months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute. Program this for Lent or Easter meditations, or any Christian communion service. Also, this would be a strong recital encore showing mastery of phrasing, tone quality, and dynamics.
Mozart: Ave Verum Corpus for Bassoon & Piano
2 Bassons (duo)

$32.95 28.59 € 2 Bassons (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - Digital Download SKU: A0.521612 Composed by Claude Debussy. Arranged by Sherry Lewis. 20th Century,Holiday,Spiritual,Wedding. 17 pages. Sherry Lewis Publishing #6249551. Published by Sherry Lewis Publishing (A0.521612). CLAIR DE LUNE, Woodwind Quartet, Intermediate Level for 2 flutes, clarinet, bassoon Score: 6 pages parts: 8 pages time: 4'10 MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
CLAIR DE LUNE, Woodwind Quartet, Intermediate Level for 2 flutes, clarinet and bassoon
2 Flûtes traversières (duo)

$6.50 5.64 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 15 pages. Jmsgu3 #3497185. Published by jmsgu3 (A0.549452). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    
Sullivan: The Lost Chord for Bassoon & Piano
2 Bassons (duo)

$26.95 23.38 € 2 Bassons (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.735882 Composed by Camillie Saint-Saens. Arranged by Andrew Middleton. Halloween,Romantic Period. Score and parts. 8 pages. Andrew Middleton #5801939. Published by Andrew Middleton (A0.735882). Composed in 1874, Camille Saint-Saen's waltz/tone poem Danse Macabre conjures images of skeletons rising from their graves to dance in moonlight! This spooky piece is ideal for the intermediate bassoon duet and is also available for flute, oboe, clarinet and saxophones too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
Danse Macabre arranged for Bassoon Duet
2 Bassons (duo)

$5.99 5.2 € 2 Bassons (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.735905 Composed by Wolfgang Amadeus Mozart. Arranged by Andrew Middleton. Classical. Score and parts. 6 pages. Andrew Middleton #5806707. Published by Andrew Middleton (A0.735905). Composed by Mozart in 1783, Turkish March (or Alla Turca as it is officially known) is the final movement of Mozart's Piano Sonata in A K331. This arrangement for bassoon duet is ideal for the intermediate ensemble and is also available for flute, oboe, clarinet and saxophone duet too.For a full list of available arrangements please visit https://www.sheetmusicplus.com/publishers/andrew-middleton/5200?aff_id=653449For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ 
Turkish March arranged for Bassoon Duet
2 Bassons (duo)

$5.99 5.2 € 2 Bassons (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1180851 Composed by Wolfgang Amadeus Mozart. Arranged by James Haynor. Classical. 27 pages. James Haynor #780706. Published by James Haynor (A0.1180851). Wolfgang Amadeus Mozart's Horn Concerto No. 2 in E-flat major, K. 417 was completed in 1783. The concerto is scored for solo horn and an orchestra of two oboes, two horns, and strings. This is one of two horn concerti of Mozart to omit bassoons.This arrangement is scored for Woodwind Quintet and makes a lively and exciting addition to any concert or recital. The horn takes the lead of course but plenty to play for everyone.( Duration - 3:46 ).
Horn Concerto #2 Finale for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$10.00 8.68 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.963465 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Contemporary,Romantic Period,Standards. 15 pages. Cristiano Vecchi #5720739. Published by Cristiano Vecchi (A0.963465). Aus tiefer Not schrei ich zu dir (Out of deep anguish I call to You):an intimate and sweet chorale prelude composed by Max Reger in five real parts.Duration: 2'50.Version for: Piccolo - Flutes 1&2 - Alto Flute - Bass Flute . Extra parts included to replace all the instruments (except Piccolo) with Clarinets. Extra parts included to replace Alto Flute with English Horn, Bass Flute with Bassoon.SCORE and PARTS.MP3 also available on this website.Also available for Woodwind Quintet, Clarinet (or treble instrument) and String Quartet, String Quintet, Double Reed Quintet, Cello Quartet and Double Bass.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
Chorale Prelude Op.67 N.3 for Flute Quintet
Quintette de Flûte : 5 flûtes

$3.99 3.46 € Quintette de Flûte : 5 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Flûte, Hautbois, Clarinette, Basson

$49.95 43.33 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.811711 Composed by Giuseppi Sammartini (1695 - 1750). Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 20 pages. Piper Publications #4897105. Published by Piper Publications (A0.811711). These are the first three of Sammartini’s SIX SONATAS OR DUETS for two German flutes Compos’d for the Temple of Apollo published by James Oswald and sold at his music shop in St. Martin’s Church Yard in the Strand London shortly after October 1747. The title page is followed by a copy of the permission of George the Second King of Great Britain, France and Ireland to print and publish two operas of Vocal and Instrumental Music intitled (sic), The Temple of Apollo which he has composed and employed others to compose, for a period of fourteen years.Sonatas 1 & 2 have three movements, No. 3 has four: No. 1 in D major - Andante, Allegro & AllegroNo. 2 in E minor - Andante, Allegro & Minuet & TrioNo. 3 in A major - Spiritoso, Allegro, Andantino & MinuetThe parts are of equal difficulty and move independently. Players of intermediate ability and above will enjoy these. The format is a playing score with no page turns during the movements.N.B. These Sonatas are completely different sonatas from the VI SONATE A TRE for 2 flutes & basso published by Boivin in Paris in 1740 which, confusingly were also described as 'opera 1'.
GIUSEPPI SAMMARTINI THREE SONATAS FOR TWO FLUTES OPUS 1
2 Flûtes traversières (duo)

$10.00 8.68 € 2 Flûtes traversières (duo) PDF SheetMusicPlus






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