Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1084262 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 26 pages. Regis Bookshar #688440. Published by Regis Bookshar (A0.1084262). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Octet, consisting of 1 Soprano Saxophone, 4 Alto Saxophones and 3 Tenor Saxophones. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Marco leong (A0.506269). Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see� is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by Antonín Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.

Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1147994 Composed by Herr Karl Linger. Arranged by Keith Terrett. Classical,Historic,Multicultural,Patriotic,World. 8 pages. Keith Terrett #748189. Published by Keith Terrett (A0.1147994). The regional anthem of Bougainville arranged for Classical Brass Quintet. Bougainville is an autonomous area of Papua New Guinea. Autonomous since 2000, it voted for independence in 2019, which is scheduled to be obtained before 2027. The anthem of the autonomous territory was adopted in 2018 and will most likely be adopted as the new nation’s anthem once independence is achieved. Titled “My Bougainville�, the melody is that of the Australian patriotic song “The Song of Australia� (one of four songs considered on a national plebiscite for that country’s anthem, but was rejected), the lyricist is unknown. It is not uncommon for anthems in the Pacific region to use the tune of a patriotic song or hymn of a current or former colonizer (as evidenced by the “Pacific hymn� genre of anthems); Australia governed Bougainville as a part of Papua New Guinea from after World War I to Papua New Guinea’s independence in 1975. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Many of my national anthem are now available on Nomadplay app.

Piano Solo - Level 3 - Digital Download SKU: A0.1214567 By Dua Lipa. By Dua Lipa, Emily Schwartz, Scott Harris, and Sylvester Sivertsen. Arranged by Frank Pisani. 21st Century,Hip-Hop,Pop,R & B,Reggae. Score. 5 pages. Frank Pisani #811550. Published by Frank Pisani (A0.1214567). Solo Piano arrangement for Dua Lipa’s hit song, We're Good from her 2021 album Future Nostalgia (The Moonlight Edition). This arrangement is in the original key and is perfect for intermediate pianists. This arrangement also features a very accurate vocal line, lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard. This song's bossa nova rhythm is great for practicing syncopation, as it is used extensively throughout.You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together.Arrangement Duration: 2:44This arrangement is appropriate for schools and students.

Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Film/TV,Multicultural,Praise & Worship,Sacred,World. 9 pages. Keith Terrett #614983. Published by Keith Terrett (A0.1009325). Nearer, My God, to Thee arranged for Brass Quartet, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.

C Instrument - Level 3 - Digital Download SKU: A0.1097974 By Phil Wickham. By Bill Johnson, Brian Johnson, Chris Davenport, and Phil Wickham. Arranged by Brian Buda. Christian,Contemporary,Praise & Worship,Religious,Rock. Lead Sheet / Fake Book. 10 pages. Budaful music #701881. Published by budaful music (A0.1097974). For the guitarist/vocalist looking for an easy way to learn the accompaniment to Phil Wickham's, Hymn of Heaven. This arrangement is a compliment to the existing song as it follows closely to the form and style of the recording. Great for moments of corporate prayer and meditation as well as personal enjoyment. It's arranged in the original key of E but I've included to extra keys to play it in: D, Eb, and E. I hope you enjoy this arrangement and that it calls to mind the evocative lyrics: There will be a day When all will bow before Him. There will be a day When death will be no more. Standing face to face With He who died and rose again. Holy, holy is the Lord. There's also a Keys only version available for this arrangement.

String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.

String Orchestra - Level 5 - Digital Download SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929). The American Seasons (1st violins part – violin and string orchestra) MO148D1st Violins Part (score and parts available)Music by Mark O’Connor38 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148DCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1466011 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1044614. Published by MP Sheet Music (A0.1466011). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.

Piano Solo - Level 3 - Digital Download SKU: A0.950930 Composed by Austrian Folk Tune. Arranged by Terrence Niska. Christmas. Score. 4 pages. Niska Music Publishing #6466305. Published by Niska Music Publishing (A0.950930). I don’t recall when I first heard this Austrian carol, but I immediately fell in love with it and knew that it must be a part of this collection. Written in the somewhat unusual meter of 5/4, (before shifting over to 6/4), this prelude is one of the less technically demanding pieces in the set, though it does make use of much of the piano’s vast range. The simple chordal treatment of the melody over arpeggiated chords imparts an air of tranquility that is maintained throughout the first verse. When it transitions to 6/4 for the second verse, the use of the low octaves in the left hand give an even greater sense of gravity to the prelude and the off-beats in the right hand must be played with an almost clock-like precision to create the impression of stillness and the vastness of eternity. The closing chordal progression is one of my favorite moments in all of these pieces as I tried to capture the uncertainty, yet inevitability of time.

Handbell - Level 2 - Digital Download SKU: A0.1490682 Composed by Scott Pfitzinger. Arranged by Scott Pfitzinger. Christmas,Holiday,Multicultural,Religious,World. 8 pages. Pfitzinger Music #1067488. Published by Pfitzinger Music (A0.1490682). Betlehem Városban is a traditional Hungarian Christmas carol. The title translates to In the Town of Bethlehem.This arrangement is for 3-6 octaves of handbells. It is completely in 7/8 time and moves pretty quickly. It is very energetic and takes less than two minutes. While it is appropriate for any holiday setting, it could easily be used as a closer or encore for a concert.(Reproducible for one ensemble)Lyrics:Betlehem városban, rongyos istállóban maszületett,Egy sz?znek méhéb?l, drága szent véréb?l Megváltónk lett.Kit angyal hirdetett, pásztornak jelentett,Ki ?tet imádni és dics?íteni méltóvá lett.Öreg bojtár mondja, hogy bárány és gida készen légyen.? harmadmagával, sípos és dudással már elmégyen.Mindeneknek lessen ajándéka készen,Mivel a kisdedet, mint Üdvözít?nket megtiszteljék.Üdvözlégy született, jászolba tétetett kisded Jézus,Tehozzád járulunk, el?dbe borulunk, t?lünk ne fuss.Halálunk óráján, életünk fogyatánVedd hozzád lelkünket, ne hagyj el bennünket, kisded Jézus.(a story of the birth of Jesus, roughly paralleling Luke 2:6-16)English version from Google Translate:He was born in the city of Bethlehem, in a shabby barn,He became our Savior from the womb of a virgin, from his precious holy blood.Whom an angel announced, reported as a shepherd,He became worthy to be worshiped and glorified.Old burdock says to be ready lamb and kid.He will leave with a third of himself, with a whistle and a horn.Let everyone have a gift ready,Because you are honored as our Savior.Hail, your baby Jesus, born and placed in a manger,We join you, we fall before you, don't run away from us.At the hour of our death, at the end of our lifeTake our souls to you, don't leave us, little Jesus.

Trombone Solo - Level 2 - Digital Download SKU: A0.1466003 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1044605. Published by MP Sheet Music (A0.1466003). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.

Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1087852 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 27 pages. Regis Bookshar #692082. Published by Regis Bookshar (A0.1087852). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Woodwind Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (27 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Woodwind Octet, consisting of 2 Flutes, 2 Oboes, 2 Bb Clarinets, 1 French Horn and 1 Bassoon. In addition to this arrangement of Tchaikovsky's Coronation March for a Woodwind Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.