Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1244114 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical. 3 pages. Arezzo Music #839091. Published by Arezzo Music (A0.1244114). Ode to joy bassoon duo beginners arezzo sheet music we present a beginner-friendly arrangement of Beethoven's iconic Ode to Joy for bassoon duo. Immerse yourself in the uplifting melodies of this timeless composition as two bassoons come together to create a harmonious musical experience. Whether you're a beginner bassoonist or someone looking to explore the joy of playing in a duo, this sheet music tutorial is perfect for you. The sheet music, meticulously engraved using Arezzo, the renowned sheet music engraving software, ensures clarity and readability, making it easier for beginners to follow along and play. Follow the provided sheet music and discover the power of playing Ode to Joy on the bassoon. We'll guide you through the basics, helping you master the melody and explore the expressive possibilities of the instrument. Join us as we unlock the magic of Beethoven's masterpiece, and let the bassoon duo bring the joy of music into your life. ode to joy bassoon duo beginners arezzo sheet music.

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.706698 Composed by Traditional English Folk Song. Arranged by André Laitano. Classical,Folk,Instructional,Standards,Wedding. Score and parts. 17 pages. ANDRÉ DOS SANTOS #6616275. Published by ANDRÉ DOS SANTOS (A0.706698). Scarborough Fair -Traditional English Folk Song (Bassoon Duet)ContentScore Part; Piano Part; Bassoon 1 Part; Bassoon Part 2.

Contrabassoon - Digital Download SKU: A0.1066360 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 51. Cristiano Vecchi #5041767. Published by Cristiano Vecchi (A0.1066360). A canon in jazz style over the chords of Fly me to the moon with a walking bass third part that could be omitted as well. Version for two Bassoons and a Contrabassoon.Duration: 1'.Also available versions for Flute Duo, Flute Trio, Piano Solo, Saxophone Duo, Saxophone Trio, Woodwind Trio, Clarinet Trio, Double Reed Trio.Score and parts also available on this website.My entire production on my Youtube Channel:  https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018908 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064763. Published by Benjamin Sajo (A0.1018908). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

By Traditional. Arranged by Jan Mulder. For orchestra. Holiday. Bassoon part. Language: English. 1 pages. Published by John Miller Publishing

Bassoon Solo - Level 1 - Digital Download SKU: A0.1022092 Composed by EDIONISONI DE ALMEIDA VICENTE. Christian,Contemporary,World. Individual part. 2 pages. EDIONISONI DE ALMEIDA VICENTE #6361815. Published by EDIONISONI DE ALMEIDA VICENTE (A0.1022092).

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.706159 Composed by Wolfgang Amadeus Mozart. Arranged by André Laitano. Classical,Concert,Graduation,Instructional,Standards. 27 pages. ANDRÉ DOS SANTOS #6039005. Published by ANDRÉ DOS SANTOS (A0.706159). Mozart - Piano Sonata No. 7 in C, K. 309 (Sextet Woodwind)Content:Score Ensemble; Flute Part; Oboe Part; Clarinet in Bb 1 and 2 Parts; Bassoon 1 and 2 PartsContact me:gotitsheetmusic@hotmail.com.

Concert Band - Level 4 - Digital Download SKU: HX.1467339 Composed by Sergei Prokofiev. Arranged by Nathan Jones. This edition: scorch. Classical. 1 pages. Hal Leonard - Digital #294822_13_CONTRABASSOON. Published by Hal Leonard - Digital (HX.1467339).

Woodwind Ensemble,Woodwind Trio Bassoon - Level 3 - Digital Download SKU: A0.963333 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,Standards,Wedding. 13 pages. Cristiano Vecchi #4792661. Published by Cristiano Vecchi (A0.963333). The Fugue n.7 from The Well Tempered Clavier (Book 1), transposed in C Major, more easy for bassoons than the original in Eb Major. This version can be played by two Bassoons and Contrabassoon. Added dynamical and expressive indications to fully realize the humorous and playful spirit of the piece, following and showing its beautiful structure. Score and parts.

Contrabassoon - Digital Download SKU: A0.1066302 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 52. Cristiano Vecchi #4896861. Published by Cristiano Vecchi (A0.1066302). An original jazz solo during 48 over the chords of On Green Dolphin Street, with a quartal voicing on the accompaniment and a melody in thirds.Here for Bassoon Quintet: Bassoons 1-4, Contrabassoon .Useful in classroom for intonation training with thirds or fourths, or for an intermezzo or an encore in an actual concert.Score and parts also available on this website.Also available for Solo Piano (in all the transpositions), Double Reed Quintet, Flute Quintet, Woodwind Quintet.

Bassoon Solo - Level 4 - Digital Download SKU: A0.869147 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 12 pages. Thomas Oboe Lee #50707. Published by Thomas Oboe Lee (A0.869147).

Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Bassoon Solo - Level 4 - Digital Download SKU: A0.799579 Composed by Bach-Gounod. Arranged by Matthew C. Weiss. Baroque,Christmas,Classical,Romantic Period,Sacred. Individual part. 2 pages. Matthew C Weiss #2016455. Published by Matthew C Weiss (A0.799579). In 1722 J.S. Bach published his Prelude in C major to begin a collection of works now commonly known as the Well-Tempered Clavier Book I. Over a century later, the French Romantic composer Charles Gounod composed a melody to go with Bach's prelude, and in 1859 Jacques Léopold Heugel published a version of this melody to be sung with the familiar Latin text for Ave Maria. Matthew C. Weiss continues this tradition by adding another independent line that beautifully intertwines around Gounod's timeless melody, creating a wonderful duet for two solo instruments and piano.

Concert Band - Level 4 - Digital Download SKU: A0.533020 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 5 pages. Musik Fabrik Music Publishing #432295. Published by Musik Fabrik Music Publishing (A0.533020). The first bassoon part for the arrangement for concert band of this piece by Germaine Tailleferre.

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.