EUROPE
1826 articles
USA
6760 articles
DIGITAL
5991 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
5991 partitions trouvées


Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.835054

Composed by Cody Weinmann. Contemporary,Folk,Rock,Standards. Score. 8 pages. Cody Weinmann #2024247. Published by Cody Weinmann (A0.835054).

This piece is a small selection of movements from a film I composed for a student film entitled Before It Happens. It features flicks of pieces from each scene in the film. It goes from the very romantic C major opening with rhythms that vary in complexity (half and quarter notes to fast moving eighth notes) to the inspirational rock n roll final section in the key of G major. It also features wide dynamic contrasts and gradual fade outs as each section ends. It is a great piece for a fledgling band starting out and is perfect for performing for presentations. It prints out on 8 1/2 by 11 sized paper. It is about 2 minutes in length. If you're looking for a quick medley, this is the one for you!

Dweller's Undying Love (Scenes from Before It Happens)
Piano, Voix et Guitare

$2.99 2.81 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar Ensemble Guitar - Level 3 - Digital Download

SKU: A0.797809

By Bananarama. By James Young and Sy Oliver. Arranged by Derek Hasted. Contemporary. Score and parts. 23 pages. Derek Hasted #6205715. Published by Derek Hasted (A0.797809).

T'AINT WHAT YOU DO - 5 GUITARS/LARGE ENSEMBLE
For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.

Derek Hasted writes This arrangement was inspired by the Bananarama & Fun Boy Three release, but in a nod to the fact that this piece was written many years before it was re-worked, I’ve taken it back still further in time, and the piece begins slowly and stately, like a Pavane, before moving to a busy Madrigal and finally to Big Band Shuffle.

The piece suits 5 guitars, but a large ensemble will, of course, make a bigger and more compelling sound.
It is ideal for a mixed ability group - the lower parts can all be played in first position whereas the upper parts go as high as the ninth position.

This arrangement is based on a version that was played in concert by the Hampshire Guitar Orchestra - it’s pretty much guaranteed to get feet tapping in the audience...

I hope you enjoy this piece!
It Ain't What You Do
Orchestre
Bananarama
$4.99 4.69 € Orchestre PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - Digital Download

SKU: A0.876891

Composed by Augustin Lehfuss. Contemporary,Jazz,Ragtime,World. Score and parts. 36 pages. Gustfuss Records #5298717. Published by Gustfuss Records (A0.876891).

Ragtime It Is - Concert Piece for Violoncello and Piano

This Concert Piece is a composition for Violoncello and Piano in a style somewhere in between jazz and classical music. It is based on a ragtime like feel, and reharmonized on the basis of jazzy funtional harmonics.

After a short Intro it starts with the ragtime theme, which is further on varied in many ways before it comes to a cantabile part, focussed on a cello melody. The piano accompanies in the style of a jazz ballad.

The cantabile ends with a written solo cadenza for the cello, which leads back to the ragtime theme..

The piece requires at least advanced, if not professional players 

The MP3 audio sample displayes only the essential part of the composition, the whole piece can be heard and seen on the youtube video

The downloadable PDF file contains complete score and both piano and cello parts.

Duration: 06:30 min


Very suitable as a da capo tune for a classical concert

please also visit the composers homepage
www.lehfuss.com















Ragtime It Is - Concert Piece for Violoncello and Piano
Violoncelle, Piano

$14.95 14.07 € Violoncelle, Piano PDF SheetMusicPlus

Choral Choir,Choral (SA) - Level 1 - Digital Download

SKU: A0.1319746

Composed by Dave Froman. 21st Century,Children. 5 pages. Dave Froman #908301. Published by Dave Froman (A0.1319746).

2023. Two-part treble chorus with piano and percussion. 2:45

I found this infectious little item in a book of contemporary poems composed by children selected by Naomi Shihab Nye, creating a ditty of a piece that uses just one repeated rhythm and simple chord progression.  Accompaniment is piano, bongos or conga, and triangle.  There is about 1:20 of music, with a trick/false ending, before it repeats.

A fun middle school piece.

The text is from “It’s Inside of Me!†by Adam Delavan.  Salting the Ocean, 100 Poems by Young Poets. Sung here by Emily McNally via Fiverr.com.

Seeking a premiere as of Nov 15, 2023.  Please get in touch through www.davefroman.com.

It's Inside of Me!
Chorale 2 parties

$1.99 1.87 € Chorale 2 parties PDF SheetMusicPlus

Piano Solo - Digital Download

SKU: A0.1012713

Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713).

Music and song composed by me

                                                        ALL  AS  BEFORE

 

Tired flower bends

 the head photos in carved marble

sad smell of the past along your tree-lined avenue

how much peace in this place

where you stand hidden

cobwebs on your time and the scent of regret

 while I touch your beautiful face

 I ask myself who decided that your time would stop and that for you all would be over

 

 I, minstrel of my time, tell a thousand stories

 chronicles written in pencil real-life stories

story now finished my fingers still drive,

 find notes and then the enchantment to disperse them in the wind

there was a king in love, by a bewitched spell,

with the madwoman his queen and everything comes back as before

there tucked away in a corner

 There is a pathetic clown

Look closer: it’s a little girl and everything comes back as before

 

You clown what would you do?

You want to approach the king and then you want to tell him of her polluted heart

but him, he does not want to be touched and you have to amuse her

smile and do not tire continue your ... dance ...

in the void and silence

suspended in time

 for your queen and everything comes back as before

 before your leap

do you want to fly high

mixed-up Icarus you have fallen into emptiness

 

the beating of the heart makes too much noise

 rumbles here within into emptiness and silence

no, do not love me,

 now or ever and hang on till the ultimate pain

she'll pressure you and insinuate herself into your mind and end by doing you harm

 but I invisible to your eyes and I want to hug you,

you do not want

I would like to tell you what you do not know of me

and then on swings of fantasy

 my hand close to yours

we'll soar to the heights where she is not there

 if you want I will reinvent myself for you

And I may please you ,I know

but with your eyes you’ve already answered me and hidden I'll go ..

 

The winter does not end

the cold seems eternal

 here the sun dies ,effaces itself and then disappears

 

Once upon a time there was or still is, who knows

a minstrel that no longer has a court

and he belongs to nobody, and no one will stop him

while closing the door ,the king will delete him

abracadabra here in my Kingdom

nothing caresses, no kiss of goodby

my name in history was written in pencil

to be able to delete from a faded page

 

the mind has its woodworm and you can not heal it

past, present and she who reigns everywhere

 

 pages of your life flowing through my fingers

for a king, tired and sick,

who has not had a happy ending

the spell is broken and now the veil has fallen

regret makes its way into him and the minstrel would approach him

 puppet in love ,now disconnected from your wires

seek your child and there is nothing like before

 

there is the sunset in your eyes

 but I'm here by your side

 a daddy and his little girl and there is nothing like before .... .....

the be.

EVERYTHING LIKE BEFORE
Piano seul

$5.00 4.7 € Piano seul PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download

SKU: A0.1504197

By David Brymer and Ryan Hall. By David Brymer and Ryan Hall. Arranged by David Brymer and Ryan Hall. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1079651. Published by Steven See (A0.1504197).

Verse
All the saints and angels, they bow before Your throne
All the elders cast their crowns before the Lamb of God and sing

Chorus
You are worthy of it all
You are worthy of it all, Jesus
For from You are all things
And to You are all things
You deserve the glory

Verse
All the saints and angels, they bow before Your throne
All the elders cast their crowns before the Lamb of God and sing

Bridge
Day and night, night and day
Let incense arise!
Day and night, night and day
Let incense arise!

Worthy of it All
Instruments en Do
David Brymer and Ryan Hall
$3.99 3.75 € Instruments en Do PDF SheetMusicPlus

Piano Solo - Digital Download

SKU: A0.1256227

By Scholler. By Scholler. Arranged by Scholler. Classical,Contemporary,Film/TV,Multicultural,New Age,World. Score. 5 pages. Scholler #848648. Published by Scholler (A0.1256227).

Introducing Chronicles of a Dream Before Life Tears It Apart - a mesmerizing neo-classical piano solo that takes you on a journey through the depths of emotions. This enchanting composition showcases both transparency and dense, floating accompaniment, requiring the skillful touch of an exceptional pianist and musician for its interpretation.

With its evocative melodies and intricate harmonies, Chronicles of a Dream Before Life Tears It Apart invites the listener to delve into a realm where dreams and reality intertwine. The piece encompasses moments of profound introspection and delicate vulnerability, balanced with sections of richly layered textures that seem to float effortlessly through the air.

Crafted with meticulous attention to detail, this composition demands a pianist who can navigate its nuanced dynamics and express the subtleties embedded within its musical tapestry. The interplay between the two hands creates a captivating dialogue, blending delicate passages with moments of soaring intensity, immersing the listener in a captivating musical experience.

Embrace the transformative power of music

schollermusic

Chronicles of a Dream before Life tears it apart Piano seul
Scholler
$2.99 2.81 € Piano seul PDF SheetMusicPlus

Piano,Tuba - Level 3 - Digital Download

SKU: A0.844352

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352).

This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Tuba - And Can It Be? Piano Accompaniment, Dan Cutchen

Time: approximately 6:00

To contact Dan Cutchen, go to:
Facebook: https://www.facebook.com/merry1722/
dancutchen.com: http://www.dancutchen.com/contact

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)


https://youtu.be/7-Qdg7QK.

Tuba solo - "And Can It Be?" Theme and Variations
Tuba

$6.00 5.64 € Tuba PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.844328

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328).

This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan Cutchen

Time: approximately 6:00

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)


https://youtu.be/BSX9yYcNY2E

Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano

$7.00 6.59 € Saxophone Alto et Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.844351

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351).

This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Cello - And Can It Be? Piano Accompaniment, Dan Cutchen

Time: approximately 6:00

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)

Cello - "And Can It Be?" Theme and Variations Violoncelle, Piano

$6.00 5.64 € Violoncelle, Piano PDF SheetMusicPlus

Bass Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.784829

Composed by McCorkle, Dennis F. Broadway,Christian,Gospel,Musical/Show,Rock. 23 pages. DF McCorkle Music and eBook Publications #11749. Published by DF McCorkle Music and eBook Publications (A0.784829).

ACT TWO: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Chronicles 13:1-3 - And David consulted with the captains of thousands and of hundreds, even with every leader. 2 And David said unto all the assembly of Israel: ‘If it seem good to you, and if it be of Yahweh our God, let us send abroad everywhere unto our brethren that are left in all the land of Israel, and with them to the priests and Levites that are in their cities that have open land about them, that they may gather themselves unto us; 3 and let us bring back the ark of our God to us; for we sought not unto it in the days of Saul.’] [1 Chronicles 13:7-10 - And they set the ark of God upon a new cart, and brought it out of the house of Abinadab; and Uzza and Ahio drove the cart. 8 And David and all Israel played before God with all their might; even with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets. 9 And when they came unto the threshing-floor of Chidon, Uzza put forth his hand to hold the ark; for the oxen stumbled. 10 And the anger of Yahweh was kindled against Uzza, and He smote him, because he put forth his hand to the ark; and there he died before God.] Realizing the need for a central capital from which to govern, DAVID and the united clans capture the fortress of Zion in Jerusalem. Concerned about the people and solidifying the position, DAVID assembles the commanders and leaders of the people to discuss the possibility of relocating the Ark of the Covenant from the house of Abinadab in Kiriath-jearim, where it had been stored for seventy years, to Jerusalem. DAVID orders a new cart be made for its transport, disregarding the directives from God that only permitted the Levites to move the Ark and only carried with the poles on their shoulders [Role it on Down the Highway – Ahio and David’s Troops]. When the Ark reaches the threshing-floor at Nacon, the oxen stumble and Uzzah puts his hand out to steady it and is instantly killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.

Roll it on Down the Highway (Ahio & Cast) from "The Kings - ACT 2:Song 3
Voix basse, Piano

$2.99 2.81 € Voix basse, Piano PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1034793

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Praise & Worship,Rock,Standards. 12 pages. RayThompsonMusic #640139. Published by RayThompsonMusic (A0.1034793).

Arranged standard brass quintet.

The melody is taken first by the horn, then trombone and then the trumpet. The guitar break is given to the trombone and trumpet.


The mp3 starts before that guitar break.

Let It Be is a song by the English rock band The Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.

The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.

At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single The Long and Winding Road were released after McCartney's announced departure from and the subsequent break-up of the group.

Let It Be
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
The Beatles
$19.95 18.77 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale