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C Instrument - Level 4 - Digital Download SKU: A0.1415672 By Kenny Rogers. By Don Schlitz. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #997392. Published by John Fries (A0.1415672). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Gambler is a song written by Don Schlitz and recorded by several artists, most famously by American country singer Kenny Rogers. Schlitz wrote the song in 1976 when he was 23 years old. It took two years of shopping the song around Nashville before Bobby Bare recorded it on his album Bare at the urging of Shel Silverstein. Bare's version did not catch on and was never released as a single, so Schlitz recorded it himself, but that version failed to chart higher than No. 65. Other musicians took notice and recorded the song in 1978, including Johnny Cash, who put it on his album Gone Girl. It was Rogers, however, who made the song a mainstream success. His version was a No. 1 country hit, and made its way to the pop charts at a time when country songs rarely crossed over. It was released in November 1978 as the title track from his album The Gambler, and won him the Grammy Award for Best Male Country Vocal Performance in 1980.
The Gambler
Instruments en Do
Kenny Rogers
$3.99 3.41 € Instruments en Do PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1174196 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Scott S. Stewart. 20th Century,Contemporary,Pop,Singer/Songwriter,Standards. Octavo. 7 pages. Scott S. Stewart #774361. Published by Scott S. Stewart (A0.1174196). “What the World Needs Now Is Love†was written by the creative team of Burt Bacharach and Hal David in 1965, two years before the ‘summer of love’. It was first offered to Dionne Warwick and Gene Pitney, who both turned it down, and it was Jackie DeShannon who first recorded it and brought it to popularity.  It has since been played millions of time on the radio, was performed in over 225 movies and television shows, and has become an “anthem’ in support of gun control and LGBTQ+ issues.  This arrangement is for 4-part SATB ensemble to be performed a cappella.  Performance time: 3:00+-.
What The World Needs Now Is Love
Chorale SATB
Jackie DeShannon
$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.928981 Composed by Traditional Irish. Arranged by Donald A. Mills, 2019. A Cappella,Christian,Holiday,Praise & Worship,Sacred. Octavo. 3 pages. Donald A Mills #4804981. Published by Donald A Mills (A0.928981). For a service in which the congregation is blessed with the Blessed Sacrament. This traditional Irish hymn may also be appropriate for just about any day of the year, especially so at services before or after St. Patrick's Day. This hymn is for SATB w piano accomp. It may be performed a cappella. Written for quartet, very large quartet, or choir in church, school, or community choral groups. A pianist or organist may play the four parts along with the choir. This hymn is short and may be used as a benediction at the end of a religious service. Of course it is very useful within a choral concert performance of any sort. Just sing it softly when required, sing it sweetly, and your audiences will love it. This traditional Irish blessing is an ancient Celtic prayer. Celtic literature is famed for using images of nature and everyday life to speak of how God interacts with His people. May the road rise up to meet you is about God's blessing for your journey in life - may your walk be an easy one, with no mountains to climb or obstacles to overcome. It alludes to three images from nature - the wind, sun and rain as pictures of God's care and provision: The wind can be likened to the Spirit of God, which helps move you along on rough days. The sun's warmth in the prayer reminds us of the tender mercies of God, by which the rising sun will come to us from heaven. The soft falling rain speaks of God's provision and sustenance. Finally, we are reminded that we are held safe in God's loving hands as we travel on our journey through life.
Benediction....satb
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1255345 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848860. Published by Grant Horsley (A0.1255345). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive. I have tried to keep these elements in this Nocturne. Written here for Clarinet in B flat, Viola and Piano, the parts are equally divided. Highest note top D flat ( clarinet once). Bowing for the viola has been left to the performer. It is written in the key of concert B flat minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece. It is 4 mins 20 in length. Price is for the full score and parts.Set to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available, as is Flute, Bassoon and Piano ensemble.
Nocturne. Original For Clarinet, Viola and Piano.
Alto, Piano
Grant Horsley
$7.25 6.19 € Alto, Piano PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.923945 Composed by James Watson. 20th Century. 6 pages. James Watson #3046553. Published by James Watson (A0.923945). This is a three movement pantonal work for unaccompanied solo violin.  Each movement has it's own personality and character.  The first begins freely and expressively in the beginning and builds momentum to a somewhat sporadic series of various motivic manipulations, ending in an aggressive, accelerating repetition of the motif, which can be heard in various places of the following two movements.  The second movement, somewhat more quirky, is meant to provoke a sense of temporary confusion and disorientation.  The pizzicato open G in the first few measures is the disorienting element, interrupting the melody every few beats.  The rest of the piece gradually becomes more and more playful before slowing down as if unsure what lies ahead.The third movement is the shortest of the three.  It begins very eerily and slightly chilling with a downward glissando on artificial and natural harmonics.  It almost seems as if a character in a story is lost in an unfamiliar place, trying to find the way home.  As the movement progresses, it builds in expression and intensity the way a light in the distance becomes closer as one walks closer to it.  From this climax, to the end, it becomes gradually softer and slower, mimicking the burning embers of a dying fire, reminiscing of warmth and comfort.
Three Movements for Solo Violin
Violon

$10.00 8.53 € Violon PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1300126 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV. Score and part. 15 pages. Grant Horsley #889868. Published by Grant Horsley (A0.1300126). Juliet's Waltz (named after Juliet in Romeo and Juliet to depict innocence, grace and charm) It is romantic in nature- originally intended as a piece for classical ballet, however it was decided on a concert piece. It is written in the key of D minor(concert) for the first two sections. The first time through the clarinet has the melody and the second time the piano takes the melody whilst the clarinet embellishes the theme. After a short link it arrives in D major and the same format takes place with variations of the embellishments before a small coda section to finish. I wanted the piece to sound through-composed with just the two sections. It is also more of a duet between clarinet and piano with both sharing the material. Would make a lovely concert piece or addition to the repertoire. It is 4 minutes long -Intermediate level, but the whole score is on here for you to assess suitability.Price is for score and parts.
"Juliet's Waltz" Original romantic waltz for Clarinet and Piano.
Clarinette et Piano
Grant Horsley
$5.99 5.11 € Clarinette et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.1300103 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV. Score and part. 15 pages. Grant Horsley #889858. Published by Grant Horsley (A0.1300103). Juliet's Waltz (named after Juliet in Romeo and Juliet to depict innocence, grace and charm) It is romantic in nature- originally intended as a piece for classical ballet, however it was decided on a concert piece. It is written in the key of G minor for the first two sections. The first time through the flute has the melody and the second time the piano takes the melody whilst the flute embellishes the theme. After a short link it arrives in G major and the same format takes place with variations of the embellishments before a small coda section to finish.I wanted the piece to sound through-composed with just the two sections. It is also more of a duet between flute and piano with both sharing the material. Would make a lovely concert piece or addition to the repertoire. It is 4 minutes long -Intermediate level, but the whole score is o  the youtube link for you to assess suitability.Price is for score and parts.
"Juliet's Waltz" Original romantic waltz for Flute and Piano.
Flûte traversière et Piano
Grant Horsley
$5.99 5.11 € Flûte traversière et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 23 pages. Helen Marple-Horvat #5310861. Published by Helen Marple-Horvat (A0.749227). https://www.youtube.com/watch?v=_YGzCML5OKYFor many years I laboured under the impression that George Harrison played guitar on this song as well as writing it, but it turns out to have been played by Eric Clapton.This wonderful song is on the ‘100 Greatest Guitar Songs’ list, and number ten on ‘The Beatles 100 Greatest Songs’. None of this is a surprise! I have long wanted to arrange this for Capriccio String Quartet, and I am very proud of it. I think they give a tremendously passionate performance. I am aiming this one at the professional market as it is quite complex. However, with the usual modifications I feel sure that young players could tackle it. I recommend dropping the cello an octave for the first twelve bars but the rest of the cello part falls within expectations for ABRSM Grade 5. As usual the double stopping often contains an open string but it will be possible simply to miss out a note out where tuning could be difficult for young players. Choose from the Score the note that is not already played by one of the others. I am usually writing double stopping to thicken the texture rather than for harmonic considerations. The bowing is just a guide. Take as many bows and play as many open strings as you need to make the song feel comfortable.There is a difficult page turn for viola who plays throughout, so two bars before G could be omitted if necessary as other parts have the note E. The other players have a page break on rests, and the cellist can play open strings and quickly turn with the left hand.Please visit my Youtube Channel at Helen Marple-Horvat Songwriter, Arranger, Composer for playlists of all my arrangements, most of which have been recorded. All but three are available from Sheet Music Plus.
While My Guitar Gently Weeps
Quatuor à cordes: 2 violons, alto, violoncelle
Yuki Murakami
$20.00 17.07 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
Every Breath You Take
Guitare
The Police
$4.99 4.26 € Guitare PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1100228 By Bill Evans. By Bill Evans. Arranged by Sarah Jane Cion. Film/TV,Jazz. Score and parts. 122 pages. Safflower Music LLC #704104. Published by Safflower Music LLC (A0.1100228). Show Type Tune Back in 1989 I was taking an arranging course at NEC taught by George Russell (who subsequently received the Genius Grant for Lifetime Achievement). I worked on this big band arrangement for about a year. My concept was to take a Bill Evans tune and harmonize his solo for saxes within the body of the arrangement. About a week before graduation it finally came time for the class to have their work heard. I was SO excited! A big band was assembled and after a few days of classmate’s charts workshopped, George Russell fell ill, and I never got to hear my arrangement. I was devastated. It had taken me months to arrange, and hand-write the 17 parts as back then, no computers of course!So, tearfully it all went into a red folder—and eventually made its way to the bottom of a box, a box that somehow followed me throughout life. Recently concerned about doing nothing all week at family camp—I thought to myself, with my present knowledge of music notation software, why not dig up that dusty red folder and input the chart to finally hear it —32 years later? I figured if the work had any merit I could print it out and bring it to Library Band ! So. in the tiny log cabin with laptop and travel keys, I began, soon falling into what can only be described as timeless awareness—future self collaborating with inner conservatory undergrad—and dare say, I was rather impressed with her 😂 Although a few tweaks needed, the work proved nothing short of a sound effort. Tying up this life-long loose-end feels nothing short of spiritually inspired. ðŸ˜.
Show-type Tune (tune For A Lyric)
Ensemble Jazz
Bill Evans
$49.99 42.66 € Ensemble Jazz PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.881122 Composed by Cesar Alejandro Carrillo. 20th Century,A Cappella,Christmas. Octavo. 8 pages. Cesar Alejandro Carrillo #3860071. Published by Cesar Alejandro Carrillo (A0.881122). In Venezuela, the word aguinaldo has two meanings. It is synonymous with a gift that is given at Christmas, but also refers to a very popular musical genre in our own country of the Christmas season. This genre represents the quintessential musical expression of Venezuelan Christmas. Modesta Bor, our composition teacher, always instilled in us the cultivation of this genre in the repertoire of our choirs and as creative work, in order to preserve it from its disappearance before the overwhelming invasion of other musical genres strange to our traditional Christmas holidays. The best title I found for this work was that, Aguinaldo, since it is a Christmas musical gift. It can be sung a cappella, although can also be accompanied by our traditional cuatro. It was premiered under my direction in December 1992 by the Orfeón Universitario of the Central University of Venezuela, to whom it is dedicated.
Aguinaldo
Chorale SATB

$2.35 2.01 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.
Piano Sonata in F Minor - III. Funeral March
Piano seul
Gabriel Lagos
$4.99 4.26 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
The Story of a Leader
Chorale SATB

$15.04 12.83 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.584636 Composed by Peter Green. Arranged by Jeff Tincher. Contemporary. Score and parts. 38 pages. Jeff Tincher #5991783. Published by Jeff Tincher (A0.584636). This is the first single from the original Fleetwood Mac lineup that made it up the charts. Before the made it as a pop band, the original group was a blues band. In the original key from their Then Play On, this was a double A-side single. I fell in love with this song when I first heard it for it's style that was quite unusual for the time. It wasn't on the original release of the album. But when it became a big hit, they replaced When You Say with this song. Duration = 9:36. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
Oh Well Part 1 And 2
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 11.09 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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