Choir,Tenor Voice - Digital Download SKU: A0.1069862 Composed by Glenn and Jan Christianson & Byron Foxx. Christian,Easter,Sacred. Full Performance. Duration 1750. Bible Truth Music #3427963. Published by Bible Truth Music (A0.1069862). Rehearsal Track with TENOR voice emphasized for Now Is Christ Risen Easter cantata. Single combined track for all songs.Watch the trailer for the cantata here:https://www.youtube.com/watch?v=_qPCuWDc294Meet Abner, Dinah, and Hezbah-each of them are captives in a Roman jail. Listen to them discuss their lives of crime and the hopelessness it has brought. However, everything changes when Paul & Silas are put in the jail. Despite their recent beatings, Paul and Silas speak and sing of the joy that can only be found through Jesus Christ. Experience the earthquake, the prison bars and chains disintegrating, and the huge door miraculously opening on its own! Once the jailer realizes that the prisoners are all there, his heart is opened to the saving grace of Jesus Christ. This program has eleven songs, including ten songs for the choir and one song for choir or duet. One song features a duet as well as the choir. This musical is written for a four-part SATB choir. It has six speaking parts with some optional parts for extra prisoners. It can be done as a full-length drama or adapted for readers’ theater. The program is approximately fifty minutes in length.

Small Ensemble Cello,Clarinet,Flute,Piano,Vibraphone,Violin - Level 4 - Digital Download SKU: A0.1027904 Composed by M.P.Grant. 20th Century,Contemporary. Score and parts. 63 pages. M.P.Grant #3064979. Published by M.P.Grant (A0.1027904). Preface.Driven is a piece of music composed for the New Music Ensemble, with the main focus being in 7/8 rhythm, the raw percussiveness of each instrument involved, and subtle complexities in the contrasting sections. The title, Driven, comes from the often relentless downbeat rhythm, which continues to push the music forward as it progresses through to the end. The listener can interpret the music in many ways. Some suggestions would be how it’s driven by the rhythm, so the listener is driven to love/loathe the music or driven to insanity by it’s relentlessness. The full interpretation is down to the audience member. M.P.Grant

Solo Guitar - Level 2 - Digital Download SKU: A0.1097589 Composed by Traditional Scottish Song. Arranged by Yuri Federsoni. Celtic,Children,Film/TV,Irish,New Age,Traditional. Individual part. 3 pages. Yuri Federsoni #701270. Published by Yuri Federsoni (A0.1097589). Beatiful arrangement for fingersrtyle guitar of the Skye Boat Song ; a traditional scottish song that became well known with the Outlander series main theme. This arrangement it's meant to be played with DADGAD tuning, and has two main easy sections, perfect for the beginner and intermediate guitarrist who wants to develop their fingerstyle skills, this piece contains easy chord patterns and it is very fluid to play; everything is writen with TABs, to show you the exact place to put yout fingers on the fretboard, as well it contains the normal music notation with the exact notations for your picking hand and fretboard hand. Have a great time with this piece!

Choral Alto Saxophone,Bass Clarinet,Choral,Soprano Saxophone,Tenor Drum (SATB) - Level 3 - Interactive Download SKU: A0.1362450 By Taylor Swift. By Taylor Swift. Arranged by Paul William Stewart. This edition: Interactive Download. Children,Country,Folk,Pop. 26 pages. Duration 232. Paul William Stewart #2mXcvbIZ7lxDjv7r2K9LOe. Published by Paul William Stewart (A0.1362450). Key: E major.Taylor Swift's influence on pop culture is undeniable, so here's a fun arrangement of her hit Mean that your high school, college, or even advanced middle school choir will love! Starting off with with a smooth, legato first verse, it then launches into into the familiar country/bluegrass groove that made the song a hit. For SATB voices, soloist, soli, and vocal percussion (a.k.a. BeatBox), this arrangement is accessible for the intermediate choir, but with lots of opportunities for your advanced groups, too! You can even make it into an SSAB arrangement by having treble voices sing the tenor part! It captures the spirit of the original, but with just enough variation to keep things interesting. Your Swifties will be glad you chose this arrangement. If you like this arrangement, you can find more of my work on Noteflight Marketplace, Sheet Music Direct, and Sheet Music Plus. Just search for Paul William Stewart.

Bass Guitar - Level 3 - Digital Download SKU: A0.713609 By Audioslave. By Audioslave and Chris Cornell. Arranged by Just The Riffs. Rock. Score. 4 pages. Just The Riffs #322184. Published by Just The Riffs (A0.713609). Tuned to BEAD on a 4 string bass this is a really heavy groove. A nice easy 80bpm in 4/4 to sit in, it's got great pocket and feel. It's all played inside the 5th fret with some cheeky hammer-ons and pull-offs to emphasise the downbeats and punch up the accents. Song starts with a nice soft 16th note riff on the open E string before entering that crushing riff that outlines the whole song and it doesn't really let up until the bridge (look out for the subtle bar of 2/4 in there!). What an opeing track for a debut album! 💪���.

Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1345389 By The Smiths. By Johnny Marr and Steven Morrissey. Arranged by Derek Hasted. Pop. 14 pages. Derek Hasted #930328. Published by Derek Hasted (A0.1345389). PLEASE PLEASE PLEASE (The Smiths) - accessible piece for 2 GUITARSIntended for classical guitar, though sometimes it gets listed erroneously under electric guitar.Both parts are supplied in “Notation only� and “Notation + TAB�Derek Hasted writes This song burst back into my consciousness when it was played as a Viennese Waltz in the BBC TV program “Strictly Come Dancing�.The ponderous, downbeat, original became light, inspiring, uplifting and very beautiful.Here’s the version that was on TV - the same key as the original but slightly shorter.One guitar takes the tune, the other (with the bottom string tuned to D) takes the accompaniment - there is really no seamless way to swap roles partway through, so as well as a concert piece it’s an excellent Student/Teacher duet to teach some rhythms that are unexpected.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1362408 By Taylor Swift. By Taylor Swift. Arranged by Paul William Stewart. 21st Century,A Cappella,Country,Pop,Singer/Songwriter. 17 pages. Paul William Stewart #946865. Published by Paul William Stewart (A0.1362408). Taylor Swift's influence on pop culture is undeniable, so here's a fun arrangement of her hit Mean that your high school, college, or even advanced middle school choir will love! Starting off with with a smooth, legato first verse, it then launches into into the familiar country/bluegrass groove that made the song a hit. For SATB voices, soloist, soli, and vocal percussion (a.k.a. BeatBox), this arrangement is accessible for the intermediate choir, but with lots of opportunities for your advanced groups, too! You can even make it into an SSAB arrangement by having treble voices sing the tenor part! It captures the spirit of the original, but with just enough variation to keep things interesting. Your Swifties will be glad you chose this arrangement.If you like this arrangement, you can find more of my work on Noteflight Marketplace, Sheet Music Direct, and Sheet Music Plus. Just search for Paul William Stewart.

Bass Voice,Choir - Digital Download SKU: A0.1069863 Composed by Glenn and Jan Christianson & Byron Foxx. Christian,Easter,Sacred. Full Performance. Duration 1750. Bible Truth Music #3427967. Published by Bible Truth Music (A0.1069863). Rehearsal Track with BASS voice emphasized for Now Is Christ Risen Easter cantata. Single combined track for all songs.Watch the trailer for the cantata here:https://www.youtube.com/watch?v=_qPCuWDc294Meet Abner, Dinah, and Hezbah-each of them are captives in a Roman jail. Listen to them discuss their lives of crime and the hopelessness it has brought. However, everything changes when Paul & Silas are put in the jail. Despite their recent beatings, Paul and Silas speak and sing of the joy that can only be found through Jesus Christ. Experience the earthquake, the prison bars and chains disintegrating, and the huge door miraculously opening on its own! Once the jailer realizes that the prisoners are all there, his heart is opened to the saving grace of Jesus Christ. This program has eleven songs, including ten songs for the choir and one song for choir or duet. One song features a duet as well as the choir. This musical is written for a four-part SATB choir. It has six speaking parts with some optional parts for extra prisoners. It can be done as a full-length drama or adapted for readers’ theater. The program is approximately fifty minutes in length.

Piano Solo - Digital Download SKU: A0.1022031 Composed by Fredrik Schwenk. Contemporary. Score. 22 pages. Fredrik Schwenk #6303809. Published by Fredrik Schwenk (A0.1022031). The seven-part cycle for solo piano was composed on the occasion of the birth of the son of violinist Anna and pianist Andreas Skouras. Inspired by a seminar on Robert Schumann held together with Beatrix Borchard, the composition was written in the second week of January 2012 in Hamburg. Although the titles, with one humorous deviation, are all taken from Schumann's famous piano cycle, the pieces make no direct reference to it musically except in terms of their concise scale. Nevertheless, they reflect the type of Romantic character piece without formally imitating it or thematically quoting it. The final piece reflects the nightly ritual of falling asleep, using elements from the slow movement of Joseph Haydn's 101st Symphony in D major Hob/I-101, with the allegorical title the clock.

Alto Voice,Choir - Digital Download SKU: A0.1069861 Composed by Glenn and Jan Christianson & Byron Foxx. Christian,Easter,Sacred. Full Performance. Duration 1525. Bible Truth Music #3427953. Published by Bible Truth Music (A0.1069861). Rehearsal Track with ALTO voice emphasized for Now Is Christ Risen Easter cantata. Single combined track for all songs.Watch the trailer for the cantata here:https://www.youtube.com/watch?v=_qPCuWDc294Meet Abner, Dinah, and Hezbah-each of them are captives in a Roman jail. Listen to them discuss their lives of crime and the hopelessness it has brought. However, everything changes when Paul & Silas are put in the jail. Despite their recent beatings, Paul and Silas speak and sing of the joy that can only be found through Jesus Christ. Experience the earthquake, the prison bars and chains disintegrating, and the huge door miraculously opening on its own! Once the jailer realizes that the prisoners are all there, his heart is opened to the saving grace of Jesus Christ. This program has eleven songs, including ten songs for the choir and one song for choir or duet. One song features a duet as well as the choir. This musical is written for a four-part SATB choir. It has six speaking parts with some optional parts for extra prisoners. It can be done as a full-length drama or adapted for readers’ theater. The program is approximately fifty minutes in length.

Piano Solo - Level 1 - Digital Download SKU: A0.885670 Composed by James McDonald. Children,Contemporary,Standards. Score. 3 pages. James McDonald #2513. Published by James McDonald (A0.885670). Making a DIY is a solo piano piece for easy/beginner (grade 2 level). It has a catchy melody. Technically it also introduces the use of offbeats at the left hand. The piece describes (according to me) the state of mind of a child making a do-it-yourself activity.

Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 3 pages. Karen Peterson #5993773. Published by Karen Peterson (A0.928332). WATCH THE Bb VERSION: You are viewing the arrangement for lap harp, which is in the key of F. To hear the Bb version played on a larger harp, go to https://www.youtube.com/watch?v=s8WfrwixqGkOverview: This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you can’t get it in time.Key and range: F major (one flat). 21x2 strings. G below middle C through F. Preset F#, G#, B natural, and C#. (LARGER HARPS: For harps with C below middle C or lower, get the Bb version here: www.sheetmusicplus.com/title/crazy-patsy-cline-for-double-strung-harp-digital-sheet-music/21815694)Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.Double-strung effects: Preset accidentals on the left allow for jazzy chords without lever flips. If you’ve been hesitant about moving your LH into the melody area, this is your chance to learn. You can gently move out of your comfort zone by only switching hands for these accidentals, or you can take it a step further with optional echoed notes and an optional RH lever flip.Characteristics: The LH and RH usually play together, but with several held notes and a melody that doesn’t always strike on the downbeat, the hands play separately at least 25% of the time. There are a few instances that call for wider than an octave spread. Most chords are LH 1-5-8, 1-5-7, or 1-3-5-8. The RH has almost no chords. There are very few sixteenth notes. The most complicated placements are in the introduction with one slide and one cross-over.Finger placement: Finger number suggestions are provided for key phrases with bolded L/R for levered accidentals. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided; lyrics are included separately. Treble clef used in both staves.Length: 2 pages. 40 measures. 2:30 minutes.Page turns: None if you print.

Jazz Combo - Level 4 - Digital Download SKU: A0.1027734 Composed by Matt Richards. Jazz. Score and parts. 11 pages. Matt Richards #2897903. Published by Matt Richards (A0.1027734). Must Be Bop is a catchy straight-ahead swing chart that is sure to leave you whistling the melody after you play it. It has it's difficulties, but read's down very well. Winner of a 2015 Downbeat Student Composition Award!

Choir,Soprano voice - Digital Download SKU: A0.1069860 Composed by Glenn and Jan Christianson & Byron Foxx. Christian,Easter,Sacred. Full Performance. Duration 1750. Bible Truth Music #3427947. Published by Bible Truth Music (A0.1069860). Rehearsal Track with SOPRANO voice emphasized for Now Is Christ Risen Easter cantata. Single combined track for all songs.Watch the trailer for the cantata here:https://www.youtube.com/watch?v=_qPCuWDc294Meet Abner, Dinah, and Hezbah-each of them are captives in a Roman jail. Listen to them discuss their lives of crime and the hopelessness it has brought. However, everything changes when Paul & Silas are put in the jail. Despite their recent beatings, Paul and Silas speak and sing of the joy that can only be found through Jesus Christ. Experience the earthquake, the prison bars and chains disintegrating, and the huge door miraculously opening on its own! Once the jailer realizes that the prisoners are all there, his heart is opened to the saving grace of Jesus Christ. This program has eleven songs, including ten songs for the choir and one song for choir or duet. One song features a duet as well as the choir. This musical is written for a four-part SATB choir. It has six speaking parts with some optional parts for extra prisoners. It can be done as a full-length drama or adapted for readers’ theater. The program is approximately fifty minutes in length.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ?� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ?� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â?� with â??ssâ?� in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.