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Piano,Voice Duet Baritone Horn TC,Bass Voice,Piano - Level 2 - Digital Download SKU: A0.1511366 Composed by Traditional. Arranged by Valdir Maia. Advent,Christian,Christmas,Holiday,Traditional. 2 pages. Valdir Maia #1086540. Published by Valdir Maia (A0.1511366). Away in a Manger – Baritone and Bass Duet with Piano AccompanimentCelebrate the holiday season with this beautiful arrangement of Away in a Manger for baritone and bass duet with piano accompaniment. Perfect for Christmas performances, this traditional Christian Christmas song brings a rich and warm texture to any festive gathering.Ideal for musicians of all levels, this arrangement is well-suited for church services, holiday concerts, or community events. The blend of baritone and bass voices, accompanied by piano, creates a harmonious and uplifting sound that captures the essence of Christmas.PDF of high-quality score available for immediate download. Add this timeless Christmas music to your repertoire today!**Key Features:**- Scored for baritone and bass duet with piano accompaniment- Traditional Christian Christmas music- High-quality PDF downloadOrder now and elevate your holiday performance!
Away in a Manger – Baritone and Bass Duet with Piano Accompaniment

$12.99 11.32 € PDF SheetMusicPlus

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1042625 Composed by Todd Marchand. Sacred. Octavo. 7 pages. Con Spirito Music #647400. Published by Con Spirito Music (A0.1042625). Tobias Clausnitzer (1619-1684) was a German Lutheran pastor and writer of theological treatises, sermons, and hymns. His best-known hymn, perhaps, is Liebster Jesu wir sind bier, translated to English and published as Blessed Jesus, at thy word by the English hymn-writer and educator Catherine Winkworth (1827-1878) in her Lyra Germanica — Hymns for the Sundays and Chief Festivals of the Christian Year, translated from the German (1858), and repeated in her Chorale Book for England (1863). Winkworth was also translator for Clausnitzer's Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist (We all believe in one true God, Father, Son, and Holy Ghost), a metrical paraphrase of the Apostles Creed designated for Trinity Sunday in the Culmbach-Bayreuth Gesang-Buch (1668). Winkworth also included this in her Chorale Book for England.This new musical setting, mostly in unison and briefly expanding to three-part harmony at the peak of each verse, is very singable by small and developing choirs composed of soprano, alto, and baritone/bass voices. The accompaniment, with sustained tones, is best realized on organ.The opening phrase, We all believe in one true God, may be sung by a solo male voice, similar to the opening intonation of a chanted canticle or psalm. Dynamic contrasts (crescendi and decrescendi) throughout follow the rising and falling of the melodic line and should be carefully observed. ©Copyright 2022 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
Hymn to the Holy Trinity — anthem for SAB voices, organ
Chorale 3 parties

$2.00 1.74 € Chorale 3 parties PDF SheetMusicPlus

2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - Digital Download SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.
Double Bass Concerto
Orchestre de chambre

$16.99 14.81 € Orchestre de chambre PDF SheetMusicPlus

Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary,Musical/Show. Score and parts. 11 pages. Tom Swafford #3575315. Published by Tom Swafford (A0.914146). Novelty song for voice (any type), piano (or harpsichord), and optional bassoon.  Originally written for bass voice, the part is in treble clef and goes up to a D at the top of the staff and down to an E below the staff. Contact the composer if you would like it in a different key. This is a silly song with some cartoonish violence represented (cracking skulls etc.), reminiscent of Gilbert and Sullivan or early 20th century musical theater.  PDF is designed for double-sided printing, with page 1 of the score on the left side, blank pages are inserted to avoid page turns in the voice and bassoon parts. duration 2.5 minutes. www.tomswafford.com ASCAP.
The Wretch - novelty song for voice, harpsichord, optional bassoon

$5.00 4.36 € PDF SheetMusicPlus






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