String Ensemble,String Quintet Cello - Level 4 - Digital Download SKU: A0.1083854 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 16 pages. Regis Bookshar #688054. Published by Regis Bookshar (A0.1083854). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Violoncello Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Violoncello Quintet. In addition to this arrangement of Tchaikovsky's Coronation March for a Violoncello Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1122872 By Matthew M Tang. By Matthew M Tang. Arranged by Matthew M Tang. A Cappella,Chamber. Octavo. 8 pages. Matthew M Tang #723836. Published by Matthew M Tang (A0.1122872). Here is my arrangement of Down by the Salley Gardens. It is arranged in a way so that everyone of all skill levels should be able to perform this piece. It starts with a Baritone Solo and expands to the full choir by the end of the first verse. The voices then travel through a journey of different keys through the use of mode mixture before slipping into D Major. The second verse starts in a similar way with the sopranos getting the melody and the altos with a harmony. It then proceeds to slowly adding in the tenors and basses. It then goes back to the Baritone Solo for the end of the song.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1083817 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #688018. Published by Regis Bookshar (A0.1083817). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1084257 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 26 pages. Regis Bookshar #688435. Published by Regis Bookshar (A0.1084257). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Saxophone Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Saxophone Octet, consisting of 1 Soprano Saxophone, 3 Alto Saxophones and 4 Tenor Saxophones. In addition to this arrangement of Tchaikovsky's Coronation March for a Saxophone Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Piano Solo - Level 3 - Digital Download SKU: A0.937077 By Ariana Grande. By Anthony Jones, Anthony M Jones, Anthony M. Jones, Ariana Grande, Charles Anderson, Scott Spencer Storch, Tayla Parx, Taylor Monet Parks, Taylor Parks, Thomas A. Brown, Tommy Brown, Victoria Monet McCants, and Vincent J Van Den Ende. Arranged by Frank Pisani. Hip-Hop,Pop,R & B. Score. 4 pages. Frank Pisani #6561413. Published by Frank Pisani (A0.937077). Solo Piano arrangement for Ariana Grande's hit song, My Hair, from her 2020 album Positions. This arrangement is in the original key and is perfect for intermediate pianists - featuring a very accurate syncopated vocal line. This arrangement also features lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easy to know which fingers to use, and how to easily move around the keyboard. This song is great for practicing sixteenth-note syncopation, as it is used extensively throughout.You may find it easier to learn how to play this song if you practice each hand separately first before trying to play them together.Arrangement Duration: 2:39This arrangement is appropriate for schools and students.

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia  

Piano Solo - Level 3 - Digital Download SKU: A0.1459801 Composed by Grant Horsley. Classical,Contemporary,Film/TV,Halloween,Thriller. Score. 8 pages. Grant Horsley #1038756. Published by Grant Horsley (A0.1459801). Spellbound is a mysterious piece full of secrets and it intended to hold your attention so you can’t think about anything else! It is written in the most part in A minor, with sustained eerie like chords to set the mood. The piece begins tonally but there are several uses of discords and sharpened 4th’s in the harmony to give the piece unease and an edge! The middle section breaks out in A flat major into some tonality, but this is largely dominated by discords again and won’t let the piece settle. Then comes a few bars of sustained chords to act as a link and to return to section one. This time is has continual eighth note movement in the left hand and the piece ends again with a few eerie discords before the final flourish. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. It is 7 pages long- 5 mins 20 secs. Something different to add to the repertoire!!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1084128 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #688330. Published by Regis Bookshar (A0.1084128). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Octet, consisting of 4 Bb Trumpets, 2 French Horns, 1 Trombone and 1 Tuba. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.713823 By EnsembleSheetMusic. By Sjoerd van der Veen. Arranged by Sjoerd van der Veen. Patriotic,Renaissance,Traditional. 6 pages. Sjoerd van der Veen #322359. Published by Sjoerd van der Veen (A0.713823). Wilhelmus van Nassouwe, usually known just as Wilhelmus is the national anthem of both the Netherlands and the Kingdom of the Netherlands. It dates back to at least 1572, making it the oldest national anthem in use today, provided that the latter is defined as consisting of both a melody and lyrics. Although Wilhelmus was not recognized as the official national anthem until 1932, it has always been popular with parts of the Dutch population and resurfaced on several occasions in the course of Dutch history before gaining its present status. It was also the anthem of the Netherlands Antilles from 1954 to 1964. arranged for woodwind quintet Flute - Oboe - Clarinet - Horn - Bassoon.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.

Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1084137 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #688339. Published by Regis Bookshar (A0.1084137). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Octet, consisting of 4 Bb Trumpets, 2 French Horns and 2 Trombones. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0.1084047 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 26 pages. Regis Bookshar #688272. Published by Regis Bookshar (A0.1084047). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Alto Saxophone Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for an Alto Saxophone Octet. In addition to this arrangement of Tchaikovsky's Coronation March for an Alto Saxophone Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548749 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415225. Published by jmsgu3 (A0.548749). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia  

String Ensemble,String Quintet Viola - Level 4 - Digital Download SKU: A0.1083852 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 16 pages. Regis Bookshar #688052. Published by Regis Bookshar (A0.1083852). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Viola Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Viola Quintet. In addition to this arrangement of Tchaikovsky's Coronation March for a Viola Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.