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Oboe and orchestra - Digital Download SKU: S9.Q557013 For oboe and orchestra. Composed by Peteris Vasks. Evening mood - dawn - celebration of independence - Festival - folklorism - fair - Latvia - morning mood - morning Mood - nature - oboe concerto - pastorale - Independence Celebration - birdsong - bird voices - folk dance. Downloadable, Piano reduction with solo part. Duration 33 minutes. Schott Music - Digital #Q557013. Published by Schott Music - Digital (S9.Q557013). Pēteris Vasks composed his Oboe Concerto in commemoration of the centenary of Latvian independence, and so the work became a hymn to his native country, its nature and its people, while simultaneously fulfilling Albrecht Mayer’s long-standing wish for an oboe concerto. The concerto is bookended by two pastoral movements: in the first – a morning nature scene – the oboe unfolds in extended cantilena passages above string tremolos and birdsong motifs in the woodwind. The dramatic atmosphere of the contrasting central movement, with its fiery folk dances, arioso passages and extended cadenza, gradually flows into the peaceful ‘evening pastoral scene’, mirroring the beginning of the work.2 · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 - 2 · 2 · 0 · 0 - P. S. (Glsp. · Xyl. · Vibr. · Marimba · Trgl. · Beckenpaar · hg. Beck. · Schellenbaum · Tamt. · 4 Bong. · Tomt. · gr. Tr. · Mar. · Ratsche · Clav. · Holzbl. · Tempelbl. · Peitsche) (2 Spieler) - Str.
Konzert

$25.99 22.18 € PDF SheetMusicPlus

Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra. Composed by Jon Lord. This edition: study score. Evening - architecture - dawn - architecture - cathedral - bagpipes - Durham - England - Great Britain - cathedral - Church - concerto - morning - afternoon - nocturne - Northumbrian pipes - program music - program music - students - Studies - Studies. Music Of Our Time. Downloadable, Study score. Duration 57' 0. Schott Music - Digital #Q52424. Published by Schott Music - Digital (S9.Q52424). The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mindâ€, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durhamâ€, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 20173 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6).
Durham Concerto

$46.99 40.1 € PDF SheetMusicPlus






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