Recorder - Digital Download SKU: A0.757371 Composed by George Frideric Handel. Arranged by Gil Garty. Baroque. Recorder Ensemble. 46 pages. Gil Garty #3239035. Published by Gil Garty (A0.757371). Originally for 2 oboes, 2 bassoons, string orchestra and continuo. Arranged for 5 recorders (SAABB or SAAAB). In 1st and 4th movements Alto recorder 3 tacet. Take Bass recorder part and duble it.

Digital Download SKU: A0.1112062 By Arturo Escorza. By Manuel de Sumaya. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Praise & Worship,Sacred. 5 pages. Arturo Escorza #714245. Published by Arturo Escorza (A0.1112062). This is the Full Score of the famous piece Celebren, publiquen by the composer Manuel de Sumaya. For 7 voices, with violins, trumpet, bassoons and continuo.

Full Orchestra - Digital Download SKU: A0.819616 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 60 pages. J.G. Cuco Barber #5987159. Published by J.G. Cuco Barber (A0.819616). Composer Haydn, JosephOpus/Catalogue Number Hob.I:22Key E-flat majorMovements/Sections 4 movements: Original version (1764)Adagio (Eâ™­ major, 68 bars)Presto (Eâ™­ major, 98 bars)Minuet & Trio (Eâ™­ major, 52 bars)Finale. Presto (Eâ™­ major, 119 bars)Year/Date of Composition 1764, rev.1773First Publication 1770Average Duration 21 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraEnglish Horn 1 & Oboe 1 alternativeEnglish Horn 2 & Oboe 2 alternativeBassoonHorn in Eb 1 original & F transposedHorn in Eb 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass2 English horns, [bassoon], 2 horns, strings, continuo (harpsichord)1773 rev. 2 flutes, [bassoon], 2 horns, strings, continuo (harpsichord).

3 oboes & english horn (alt bassoon) - Digital Download SKU: IZ.PDP286 Composed by Walter S. Hartley. Score and Parts. 18 pages. Imagine Music - Digital #PDP286. Published by Imagine Music - Digital (IZ.PDP286). 9 x 12 in inches.Dr. Hartley composed Reeds at Play in March 1998, setting it for the unusual combination of three oboes and English Hom. The work is written as one continuous movement with three sections distinguished by tempo, meter, and rhythmic activity. At my request Dr. Hartley has authorized an alternate bassoon part as a substitute for the English Hom-not that the higher instrument is all that rare, but merely because I want to be able to play the piece, and I imagine many of my tenor-clef colleagues will as well. Reeds at Play is dedicated to Dr. Sarah Hamilton, Professor of Oboe at the State University of New York at Fredonia.

Small Ensemble Bassoon,Flute,Oboe,Trombone - Level 5 - Digital Download SKU: A0.966353 Composed by Greg Shapley. 20th Century,Contemporary. Score and parts. 27 pages. Greg Shapley #1932787. Published by Greg Shapley (A0.966353). This contrapuntal, post-minimalist-meets-Baroque work for small ensemble (flute, oboe, bassoon and trombone) is not a canon in the traditional sense, but it does throw around ideas between instruments in ways that capture the attention and imagination of the audience. It is in three continuous movements (a cautious, lighthearted first, a dark ambient second, and a triumphant third). This work is about 9 minutes long.

Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007248. Published by ACORDO Sheet Music (A0.1426548). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Clarinets.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.963569 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Romantic Period,Standards. 51 pages. Cristiano Vecchi #6529595. Published by Cristiano Vecchi (A0.963569). Originally a piano work, this fugue shows the Reger's mastery in counterpoint with a chromatic subject that remembers the Bachian fugue in B minor, but with a passionate romantic attitude in the more dynamic second part where continuous modulations realize a language very next to the atonal Expressionism.Version for Violin I (either Flute or Oboe), Violin II, Viola, Cello (or Bassoon). Extra parts: 1) A.Fl., Vc., Vla., En.Horn, Cl.Bb, Cl.A; 2) Vla., Vc., Bass Fl., En.Horn, Cl.Bb, Cl.A.; 3) Vc., Bsn., Bass Cl., Bass Fl. Cl.A; 4) Bass Cl.Other possible combinations are: 2 Violas & 2 Cellos, Cello Quartet, Clarinet Quartet, Double Reed Quartet, Woodwind Quartet, 2 Flutes & 2 Bassoon.Duration: 2'40.SCORE and PARTSMP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists

Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1422054 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1003395. Published by ACORDO Sheet Music (A0.1422054). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and flute.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Level 3 - Digital Download SKU: A0.1426547 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007247. Published by ACORDO Sheet Music (A0.1426547). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for flute and clarinet.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1081667 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Latin,Multicultural,World. Score and parts. 23 pages. Fiona Alice Hickie #685784. Published by Fiona Alice Hickie (A0.1081667). This tango style for wind quintet and piano reflects the continuous game of cat and mouse that life brings, reflected in the reoccurrence of the main theme but also its slightly saucy nature of the tango.

Large Ensemble Bassoon,Cello,Double Bass,Harpsichord,Oboe,Organ,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.597262 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Standards,Wedding. Score and parts. 38 pages. Flavio Regis Cunha #4805481. Published by Flavio Regis Cunha (A0.597262). If Handel's arias enjoy such success today, perhaps it is because they lie at the intersection between past and present, light and shadow. They might very well illustrate on their own the entire range of possibilities offered by the voices of his time.This score was arranged comparing both originals and and a record from René Jacobs with Bejun Mehta made for the Label Harmonia Mundi. Continuous harpsichord was performed as an option. This pathology and orchestra material is very hard to find and you will not find it anywhere on the internet, especially for its musical quality and price. You, your baroque group will love to play this work. Your audience will be delighted.

English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007249. Published by ACORDO Sheet Music (A0.1426549). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Oboe and Cor Anglais.  The bassoon (or cello) part is the same as the piano's left hand and is optional.