String Orchestra - Digital Download SKU: AX.00-PC-0017368_VN2 2nd Violin. Composed by Georg Philipp Telemann. Arranged by Robert Sieving. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017368_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017368_VN2). UPC: 038081518541.Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20)Concert/Contest; Festival.

Violin, strings and basso continuo - Digital Download SKU: S9.Q25818 Grosso mogul. Composed by Antonio Vivaldi. This edition: solo part. Prae Classica. Downloadable, Solo part. Op. 7/11. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q25818. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q25818). Key: D major.

Violin, string orchestra and basso continuo - intermediate - Digital Download SKU: S9.Q16266 Composed by Tomaso Giovanni Albinoni. This edition: score. Concertino. Downloadable, Score. Duration 10 minutes. Schott Music - Digital #Q16266. Published by Schott Music - Digital (S9.Q16266). Key: A major.

2 treble recorders, string orchestra and basso continuo SKU: M2.MOS-40021-60 Composed by Georg Philipp Telemann. Corona - Werkreihe fur Kammerorchester. Set of string parts. Möseler Verlag #MOS 40021-60. Published by Möseler Verlag (M2.MOS-40021-60). ISBN 9790203742210.

Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1379824 Composed by Tomaso Giovanni Albinoni. Arranged by Tony BC Huang. Baroque,Chamber. 49 pages. Tony BC Huang #964530. Published by Tony BC Huang (A0.1379824). This sonata is selected from Albinoni's 6 Sinfonie and 6 Concerti a cinque, Op.2, originally for strings and basso continuo, and is arranged for Clarinet Sextet. The instrumentation is for E-flat Clarinet (or B-Clarinet 3), B-flat Clatinet 1,2, Alto Clarinet ( or B-flat Clarinet 4, or Basset Horn), Bass Clarinet, Contrabass Clarinet (or Contra-Alto Clarinet). The Contrabass Clarinet part can be omitted. That is, it can be also played with 4 B-flat clarinets and a Bass Clarinet only.Enjoy it.

Composed by Domenico Natale Sarro (1679-1744). Arranged by Justin Bland. Baroque Period, Early Music, Opera. 14 pages. Published by Justin Bland (S0.76849). - - Baroque Period,Early Music,Opera - Justin Bland

Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.813463 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 30 pages. Regis Bookshar #6264781. Published by Regis Bookshar (A0.813463). Canon in D (Pachelbel) (D) (Clarinet Quintet) - Advanced/Intermediate - Digital Download. This selection, Johann Pachelbel's celebrated Canon in D, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Clarinet Quintet. Three Clarinets play the melody in canon while the ostinato accompaniment is played by the other two Clarinets. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (30 pages). This version is written in the key of D Major, as is the original version, but another version is also available, if you prefer, written in the key of Bb Major, to make it a little easier for some younger performers. Other versions of Pachelbel's Canon in D have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon in D will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.

Violin Solo - Level 3 - Digital Download SKU: A0.1385261 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. 3 pages. Iury Cardoso #969272. Published by Iury Cardoso (A0.1385261). VIOLIN SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for VIOLIN SOLO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and with the piano on this website.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for violin solocanon pachelbel sheet musiccanon in D pachelbel for violin solocanon pachelbel violin sheet musiccanon violin solocanon but on the violin violin baroque sheet musicpachelbel sheet musiccanon pachelbel best arrangement for violin solocanon arrangement for violin solocanon pachelbel for solo violinclassic sheet music for violin.

Viola and basso continuo - intermediate - Digital Download SKU: S9.Q21251 Composed by Georg Philipp Telemann. Arranged by Wolfgang Birtel. This edition: score and parts. Downloadable. Schott Music - Digital #Q21251. Published by Schott Music - Digital (S9.Q21251). Key: G major.

Soloists (SATB), mixed choir (SSSATB) and basso continuo SKU: M2.MOS-64019-02 Composed by Giacomo Carissimi. Parents' magazine. Möseler Verlag #MOS 64019-02. Published by Möseler Verlag (M2.MOS-64019-02). ISBN 9790203760825.

Basso continuo - Digital Download SKU: S9.Q6020 A quattro. Composed by Pietro Antonio Locatelli. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Op. 1/11. Ernst Eulenburg & Co. GmbH - Digital #Q6020. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6020).

Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868821 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596971. Published by Really Good Music, LLC. (A0.868821). Tengo un lampo di speme is an initial aria from Solo cantata XII, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – E5) for low voice.

Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.