Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,� from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5   Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584637 Composed by Peter Green. Arranged by Jeff Tincher. Contemporary. 35 pages. Jeff Tincher #5991785. Published by Jeff Tincher (A0.584637). This is the first single from the original Fleetwood Mac lineup that made it up the charts. Before the made it as a pop band, the original group was a blues band. In the original key from their Then Play On, this was a double A-side single. I fell in love with this song when I first heard it for it's style that was quite unusual for the time. It wasn't on the original release of the album. But when it became a big hit, they replaced When You Say with this song. Duration = 9:36. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services #3465944. Published by Lyons Music Services (A0.767318). This is a brand new work for brass quartet, using brass band instrumentation: Cornet (doubling Flugelhorn), Tenor Horn, Baritone Horn and Euphonium.It was written as a submission for a new brass quartet (A4 Brass Quartet) comprising musicians from the RNCM, but didn't get selected. Each movement is based on the ensemble's name and contains a pun on A4. Each movement also has fourths involved in it somewhere.The first movement is called Aforethought (because it contains my initial ideas) and it uses a mixture of tonal and quartal harmonies. Melodies and harmony are based around fourths and fifths. It requires all players to be able to flutter-tongue. After the opening fanfare, there is a march-like melody on the cornet, accompanied by the rest of the ensemble. This is followed by a contrasting tune using intervals of a fourth. These ideas are developed over several keys until the first march-like melody returns. The fanfare idea closes the movement.The second movement is called Aforementioned. It takes its ideas from the first movement, but gives them a bluesy style. The cornet player changes to the flugelhorn for this movement which has a beautiful languid melody. The horn shares some of the glory towards the end.The third and final movement is called Aphorhythm (A4 rhythm) and is in 7/8 time. The jerky little melody plays with the pulse of the 7/8 and smoothly morphs into a steadier 'middle 8' section before reprising the opening music.Altogether, this is an enjoyable and exciting piece for brass quartet..

Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3239709. Published by Monica Bergo (A0.976869). 2017 Holiday Contest Entry                        The world that there isn’t How did Dante one day in the hell and after I return Down in the world that there is not In pieces of ice It reduced your heart you walk, walk, do not you think the pain of lost things, caresses denied the cold that you feel and clouds the mind At What you cling and where are you going? it is dark at night and you think only that Close the eyes it means to die in this station might end the life,the joy, but which ? future and that  what you have inside It makes you tougher you mirrors, reflect in the void of others Look at them in the eye precipitates, reel this is the life in the world that there is no and while run after a blind butterfly and meanwhile look back on fairy tale ever read and you search  the laughter, games and friends return back, hope of happy days everyone is inside his sick world and that who you are looking for is not there, is lost only shadows lurking and the moon that shines but she is not always that here in the world that there is no and while you get lost in 1000 miseries and then you start up into the nothingness that awaits if you touch people they hastens and takes offense and lengthens the step that knows where it goes you don’t look, you don’t dare don’t hope and don’t you think  and the snow falls and while you pray that this god distracted realizes that exist a deeper world what light does not but your soul is not dead yet walk, walk and she opens the door that goes to the world that out shines there is still a spark of love that awaits and here it is that rises  the charm the flower is reborn fear and fright heat that feeds sun is shining and with its rays protects, defends and while you mirrors  ,with the sun in your eyes and while you look back  the dark of before there is that girl that inside the night smiles, turns and then goes away ... you look at her, until she is a distant shadow Turn around and answer to life calling As Dante  did one day in the hell and after I return Down in the world that there is no ...                                                                                 Monica Bergo

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..

Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1300126 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV. Score and part. 15 pages. Grant Horsley #889868. Published by Grant Horsley (A0.1300126). Juliet's Waltz (named after Juliet in Romeo and Juliet to depict innocence, grace and charm) It is romantic in nature- originally intended as a piece for classical ballet, however it was decided on a concert piece. It is written in the key of D minor(concert) for the first two sections. The first time through the clarinet has the melody and the second time the piano takes the melody whilst the clarinet embellishes the theme. After a short link it arrives in D major and the same format takes place with variations of the embellishments before a small coda section to finish. I wanted the piece to sound through-composed with just the two sections. It is also more of a duet between clarinet and piano with both sharing the material. Would make a lovely concert piece or addition to the repertoire. It is 4 minutes long -Intermediate level, but the whole score is on here for you to assess suitability.Price is for score and parts.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.584636 Composed by Peter Green. Arranged by Jeff Tincher. Contemporary. Score and parts. 38 pages. Jeff Tincher #5991783. Published by Jeff Tincher (A0.584636). This is the first single from the original Fleetwood Mac lineup that made it up the charts. Before the made it as a pop band, the original group was a blues band. In the original key from their Then Play On, this was a double A-side single. I fell in love with this song when I first heard it for it's style that was quite unusual for the time. It wasn't on the original release of the album. But when it became a big hit, they replaced When You Say with this song. Duration = 9:36. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1255345 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848860. Published by Grant Horsley (A0.1255345). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive. I have tried to keep these elements in this Nocturne. Written here for Clarinet in B flat, Viola and Piano, the parts are equally divided. Highest note top D flat ( clarinet once). Bowing for the viola has been left to the performer. It is written in the key of concert B flat minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece. It is 4 mins 20 in length. Price is for the full score and parts.Set to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available, as is Flute, Bassoon and Piano ensemble.

Piano Solo - Level 4 - Digital Download SKU: A0.871133 By Billy Joel. By Billy Joel. Arranged by Austin Kitchell. Pop,Rock. Score. 7 pages. Austin Kitchell #4841213. Published by Austin Kitchell (A0.871133). This arrangement came about because I was disgruntled at how NOT-ragtime (for lack of better words) most piano solo versions of this song were. I eventually got sick of this and wrote this arrangement. I also added the key change because of one recording I heard of Billy Joel playing this piece, except he played it really slow, and then sped up the recording before posting it, but in doing so, the whole song went up a half step. I liked how it sounded in that key, so I implemented it halfway through this arrangement. It does make the 2nd half quite a bit harder, but as they say, you can't have everything in life.Other than that, I hope you enjoy this song. It's a lot of fun.

Brass Ensemble - Level 4 - Digital Download SKU: A0.563879 By The Beatles. By John Lennon and Paul McCartney. Arranged by Austin Ralphson. Contemporary. Score and parts. 32 pages. Austin Ralphson #5298919. Published by Austin Ralphson (A0.563879). Yesterday is a song by English rock band the Beatles written by Paul McCartney (credited to Lennon–McCartney) and first released on the album Help! in the United Kingdom in August 1965. McCartney composed the entire melody in a dream one night in his room, and upon waking, he hurried to a piano and played the tune to avoid forgetting it. McCartney's initial concern was that he had subconsciously plagiarised someone else's work. As he put it, For about a month I went round to people in the music business and asked them whether they had ever heard it before. Eventually it became like handing something in to the police. I thought if no one claimed it after a few weeks then I could have it. I have arranged the melody here as a solo trombone feature which has been successfully performed in concert many times.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922109 Composed by Mitchell Jay Sharoff. Children,Christmas,Holiday,Pop,World. Score. 9 pages. Emjay Publishing #3892699. Published by Emjay Publishing (A0.922109). One Song is a beautifully crafted melody! It works perfectly with the lyrics, making us feel comfort and hope. For a song such as this, the melody couldn't be more well-written. It is simple enough for most anyone to follow it, and yet reaches to places that inspire the hope that you wish to bring out in this song. As it kicks up a notch at the end, we can hear a huge chorus singing it loudly, shaking the rafters, perhaps in a church, or at a rally. We can't say enough about this lyric. It is deceptively simple, but yet reaches around the world! Who (anywhere, or in any walk of life) could disagree with any of these lines? This verse (in particular) has a way of saying something that we've never quite heard put this way before: Everyone's a brother, Or a sister that you meet. We are all one family, Living on the same street. Yes, with the pace of the world today, we're on the same street, indeed!.