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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1167234 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 7 pages. Natalia Melnik #767611. Published by Natalia Melnik (A0.1167234). S.Rachmaninoff  ПеÑÐ½Ñ Ñ€Ð°Ð·Ð¾Ñ‡Ð°Ñ€Ð¾Ð²Ð°Ð½Ð½Ð¾Ð³Ð¾ / Pesnya Razocharovannogo / The Song Of The Disappointed, without opus numberOriginal key, Bass clefDiction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 .FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/rachmaninoff-song-of-the-disappointed-w-o-op-orig-key-bassclef-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
"Song Of The Disappointed" w/o Op Orig.key Bass Clef DICTION SCORE with IPA and translation
Piano, Voix
Sergei Rachmaninoff
$8.50 7.28 € Piano, Voix PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.793833 Composed by Johann Sebastian Bach. Arranged by Ivana Tuskan. Baroque,Christmas,Sacred,Standards. Octavo. 8 pages. Ivana Tuskan #3636679. Published by Ivana Tuskan (A0.793833). Originally is written for strings and unison Tenor line. I kept the original key: E flat major. In my arrangement Choral line (german or english text) is meant to be sung by one or few soprano voices unison, and the rest by one voice or chorus unison, who are singing melody (text: Bam, ba-va-da,...), which is usually performad by violins and violas. Bass line is meant to be played by cello, and viola plays harmony (There are two more arrangement with added violin as harmony instrument and for voices and cello in bass line, only). Vocal range: Voice 1: C4 – G5; voice 2: G3 – F5 Lyrics: english & german Score contains 8 pages. Duration: ca.3:20. The sound sample is an electronic preview. 
Zion hört (Zion Hears) Choral from BWV – 140, voices 1 & 2, viola & cello
Chorale Unison

$1.99 1.7 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.793834 Composed by Johann Sebastian Bach. Arranged by Ivana Tuskan. Baroque,Christmas,Sacred,Standards. Octavo. 7 pages. Ivana Tuskan #3636681. Published by Ivana Tuskan (A0.793834). Originally is written for strings and unison Tenor line. I kept the original key: E flat major. In my arrangement Choral line (german or english text) is meant to be sung by one or few soprano voices unison, and the rest by one voice or chorus unison, who are singing melody (text: Bam, ba-va-da,...), which is usually performad by violins and violas. Bass line is meant to be played by cello, and violin plays harmony (There are two more arrangement with added viola as harmony instrument and for voices and cello in bass line, only). Vocal range: Voice 1: C4 – G5; voice 2: G3 – F5 Lyrics: english & german Score contains 7 pages. Duration: ca.3:20. The sound sample is an electronic preview. 
Zion hört (Zion Hears) Choral from BWV – 140, voices 1 & 2, violina & cello
Chorale Unison

$1.99 1.7 € Chorale Unison PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.
Missa Solemnis for mixed choir, soloist voices and organ - Full
Chorale SATB

$20.20 17.29 € Chorale SATB PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon - Level 4 - Digital Download SKU: A0.1174646 By The Carpenters. By Hugh Martin and Ralph Blane. Arranged by Roger Wallace. Christmas,Contemporary,Film/TV,Jazz. 22 pages. Roger Wallace #774796. Published by Roger Wallace (A0.1174646). Trombone Trio. The first verse is introduced by the bass voice, followed by a “choral†accompaniment. Following melodic lines are shared by all parts.Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Trio.Also playable by Bassoon Trio.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, E-flat Bass, B-flat Bass, Contrabassoon NOTE: Audio sample clip begins at Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
Have Yourself A Merry Little Christmas
3 Bassons
The Carpenters
$12.99 11.12 € 3 Bassons PDF SheetMusicPlus

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1474941 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by Andrew Lamb. 19th Century,Christian,Christmas. 22 pages. Andrew Lamb #1052533. Published by Andrew Lamb (A0.1474941). ? Clarinet Quintet Adaptation of Christmas Voices by Emma Louise Ashford ? ? This delightful Clarinet Quintet arrangement of the Christmas Carol Christmas Voices by the prolific American composer Emma Louise Ashford is perfect for your festive season performances! ?Scored for: ? Part 1: Clarinet in Eb or Clarinet in Bb ? Part 2: Clarinet in Bb ? Part 3: Clarinet in Bb ? Part 4: Alto Clarinet in Eb or Basset Horn ? Part 5: Bass Clarinet in Bb Level of Difficulty: MediumPotential Uses: ? Christmas concert ? Christmas church service ? Recital piece About the Composer: Emma Louise Ashford (1850–1930) was a distinguished American organist, composer, and music editor. With over 600 compositions, she made significant contributions to music. She was an editor at Lorenz Publishing Company from 1894 to 1930 and served in various roles as an organist and choir director in Nashville, Tennessee.? Born in Newark, Delaware, Emma began her musical training early, guided by her father. She played pivotal roles in church choirs and held organist positions in multiple churches. Her marriage to John Ashford brought her to Nashville, where she continued her impactful musical career.Please like and subscribe for more videos and music arrangements. ?.
Emma Louise Ashford | Christmas Voices | for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Emma Louise Ashford
$10.00 8.56 € Quintette de Clarinettes: 5 clarinettes PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.793832 Composed by Johann Sebastian Bach. Arranged by Ivana Tuskan. Baroque,Christmas,Sacred,Standards. Octavo. 9 pages. Ivana Tuskan #3636675. Published by Ivana Tuskan (A0.793832). Originally is written for strings and unison Tenor line. I kept the original key: E flat major. In my arrangement Choral line (german or english text) is meant to be sung by one or few soprano voices unison, and the rest by one voice or chorus unison, who are singing melody (text: Bam, ba-va-da,...), which is usually performad by violins and violas. Bass line is meant to be played by cello. (There are two more arrangement with added violin or viola as harmony instrument). Vocal range: Voice 1: C4 – G5; voice 2: G3 – F5 Lyrics: english & german Score contains 9 pages. Duration: ca.3:20. The sound sample is an electronic preview. 
Zion hört (Zion Hears) Choral from BWV – 140, voices 1 & 2 and cello
Chorale Unison

$1.99 1.7 € Chorale Unison PDF SheetMusicPlus

2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - Digital Download SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.
Double Bass Concerto
Orchestre de chambre

$16.99 14.54 € Orchestre de chambre PDF SheetMusicPlus

2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) double bass and orchestra - Digital Download SKU: S9.Q6372 Farewell to St. Petersburg. Composed by Gavin Bryars. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 28 minutes. Schott Music - Digital #Q6372. Published by Schott Music - Digital (S9.Q6372). Written for Duncan McTier, this concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’ (Gavin Bryars).
Double Bass Concerto

$25.99 22.25 € PDF SheetMusicPlus

Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary,Musical/Show. Score and parts. 11 pages. Tom Swafford #3575315. Published by Tom Swafford (A0.914146). Novelty song for voice (any type), piano (or harpsichord), and optional bassoon.  Originally written for bass voice, the part is in treble clef and goes up to a D at the top of the staff and down to an E below the staff. Contact the composer if you would like it in a different key. This is a silly song with some cartoonish violence represented (cracking skulls etc.), reminiscent of Gilbert and Sullivan or early 20th century musical theater.  PDF is designed for double-sided printing, with page 1 of the score on the left side, blank pages are inserted to avoid page turns in the voice and bassoon parts. duration 2.5 minutes. www.tomswafford.com ASCAP.
The Wretch - novelty song for voice, harpsichord, optional bassoon

$5.00 4.28 € PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1456147 Composed by Kara Williams. Arranged by Kara Williams. Classical,Contemporary,Contest,Festival,March. 59 pages. Kara Williams #1035299. Published by Kara Williams (A0.1456147). Solo for euphonium (or baritone B.C.), bassoon, baritone sax or baritone T.C. with wind ensemble accompaniment.Band scoring:Fl 1-2; Ob; Cl1-2-3; B.Cl; AS 1-2; TS; BS (band); Bsn (band); FHn 1-2; Tpt 1-2; Tbn 1-(2 BarT.C band); Euph (band) Tba (SBass); Timp (x2) Glock; Vibes; Perc (suscym, tria); SD & BDFull of capability, but often scored as the bass backbone in many compositions and arrangement, tenor-bass instruments rarely get to shine as a featured soloist – especially in more novice or community band settings.If you would like to feature one of your ensemble’s lower-voiced instruments, this is the perfect piece for you.“Exploring the Bassment” keeps the band accompaniment scoring relatively simple but interesting for players; and makes allowance for one of several potential players (or a whole section!) to take the soloist role. At just over 4 minutes in length, this accessible work is jam-packed with learning points, and features a maestoso introduction section, a cheerful, upbeat and catchy melody, and the opportunity for the soloist to be musically creative in two small (fully notated) cadenzas.karawilliamsmusic.com.
Exploring the Bassment
Orchestre d'harmonie

$40.00 34.24 € Orchestre d'harmonie PDF SheetMusicPlus






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