Guitar - Level 2 - Digital Download SKU: A0.1469514 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Tabitha Beaven. A Cappella,Pop. Chords/Lyrics. 4 pages. Tabitha Beaven #1047554. Published by Tabitha Beaven (A0.1469514). Part of a 'Pop Song Layer Up' series - these arrangements are designed to be quick, easy wins for choir or singing group warm-ups and fun filler songs. Essentially a 'long form' round, it takes three elements of Meghan Trainor's 'Dear Future Husband' and layers them up. As with singing any round, it provides great brain training and stretch for singers to concentrate and focus on their part and not be swayed by the multiple rhythms and notes moving around their part. The arrangement provides a structure but is designed to be explored and experimented with to see what works, ideal to build confidence for both group leader and singers trying something new together. A key chart showing four different keys has been provided with note range and starting notes should an alternative key be more suitable for your vocal group. Suggest using off-beat finger clicks or a metronome beat to keep time.  Backing tracks may be available in future.  Suggested structure to try:Start with a group on Voice 1 (alternatively this can be the full group before split into different groups)At the repeat sign Voice 1 moves to Voice 2 and a second group start on Voice 1At the repeat sign, Voice 1 moves to Voice 2, Voice 2 moves to Voice 3 and a third group starts as Voice 1If the third group to come in sings all three parts, it will mean 5 repeats in totalAgree a sign with group and when reaching the end of the last repeat - move to the Coda to finish offMost importantly, it's something to have a little bit of fun with and freshen up warm-ups exercises.

C Instrument - Level 1 - Digital Download SKU: A0.1142820 By Patience and Prudence. By Billy Rose. Arranged by Calum Wood. Folk,Jazz. Lead Sheet / Fake Book. 2 pages. Calum Wood #736090. Published by Calum Wood (A0.1142820). Are you looking for the perfect piece of sheet music to capture the romantic essence of the classic song Tonight You Belong to Me? Look no further!Our music score for Tonight You Belong to Me is the ideal choice for anyone who wants to play or sing this beloved tune. Whether you're a beginner or an experienced musician, this sheet music is easy to follow and beautifully crafted, capturing the essence of the original song.With our music score, you'll be able to recreate the magic of the song as if you were transported back to the 1920s. The gentle melody and romantic lyrics are perfect for any occasion, from a wedding to a cozy night at home.What sets our music score apart is the attention to detail we've put into it. We've made sure that every note, every chord, and every lyric is accurate, so you can be confident that you're playing or singing the song just as it was meant to be.This music score is perfect for anyone who wants to capture the essence of a bygone era and share it with their audience. It's easy to read, easy to play, and a delight to listen to. Order your copy today and experience the romance and nostalgia of Tonight You Belong to Me like never before!Keywords: music score, sheet music, Tonight You Belong to Me, romantic, beginner, experienced musician, melody, lyrics, accurate, bygone era, nostalgia.

Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.

String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1465654 By Andrea Bocelli. By Leonard Cohen. Arranged by Homco/Crinion. Folk,Rock. 7 pages. Homco/Crinion #1044266. Published by Homco/Crinion (A0.1465654). Hallelujah by Leonard Cohen is one of this arranger's favorite compositions of all time. It has been said that it took Cohen about 5 yrs. to write the song - and that he wrote about 100-150 draft verses, filling many notebooks, before he was finally satisfied. Perfection isn't easily achieved. And, over the years, he actually re-figured it many times for various performances for different artists. The melody is melancholic and sad - yet uplifting at the same time. It is rather like a hymn, or even a dirge - very somber and solemn. This Trio arrangement is very near and dear to my heart. All 3 instruments trade off with the melody and the accompanying triplet pattern.

Alto Voice,B-Flat Trumpet,Cello,Flute,Horn,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1124013 Composed by Connie Boss. Arranged by Connie Boss. Christmas. 116 pages. Connie Boss #724786. Published by Connie Boss (A0.1124013). This cantata has both a total of 8 original and public domain songs in it. It is written for SSAA. It also has optional instruments - flute, cello, violin, french horn or trumpet parts included with the download. All have piano accompaniment. There are lots of moving parts and surprise parts throughout the songs. There is also an optional narration included before each song. You can purchase this on Amazon in book form also. To listen to the entire vocals, listen to the attached YouTube attachment. If you would like to sing to a background accompaniment, please email at cdboss@cvalley.net with proof of purchase and I will email them to you. Also email me with any questions or requests. The optional instruments can be of your choice for the mp3s as well.Little Did She Know 1. O Come All Ye Faithful/Adeste Fideles 2. Little Did She Know 3. How Am I Worthy? (Mary’s Prayer) 4. What Child Is This? 5.Hark the Herald Angels Sing 6. Go Tell it on the Mountain 7. Brightest and Best 8. Joy to The World.

String Orchestra - Level 5 - Digital Download SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929). The American Seasons (1st violins part – violin and string orchestra) MO148D1st Violins Part (score and parts available)Music by Mark O’Connor38 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148DCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198180 Composed by Charles Stephens and David Vanacore. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Score. 1 pages. John Fries #797369. Published by John Fries (A0.1198180). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. When the song came out in 1930, a newspaper labelled it as 'in bad taste'; radio stations avoided broadcasting it. Today it is a jazz standard.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.743209 Composed by John Philip Sousa. Arranged by Josef STASTNY. Contemporary,Holiday,Patriotic,Standards. 12 pages. Josef STASTNY #3114439. Published by Josef STASTNY (A0.743209). The Stars and Stripes Forever. It's the official march of the United States and it's John Philip Sousa's most famous composition. You've probably heard it before, even if you don't know it by name.  Sousa said the song was about the feeling of coming home to America and how in a foreign country the sight of the Stars and Stripes seems the most glorious in the world.

String Ensemble Cello - Level 4 - Digital Download SKU: A0.1087845 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #692073. Published by Regis Bookshar (A0.1087845). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Violoncello Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Violoncello Octet. In addition to this arrangement of Tchaikovsky's Coronation March for a Violoncello Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Piano Solo - Digital Download SKU: A0.1402876 Composed by Jessie Black. Classical,New Age. Score. 3 pages. Jessie Black #986099. Published by Jessie Black (A0.1402876). When I first wrote this song, the idea behind it was a quiet winter evening with big fluffy snow flakes falling from they sky. I know many don't like snow, but I always find magic in it. The silence it brings and the beauty of it blanketing everything in sparkling white will never get old. Searching for a title for this piece led me to the word 'shinshin.' Click the 'listen' or 'watch' button to listen to this piece before purchase!Skill: Late Intermediate - AdvancedKey: D majorPages: 3If you enjoy this arrangement, please check out my other piano solos on my publisher page. You can also check out my YouTube channel at YouTube.com/JessieBlack.

Solo Guitar - Level 2 - Digital Download SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Rock,Wedding. Individual part. 2 pages. MP Sheet Music #1049894. Published by MP Sheet Music (A0.1472193). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1421929 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Wedding. 13 pages. RayThompsonMusic #1003267. Published by RayThompsonMusic (A0.1421929). The Word is a song by English rock band The Beatles, written by John Lennon and Paul McCartney and recorded with Lennon on lead vocals. It was first released on their 1965 album Rubber Soul.Musically, the song is founded on a driving funk beat, with few chord changes and a simple melody in the key of D major.(The refrain is a 12 bar blues in D. The main chord is D7(♯9), also used in Drive My Car and Taxman.)John Lennon had felt during his youth that love had been the answer, and had written The Word as his first expression of the concept. He had felt that love was an underlying theme of the universe, and that love was fundamental in many things, which had inspired the lyric In the good and bad books that I have read. The song is credited to Lennon-McCartney, however Lennon had stated that it was mainly mine.It had marked the first time the Beatles had written a song about love as a concept, which would become important in the band's later work.Paul McCartney said of this song, John and I would like to do songs with just one note like 'Long Tall Sally'. We get near it in 'The Word'Arranged here for wind quartet, the flute takes verse 1 and is joined in harmony by the clarinet for verse 2.Verse 3 is taken by the oboe, and all 3 top instruments take the melody, and chordal harmony for verse 4  till the end,The bassoon takes the bass guitar riff throughout.The mp3 starts just before the 4th verse.

Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and parts. 18 pages. Graham Boag #6026933. Published by Graham Boag (A0.780064). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast.  The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.ALTERNATIVE PARTS 1, 2, 3 &  4 ARE INCLUDED TO ALLOW FOR FLEXIBILITY DURING COVID-19 REHEARSALS. 

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1471700 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Country,Folk,Pop. 12 pages. ROBERT J EGGERS #1049454. Published by ROBERT J EGGERS (A0.1471700). Ol' 55, popularized by the Eagles, is considered to be one of Tom Waits's more conventional songs typical of his early work. But some writers believe it captures a cleverly encoded  message revelaing something of Waits's darker side. Although most listeners hear the story of a man driving home from his girlfiend's place in the early morning, it may well tell the story of a man who has passed from this world and finds himself riding off into the next at the head of his own funeral procession. You be the judge!The arrangement is set for 4 background voices and tenor soloist, with an active, wall of sound style. Duration is 4:05, and it is suitable for all audiences. It builds to a remarkable climax and key change before unwinding with a more relective final verse.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1127146 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop. 24 pages. Sarah Cellobat Chaffee #727778. Published by Sarah Cellobat Chaffee (A0.1127146). If you were born before 2000, it's impossible not to know this massive hit -- and most millennials probably have it memorized! Released as a single from Britney Spears' fourth studio album, Toxic is a sultry dance-pop party anthem with elements of Bollywood and techno. Receiving widespread critical and audience acclaim, the song topped the charts in 10 different countries and earned Spears her first ever Grammy award -- and with the recent resurgence of 90's nostalgia, it's a must-have for your gig books! This Cellobat arrangement for your string quartet can best be described as a party, featuring the signature string lines, upbeat dance groove, and sizzling harmonies and countermelodies of the original for a chart that will definitely be as fun to play as it is to listen to. Originally written for a wedding, this will also be perfect for receptions, cocktail hour, parties, solo & ensemble contest, or any other occasion you need to get your audience singing along! Rated advanced-intermediate for some tricky rhythms and a few higher notes in the violin parts; this will be sightreadable for professionals and learnable for more advanced students. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.