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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1104229 Composed by Danny Elfman. Arranged by Denise Flatness. Contemporary,Film/TV,Holiday,Pop,Thriller. 13 pages. Denise Flatness #707436. Published by Denise Flatness (A0.1104229). Jack's Lament is a song from the movie The Nightmare Before Christmas and is sung by Jack Skellington. This string quartet arrangement is perfect for any Halloween themed event! It can be used for a Halloween Wedding, Company Party, and you may even get away with performing it at a Christmas Party! This arrangement features each of the instruments in a string quartet. However, the cello is heavily featured as the first instrument to carry the melody. You will love it, and so will your cellist friends!
Jack's Lament
Quatuor à cordes: 2 violons, alto, violoncelle

$14.99 14.31 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions

$5.00 4.77 € Ensemble de Percussions PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1200893 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leo Silva. Country,Folk,Pop. Individual part. 2 pages. MP Sheet Music #799552. Published by MP Sheet Music (A0.1200893). Last Night is a song written by John Byron, Ashley Gorley, Jacob Kasher Hindlin, and Ryan Vojtseak, and performed by American country music singer Morgan Wallen. It is the third single from his 2023 album One Thing at a Time.The song peaked at number one on Billboard Hot Country Songs in February 2023 before reaching the top of the Billboard Hot 100 in March 2023, making it Wallen's first number-one single on the latter chart. The song is about a couple having their last night together. The song peaked at number one on the Billboard Hot Country Songs charts dated February 13, 2023, ascending from a debut position of number seven one week prior. The same week, his prior singles Thought You Should Know and You Proof claimed the number two and three positions, while I Wrote the Book was at number ten.Following the release of One Thing at a Time, Last Night ascended from number five to one on the Billboard Hot 100  becoming Wallen's first number one on the chart. The song achieved 47.5 million streams, 18,000 digital downloads sold, and a 10.8 million airplay audience. The same week, Wallen occupied 36 places on the Hot 100, the most of any artist, as well as five of the top 10 on the Hot 100. It was also the first country song by a solo male to top the Hot 100 in over 42 years, following I Love a Rainy Night by Eddie Rabbitt (1980), and the first country song to top the chart since All Too Well (Taylor's Version) by Taylor Swift in November 2021.
Last Night
Violoncelle
Morgan Wallen
$4.99 4.76 € Violoncelle PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.506155 Composed by Bertolt Brecht, Kurt Weill, and Marc Blitzstein. Arranged by Alpin Smart (transcription for voice and guitar). 20th Century,Broadway,Classical,Musical/Show,Standards. Score. 5 pages. SmartWorks Publications #117713. Published by SmartWorks Publications (A0.506155). Brecht's 'Grand Guignol' masterpiece, Pirate-Jenny, was penned sometime before the idea of a 'play with music', based on John Gay's Beggar's Opera, was conceived. It was even set to music (to Brecht's own tune, which Weill used as the basis for the chorus in his setting). One of many 'greatest hits' from Brecht and Weill's Threepenny Opera - itself, a huge hit when premiered in 1928 in Berlin, and again, on Broadway, with English lyrics by Marc Blitzstein, it has absolutely nothing to do with the characters or the action in The Threepenny Opera! But, it was too good a song not to be used! Interpreted by greats, such as Nina Simone, among others, this song, like Mack the Knife and September Song, continues to wow generation after generation!
Pirate Jenny
Piano, Voix et Guitare

$4.99 4.76 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.934336 Composed by Stefano Olcese. Concert,Contemporary,Film/TV,Romantic Period. Score. 5 pages. Stefano Olcese #6718813. Published by Stefano Olcese (A0.934336). This is a waltz in D minor for piano solo that I have composed in 2020 and slightly modified in 2021. If played as I imagine it its length should be around 4'30. It starts simply, with a melancholic melody (A) and then it switches to a difficult section (B) in which the player will need power - especially on the left hand - and technical skills. The dynamic and mood contrast between A and B should be huge. The main theme then comes back, but very modified and contaminated (A1). One last theme is exposed (C) before the reprise (A) and the conclusion of the music piece. There are many modulations in this waltz but none of them leads to a stable tonaily change. Feel free to contact me through social media or my website if you are interested in knowing more about my music and possible collaborations:http://www.stefano-olcese.com/https://www.instagram.com/stefano_olcese/
A Swedish Waltz
Piano seul

$2.99 2.85 € Piano seul PDF SheetMusicPlus

English Horn,Piano - Level 3 - Digital Download SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for English Horn & Piano
Cor anglais, Piano

$32.95 31.45 € Cor anglais, Piano PDF SheetMusicPlus

Euphonium - Level 4 - Digital Download SKU: A0.1110888 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713183. Published by Regis Bookshar (A0.1110888). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Euphonium Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Euphonium Sextet, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages) written in Bass Clef. There is also a version written in Treble Clef if you prefer. The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Euphonium Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
Recordare (from "Requiem") (F) (Euphonium Sextet - Bass Clef)

$32.00 30.54 € PDF SheetMusicPlus

Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope.  Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind.  Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
Nebraska - My Heartland (INSTRUMENTAL PARTS)

$75.00 71.59 € PDF SheetMusicPlus

Choral Choir (Mixed) - Digital Download SKU: A0.1007047 Composed by Johnson Gao. Concert,Contemporary,Film/TV,World. Octavo. 12 pages. Johnson Gao #6411899. Published by Johnson Gao (A0.1007047). Li Bai (A.D.701-762) of Tang Dynasty has written a poem of 20 Chinese characters called as éœå¤œæ€, or, Quiet Night Thoughts (Nostalgia) in English. The poem is very famous in China and in Japan. Up to date 1314 years have passed. But, very few composers had ever made the song for that poem. Then, Johnson Gao composed a song for it on May 16, 2016. He further enlarged it to 8 voices and made the Karaoke (å¡æ‹‰OK) for you to try. éœå¤œæ€ æŽç™½ (公元701~762) 床å‰æ˜Žæœˆå…‰, 疑是地上霜。 舉首望明月, (抬頭望明月,) 低頭æ€æ•…鄉。 Quiet Night Thoughts by Li Bai (A. D. 701~762) Translated by Johnson Gao (English translation by Johnson K. Gao) The bright moonlight is casting over the floor before my bed. It seems to me as like as the frost spreading on the ground. When I raise my head and stare at the bright moon, Bowing my face, I couldn't help thinking of my hometown.
Li Bao Poem éœå¤œæ€ (Nostalgia) Song for Karaoke
Chorale SATB

$1.99 1.9 € Chorale SATB PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410427. Published by jmsgu3 (A0.548671). Duration: 4:56. Score; 5 pg., 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com
O Holy Night for Clarinet & Piano
Clarinette et Piano

$24.95 23.81 € Clarinette et Piano PDF SheetMusicPlus

Brass Quartet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1233618 Composed by Stephen Jenkins. Chamber,Funk,Jazz. 34 pages. Edition BlechMafia #829203. Published by edition BlechMafia (A0.1233618). The tuba starts it all off. Then the trombone, horn and percussion add a little spice to the mix, providing a rhythmic backdrop for the trumpets to soar above.It all builds to a climax with “Brass-Percussion†and an optional drum solo before fading out in the same way it all started.Simply a funk tune that creates a good mood and a good groove!Duration: 3:00Parts include:Part 1: Trumpet in Bb & CPart 2: Trumpet in Bb & C as well as Horn in FPart 3: Trombone in C (bass clef) or Bb (treble clef) as well as Horn in FPart 4: Trombone or TubaPart 5: Drum KitFor alternative transpositions or any other questions, contact me here: stephen@blechmafia.de The recording and YouTube link are for the quintet version - however, there is very little difference.
Funk To Go - for Brass Quartet

$20.00 19.09 € PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.1293558 By The Backstreet Boys. By Herbert Crichlow and Martin Sandberg. Arranged by Frank Pisani. Contemporary,Hip-Hop,Pop,R & B. Score. 5 pages. Frank Pisani #884038. Published by Frank Pisani (A0.1293558). Solo Piano arrangement for Backstreet Boys' hit pop song, Show Me The Meaning Of Being Lonely, from their 1999 album Millennium. This arrangement is in an easier key and is perfect for beginner pianists. This arrangement also features lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easy to know which fingers to use, and how to easily move around the keyboard. You may find it easier to learn how to play this song if you practice each hand separately first before trying to play them together. This arrangement is appropriate for schools and students. Arrangement Duration: 3:55.
Show Me The Meaning Of Being Lonely
Piano Facile
The Backstreet Boys
$4.99 4.76 € Piano Facile PDF SheetMusicPlus

Altosaxophone - difficult - Digital Download SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.
Fantasie
Saxophone Alto

$12.99 12.4 € Saxophone Alto PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com
O Holy Night for Tenor Sax & Piano
Saxophone Tenor et Piano

$24.95 23.81 € Saxophone Tenor et Piano PDF SheetMusicPlus

French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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