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Trombone Solo - Level 2 - Digital Download SKU: A0.1391733 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Individual part. 2 pages. Iury Cardoso #975250. Published by Iury Cardoso (A0.1391733). Easy TROMBONE SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for TROMBONE SOLO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and with the piano on this website.- ADVANCED VERSION available: there is also an advanced version of this arrangement on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for trombone solocanon pachelbel easy sheet musiccanon in D pachelbel for easy trombone solocanon pachelbel easy trombone sheet musiccanon easy trombone solocanon but on the trombone easy trombone baroque sheet musicpachelbel sheet musiccanon pachelbel best easy arrangement for trombone solocanon arrangement for trombone solocanon pachelbel for solo trombone easy classical  sheet music for trombone.
"Canon" by Pachelbel - EASY version for TROMBONE SOLO.
Trombone

$2.99 2.59 € Trombone PDF SheetMusicPlus

Trombone Solo - Level 3 - Digital Download SKU: A0.1389434 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Individual part. 3 pages. Iury Cardoso #973020. Published by Iury Cardoso (A0.1389434). TROMBONE SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for TROMBONE SOLO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and with the piano on this website.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for trombone solocanon pachelbel sheet musiccanon in D pachelbel for trombone solocanon pachelbel trombone sheet musiccanon trombone solocanon but on the trombone trombone baroque sheet musicpachelbel sheet musiccanon pachelbel best arrangement for trombone solocanon arrangement for trombone solocanon pachelbel for solo tromboneclassic sheet music for trombone.
"Canon" by Pachelbel - Version for TROMBONE SOLO.
Trombone

$4.99 4.33 € Trombone PDF SheetMusicPlus

Trombone Solo - Level 3 - Digital Download SKU: A0.1389435 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Individual part. 3 pages. Iury Cardoso #973021. Published by Iury Cardoso (A0.1389435). TROMBONE SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for TROMBONE SOLO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and with the piano on this website.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for trombone solocanon pachelbel sheet musiccanon in D pachelbel for trombone solocanon pachelbel trombone sheet musiccanon trombone solocanon but on the trombone trombone baroque sheet musicpachelbel sheet musiccanon pachelbel best arrangement for trombone solocanon arrangement for trombone solocanon pachelbel for solo tromboneclassic sheet music for trombone.
"Canon" by Pachelbel - Version for TROMBONE SOLO.
Trombone

$4.99 4.33 € Trombone PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.1389406 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Score and part. 9 pages. Iury Cardoso #972992. Published by Iury Cardoso (A0.1389406). TROMBONE SOLO with PIANO arrangement of the piece: Canon by Johann Pachelbel.(Score and TROMBONE part: 9 pages)This arrangement of Pachelbel's Canon transforms the original music (composed for three violins and basso continuo) into a version for TROMBONE SOLO with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website.See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for trombone and pianocanon pachelbel sheet musiccanon in D pachelbel for trombone solocanon pachelbel trombone and piano sheet musiccanon trombone and piano duettrombone chamber musiccanon but on trombone trombone with piano baroque sheet musiceasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best arrangement for trombone solocanon arrangement for trombone solo with piano.
"Canon" by Pachelbel - Version for TROMBONE with PIANO
Trombone et Piano

$5.99 5.2 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C.   Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses.  The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion.  The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist.   Ken Andresen, New York freelance musician
Concerto for Trombone and Piano
Trombone et Piano

$27.50 23.86 € Trombone et Piano PDF SheetMusicPlus

Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.771763 Composed by Gregory Hamilton. 20th Century,Concert,Contemporary. Score and part. 7 pages. Dr. Gregory Hamilton #2118785. Published by Dr. Gregory Hamilton (A0.771763). Lament, for Double Bass and Piano was written in memory of Fr. Ralph March, O Cist. 1922-2016+ The work is scored for Double Bass and piano and should be played very slowly with expression and freedom. There is a also a version for Trombone and Piano. The two works are not direct transcriptions but conceived differently for the two instruments. Part is included with score. Fr. Ralph March was a world renowned scholar of music and Gregorian chant and directed many choirs, while teaching at the University of Dallas, he was a Cistercian Monk of our Lady of Dallas.
Lament, for Double Bass and Piano
Contrebasse, Piano (duo)

$20.00 17.35 € Contrebasse, Piano (duo) PDF SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Basson

$3.50 3.04 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Basson

$3.50 3.04 € Basson PDF SheetMusicPlus

Bassoon,Piano - Level 4 - Digital Download SKU: A0.786574 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6260795. Published by Beka Wilson (A0.786574). One of Fanny Crosby’s most beloved hymns is Blessed Assurance, and this song was given life by composer Phoebe Palmer Knapp. This intermediate instrumental arrangement of Blessed Assurance is perfect as part of a prelude, a short offertory for a smaller church, or any other special music needs for a church service.This arrangement is also available as a solo for flute, oboe, clarinet, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, or harp/cello. A vocal version of this arrangement will be made available soon.Length: approximately 2:40 Key: Concert D (E for B flat instruments, B for E flat instruments, A for F instruments)5 pages (includes score and separate solo part)
Blessed Assurance--bassoon solo
Basson, Piano (duo)

$6.99 6.07 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Basson

$3.50 3.04 € Basson PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.786493 Composed by J. Wilbur Chapman, Rowland W. Prichard. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. Score and part. 7 pages. Beka Wilson #6097639. Published by Beka Wilson (A0.786493). This arrangement of the tune Hyfrydol is suitable for Christmastime (for Come Thou Long-Expected Jesus) or the rest of the year (for Our Great Savior). This arrangement is also available as a solo for flute, oboe, clarinet, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.7 pages, includes piano score and individual instrument part.Approximately 3:15 in length (@105 bpm)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
Come Thou Long-Expected Jesus--bassoon solo
Basson, Piano (duo)

$6.99 6.07 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon Solo - Level 5 - Digital Download SKU: A0.1018881 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056091. Published by Benjamin Sajo (A0.1018881). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bassoon 2
Basson

$3.50 3.04 € Basson PDF SheetMusicPlus






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