Bass Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.948493

Composed by J.W. Heidebrecht. Jazz. 2 pages. Musician Place #3457603. Published by Musician Place (A0.948493).

This contrasting piece was written with influences in mind: Snarky Puppy and Monty Norman.  Red Sunset starts off very mellow and delicate, then slowly transitions into an intense chord progression, with solos in between, meant to be a break before the climax, as well as after. After the second chorus, an enormous breakdown takes place, to end the piece!

Bass Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.784829

Composed by McCorkle, Dennis F. Broadway,Christian,Gospel,Musical/Show,Rock. 23 pages. DF McCorkle Music and eBook Publications #11749. Published by DF McCorkle Music and eBook Publications (A0.784829).

ACT TWO: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Chronicles 13:1-3 - And David consulted with the captains of thousands and of hundreds, even with every leader. 2 And David said unto all the assembly of Israel: ‘If it seem good to you, and if it be of Yahweh our God, let us send abroad everywhere unto our brethren that are left in all the land of Israel, and with them to the priests and Levites that are in their cities that have open land about them, that they may gather themselves unto us; 3 and let us bring back the ark of our God to us; for we sought not unto it in the days of Saul.’] [1 Chronicles 13:7-10 - And they set the ark of God upon a new cart, and brought it out of the house of Abinadab; and Uzza and Ahio drove the cart. 8 And David and all Israel played before God with all their might; even with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets. 9 And when they came unto the threshing-floor of Chidon, Uzza put forth his hand to hold the ark; for the oxen stumbled. 10 And the anger of Yahweh was kindled against Uzza, and He smote him, because he put forth his hand to the ark; and there he died before God.] Realizing the need for a central capital from which to govern, DAVID and the united clans capture the fortress of Zion in Jerusalem. Concerned about the people and solidifying the position, DAVID assembles the commanders and leaders of the people to discuss the possibility of relocating the Ark of the Covenant from the house of Abinadab in Kiriath-jearim, where it had been stored for seventy years, to Jerusalem. DAVID orders a new cart be made for its transport, disregarding the directives from God that only permitted the Levites to move the Ark and only carried with the poles on their shoulders [Role it on Down the Highway – Ahio and David’s Troops]. When the Ark reaches the threshing-floor at Nacon, the oxen stumble and Uzzah puts his hand out to steady it and is instantly killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.

Low Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.533415

Composed by Ange Flégier. Concert,Romantic Period,Standards. 10 pages. Musik Fabrik Music Publishing #2913387. Published by Musik Fabrik Music Publishing (A0.533415).

A setting of a poem by Jean Richepin. Edited by Jared Schwartz and Mary Dibbern.
Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.
Toccata Classics, 2016. In Bb minor Duration: aprox. 5 minutes 30 seconds


Pleurons nos chagrins, chacun le nôtre.
Une larme tombe, puis une autre.
Toi, que pleures-tu? Ton doux pays,
Tes parents lointains, ta fiancée.
Moi, mon existance dépensée
En voeux trahis.

Pleurons nos chagrins, chacun le nôtre.
Une larme tombe, puis une autre.
Semons dans la mer ces pâles fleurs.
À notre sanglot qui se lamente
Elle répondra par la tourmente
Des flots hurleurs.

Pleurons nos chagrins, chacun le nôtre.
Une larme tombe, puis une autre.
Peut-être toi-même, ô triste mer,
Mer au gout de larme acre et salée,
Es-tu de la terre inconsolée
Le pleur amer!


Low Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.533413

Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913381. Published by Musik Fabrik Music Publishing (A0.533413).

A setting of a poem by Alfred de Vigny. Edited by Jared Schwartz and Mary Dibbern.
Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.
Toccata Classics, 2016. In D major Duration: aprox. 5 minutes 30 seconds

The original orchestration of this song is available on rental from the puboisher (2(pic)222/4231/timp/3perc/hp/strings)

Ange Flégier (1846–1925) was born in Marseilles and also died there. He
studied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.

J'aime le son du Cor, le soir, au fond des bois,
Soit qu'il chante les pleurs de la biche aux abois,
Ou l'adieu du chasseur que l'écho faible accueille,
Et que le vent du nord porte de feuille en feuille.

Que de fois, seul, dans l'ombre à minuit demeuré,
J'ai souri de l'entendre, et plus souvent pleuré !
Car je croyais ouïr de ces bruits prophétiques
Qui précédaient la mort des Paladins antiques.

Âmes des Chevaliers, revenez-vous encor?
Est-ce vous qui parlez avec la voix du Cor ?
Roncevaux ! Roncevaux ! Dans ta sombre vallée
L'ombre du grand Roland n'est donc pas consolée !