Piano,Violin - Digital Download SKU: A0.796768 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Contemporary,Pop. 17 pages. DR GARY D BELSHAW #5981783. Published by DR GARY D BELSHAW (A0.796768). For the Intermediate Violinist. 15 pages. Duration: 4 minutes. In the key of D Major.First released as a single in 2012, Brave was included in Josh's sixth album, All That Echoes and included in the All That Echoes World Tour. Groban says the song is about about rejuvenation. It is an anthem in the style of You Raise Me Up.Josh Groban's musical style is often placed in the classical category, so it was perfectly natural to take this tune a step further and design it for recitals, seminars, recruiting tours, and for the advanced players in one's studio. Your accompanist will like the way the pizzicato rhythmic figures in the string section have been fleshed out with notes on strong beats to help make the rhythm fit the hand better and easier for you to stay with.Arranged in the key of D major, this is an intermediate work for violins. While some technical challenges may cause concern in the middle section, everything keeps your fingers in comfortable positions on the neck. Most of your time will be spent on the middle pair of strings. You might take a look at this same arrangement of mine in the original key of E Major; even in that key, this is still an intermediate work. This is one of those times when nothing beats the songwriter's original key.This would be a phenomenal closer for recitals or concerts. A great show-piece for social and civic events, its inspiring message would even serve in church-related functions. Keep your eye open for performance opportunities for social groups tackling issues like depression and self-image. As the song says, Wake up, wake up! Reach out, reach out!Thank you for considering my work. I welcome your reviews or comments about it; I will honor any and all suggestions for improvement. Follow me on Facebook (Gary D. Belshaw Music) and Twitter (@GaryDBelshawMus) - I'll follow you back!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.937105 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Frank Pisani. Broadway,Children,Contemporary,Film/TV,Musical/Show,Pop. Score. 8 pages. Frank Pisani #6878061. Published by Frank Pisani (A0.937105). Solo Piano arrangement for What Else Can I Do? from the movie musical, Disney's Encanto, with songs written by Lin-Manuel Miranda. This arrangement is in the original key and is perfect for intermediate pianists. This arrangement also features a very accurate vocal line, lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard.You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together.Arrangement Duration: 2:54This arrangement is appropriate for schools and students.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.937108 By Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Frank Pisani. Broadway,Children,Contemporary,Film/TV,Musical/Show,Pop. Score. 6 pages. Frank Pisani #6889731. Published by Frank Pisani (A0.937108). Solo Piano arrangement for Waiting On A Miracle from the movie musical, Disney's Encanto, with songs written by Lin-Manuel Miranda. This arrangement is in the original key and is perfect for intermediate pianists. This arrangement also features a very accurate vocal line, lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard.You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together.Arrangement Duration: 2:32This arrangement is appropriate for schools and students.

Easy Piano - Level 1 - Digital Download SKU: A0.1037136 By Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Frank Pisani. Broadway,Children,Film/TV,Latin,Musical/Show,Pop. Score. 5 pages. Frank Pisani #642109. Published by Frank Pisani (A0.1037136). Solo Piano arrangement for Waiting On A Miracle from the movie musical, Disney's Encanto, with songs written by Lin-Manuel Miranda. This arrangement is the easy key of G major (original key is A major) and is perfect for beginner pianists. This arrangement features a simplified vocal line, lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard. You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together. Arrangement Duration: 2:28 This arrangement is appropriate for schools and students.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.937106 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Frank Pisani. Broadway,Children,Contemporary,Film/TV,Musical/Show,Pop. Score. 7 pages. Frank Pisani #6889727. Published by Frank Pisani (A0.937106). Solo Piano arrangement for What Else Can I Do? from the movie musical, Disney's Encanto, with songs written by Lin-Manuel Miranda. This arrangement is in the original key and is perfect for intermediate pianists. This arrangement  features a slightly simplified vocal line, as well as lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard.You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together.Arrangement Duration: 2:54This arrangement is appropriate for schools and students.

Easy Piano - Level 1 - Digital Download SKU: A0.937107 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Frank Pisani. Broadway,Children,Contemporary,Film/TV,Musical/Show,Pop. Score. 6 pages. Frank Pisani #6889729. Published by Frank Pisani (A0.937107). Solo Piano arrangement for What Else Can I Do? from the movie musical, Disney's Encanto, with songs written by Lin-Manuel Miranda. This arrangement is in the easy key of C major (a semitone above the original key of B major) and is perfect for beginner pianists. This arrangement features a simplified vocal line, as well as lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard.You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together.Arrangement Duration: 2:54This arrangement is appropriate for schools and students.

Piano Solo - Level 3 - Digital Download SKU: A0.1043806 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kal Lavelle, and Steve Mac. Arranged by Bernardo Pereira. Hip-Hop,Multicultural,Pop,R & B,World. Score. 5 pages. Bernardo Pereira #648483. Published by Bernardo Pereira (A0.1043806). This arrangement of Shivers is a clean sheet music without chords symbols and fingerings. It is also a transposed version in A minor. It presents the main intro in octaves on the right hand (bars 1-7). An offbeat pattern on the left hand accompanies the melody on the right hand. The main chord progression is present throughout the song (Am–F–C–G). On the chorus, the melody has notes that fill the harmony on the second layer and the accompaniment presents a subtle alteration (bars 33-48). The first verse returns on the first ending. The bridge (bars 50-65) follows the same idea from the chorus. The melody is alternately harmonized in thirds and fourths. In the final section, the chorus reappears with a repeat sign. At the end of the song, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the cheerful idea of the chorus.

Piano Solo - Level 3 - Digital Download SKU: A0.1044650 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kal Lavelle, and Steve Mac. Arranged by Bernardo Pereira. Hip-Hop,Multicultural,Pop,R & B,World. Score. 5 pages. Bernardo Pereira #649266. Published by Bernardo Pereira (A0.1044650). This arrangement of Shivers is a clean sheet music without chords symbols and fingerings. It is also a transposed version in D minor. It presents the main intro in octaves on the right hand (bars 1-7). An offbeat pattern on the left hand accompanies the melody on the right hand. The main chord progression is present throughout the song (Dm–B♭–F–C). On the chorus, the melody has notes that fill the harmony on the second layer and the accompaniment presents a subtle alteration (bars 33-48). The first verse returns on the first ending. The bridge (bars 50-65) follows the same idea from the chorus. The melody is alternately harmonized in thirds and fourths. In the final section, the chorus reappears with a repeat sign. At the end of the song, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the cheerful idea of the chorus.

Choral Choir (SAA) - Level 2 - Digital Download SKU: A0.1267506 By Elton John. By Bernie Taupin and Elton John. Arranged by B. Fleet. Pop. Octavo. 18 pages. Barbara Fleet #860042. Published by Barbara Fleet (A0.1267506). A great song all about being strong after a break up (or perhaps even after a serious illness). Three part choir arrangement with Soprano, Alto and Alto 2/Tenor.  Basses can sing the lowest line an octave below if desired.This is  in Cminor/major, a tone higher than the original.The verses are essentially in unison and choruses have easy 3 part harmony but the offbeat rhthms add a dimension of difficulty for a more advanced choir. One of those songs that once it iis in your repertoire you can pull out at a moments notice and your choir will just sing it. There is a little space in the instrumental for claps/clicks or to add some moves if you feel like it.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1074309 Composed by Connie Boss. Wedding. Score. 5 pages. Connie Boss #678592. Published by Connie Boss (A0.1074309). This is a brand new original composition for a wedding, engagement or anniversary. It is for SAA with one Alto having the melody. It has lots of harmonies and moving parts. For questions or requests, email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful – How beautiful is your love for me How beautiful – How beautiful is my love for you How beautiful – How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do� Outro: How beautiful……. How beautiful…….

Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1074310 Composed by Connie Boss. Wedding. 3 pages. Connie Boss #678598. Published by Connie Boss (A0.1074310). Here is the perfect song for an alto soloist for a wedding/ engagement or anniversary. It is an original composition, so it's one of a kind. There are other arrangements as well for sale if you want more voices. For questions or requests, email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful is your love for me How beautiful is my love for you How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do� Outro: How beautiful……. How beautiful…….

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1459444 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Will Corbin. Christmas,Pop. 12 pages. Will Corbin #1038394. Published by Will Corbin (A0.1459444). Sammy Cahn and Jule Styne wrote this for Frank Sinatra in 1954. It first appeared on the single B side of Sinatra's recording of White Christmas. It has since been beaten senseless by just about every conceivable recording artist, from Doris Day to John Travolta. (Really!) In rendering it for brass quintet, I've attempted to cause no further damage.If you would like alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.