Piano Accompaniment, Voice, Tenor Voice, Bass Voice, Voice Duet, Choir - Intermediate - Digital Download Composed by Traditional New Zealand Sea Shanty. Arranged by Martin Dover. Folk. Score. 10 pages. Published by Martin Dover

Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download

SKU: A0.1357025

By Franciszek Walczyński. By Franciszek Walczyński. Arranged by Andrew Lamb. 19th Century,Praise & Worship,Sacred. 10 pages. Andrew Lamb #941652. Published by Andrew Lamb (A0.1357025).

🎵 Immerse yourself in the exquisite sounds of Franciszek Walczyński's 4 Hymni Mariani, Op. 47 with this captivating Bassoon Trio adaptation! 🎶 Originally composed for three equal voices, this arrangement is thoughtfully crafted for 3 Bassoons, bringing a new dimension to the timeless melodies. 🎼

🌟 Level of Difficulty: Easy 🌟

Ideal for both beginners and seasoned musicians, this arrangement promises an effortless yet enchanting performance. 🎻 Whether for a concert or recital, this adaptation adds a touch of classical elegance to any musical setting. 🎹

Dive into the musical legacy of Franciszek Walczyński, a Polish composer, Catholic priest, and educator. 🌈 His influence on sacred music is gracefully manifested in this arrangement, showcasing the depth of his creative spirit. 🎺

🎉 Elevate your trio performance with the harmonious blend of three Bassoons, creating a rich and resonant experience for both performers and audiences. 🎶

👉 This adaptation is more than just notes on paper; it's a journey into the soul of the composer's sacred melodies. 👈

🔗 Discover the beauty of 4 Hymni Mariani, Op. 47 through this Bassoon Trio adaptation – a musical experience like no other. 🔗

Please like and subscribe for more videos and music arrangements. 🌟.

Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download

SKU: A0.1148912

Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #749045. Published by Woods Only, Arrangements (A0.1148912).

This arrangement adapted for bassoon trio was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..

Woodwind Ensemble,Woodwind Quintet Bassoon - Level 2 - Digital Download

SKU: A0.1129696

Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 15 pages. Woods Only, Arrangements #730107. Published by Woods Only, Arrangements (A0.1129696).

This arrangement adapted for bassoon quintet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..

Woodwind Ensemble,Woodwind Quartet Bassoon - Level 2 - Digital Download

SKU: A0.1140796

Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741052. Published by Woods Only, Arrangements (A0.1140796).

This arrangement adapted for bassoon quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..

Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download

SKU: A0.1187251

Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 24 pages. Roger Wallace #786887. Published by Roger Wallace (A0.1187251).

Trombone Quartet.  The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the third voice. The third verse features antiphonal lines accompanying the melody played by the bass voice.

Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quartet.

Also playable by Bassoon Quartet.

Set includes Bass and Treble Clef parts as follows:

Part 1: Trombone BC, Trombone TC
Part 2: Trombone BC, Trombone TC, E-flat Bass
Part 3: Trombone BC, Trombone TC, E-flat Bass
Part 4: Trombone BC, E-flat Bass, B-flat Bass

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

Woodwind Ensemble,Woodwind Trio Bassoon - Level 4 - Digital Download

SKU: A0.1187353

Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 20 pages. Roger Wallace #787000. Published by Roger Wallace (A0.1187353).

Trombone Trio. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the bass voice. The third verse features antiphonal lines accompanying the melody played by the bass voice.

Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Trio.

Also playable by Bassoon Trio.

Set includes Bass and Treble Clef parts as follows:

Part 1: Trombone BC, Trombone TC
Part 2: Trombone BC, Trombone TC, E-flat Bass
Part 3: Trombone BC, E-flat Bass, B-flat Bass

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download

SKU: A0.1177327

Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Spiritual. 24 pages. Roger Wallace #777336. Published by Roger Wallace (A0.1177327).

Trombone Quartet. The gospel classic is performed in chorale and swing styles by various parts. The second verse features the bass voice.

Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quartet.

Also playable by Bassoon Quartet.

Set includes Bass and Treble Clef parts as follows:

Part 1: Trombone BC, Trombone TC
Part 2: Trombone BC, Trombone TC, E-flat Bass
Part 3: Trombone BC, Trombone TC, E-flat Bass
Part 4: Trombone BC, E-flat Bass, B-flat Bass 

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

Woodwind Ensemble,Woodwind Trio Bassoon - Level 4 - Digital Download

SKU: A0.1178093

Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Spiritual. 11 pages. Roger Wallace #778054. Published by Roger Wallace (A0.1178093).

Trombone Trio. The gospel classic is performed in chorale and swing styles by various parts. The second verse features the Bass voice.

Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Trio.

Also playable by Bassoon Trio.

Set includes Bass and Treble Clef parts as follows:

Part 1: Trombone BC, Trombone TC
Part 2: Trombone BC, Trombone TC, E-flat Bass
Part 3: Trombone BC, E-flat Bass, B-flat Bass

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download

SKU: A0.1138514

Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738854. Published by Woods Only, Arrangements (A0.1138514).

This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for bassoon trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.1034593

Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Score and parts. 12 pages. Daniel Hay Music #639960. Published by Daniel Hay Music (A0.1034593).

A quartet featuring the breaking of dawn. This sheet music is for Violin, Viola, Cello, and Contrabass. There is a version for Oboe, Horn in F, Bassoon and Contrabassoon also available. The audio sample is voiced as Violin, Viola, Cello, and Contrabass. It should be playable by Intermediate levels. Please note that there are nested repeats and each repeat is lettered with a capital letter for its identity and some followed by a dash-small letter to designate where it leads to in the repeat sequence. Contact the composer if you have any questions. The YouTube link is also generated in voices for Violin, Viola, Cello, and Contrabass.

Bassoon, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder

Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download

SKU: A0.1179908

Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Spiritual. 27 pages. Roger Wallace #779856. Published by Roger Wallace (A0.1179908).

Trombone Quartet. The Christmas classic is performed in swing style. The second verse features the melody traded by the bottom voices.

Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quartet.

Also playable by Bassoon Quartet with Contrabassoon.

Set includes Bass and Treble Clef parts as follows:

Part 1: Trombone BC, Trombone TC
Part 2: Trombone BC, Trombone TC, E-flat Bass
Part 3: Trombone BC, Trombone TC, E-flat Bass
Part 4: Trombone BC, E-flat Bass, B-flat Bass, Contrabassoon 

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download

SKU: A0.1271278

Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863674. Published by jmsgu3 (A0.1271278).

Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:

Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period.
 
Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.

Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.

Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.

Instrumental Duet Double Bass,Instrumental Duet - Digital Download

SKU: A0.1004979

Composed by Jose Peñarroja Pérez. Contemporary. Score and parts. 13 pages. Jose Peñarroja Pérez #6116125. Published by Jose Peñarroja Pérez (A0.1004979).

The girl and the toad is a piece of modern chamber music written originally for contrabass and piano, belonging to Forest Frequencies II. Now you can enjoy an arrangement for two contrabasses. It could be said that different styles converge in the piece, such as romantic, classical Viennese and contemporary. The later perhaps more present in the voice of the contrabass II. It contains certain quite technically demanding passages and a wide combination of sounds, covering different registers as well as different types of sound production.