String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1476579 Composed by Abel Federico Pintos. Arranged by Pablo Posadas. Classical,Contemporary,Folk,Pop. 6 pages. Thec P #1054090. Published by Thec P (A0.1476579). Estoy emocionado de presentarles un nuevo y emocionante arreglo para cuarteto de cuerdas, esta vez de la hermosa canción Sin principio ni final de Abel Pintos. Este arreglo captura la esencia emotiva y la riqueza melódica de la canción original, transformándola en una pieza ideal para conjuntos de cuerdas.Perfecto para presentaciones, recitales o cualquier evento que desee agregar un toque de sofisticación y belleza contemporánea, este arreglo para cuarteto de cuerdas es a la vez encantador y accesible.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.948125 Composed by Piotr Chaikovski. Arranged by Sam Bateman. Children,Christmas,Contemporary,Romantic Period,World. 8 pages. Sam Bateman #3377405. Published by Sam Bateman (A0.948125). Disfrute toda belleza maravillosa de esta suite de música clásica de uno de los mejores compositores del período de Romanticismo – Piotr Chaikovski! Ahora, usted puede comprar su propia copia de la suite de El cascanueces, por ejecutar con el resto de su cuarteto de saxofones. Aquí está el sexto movimiento, la Danza china. ¡Disfrútela! Si usted quiera oír algunos mis otros arreglos, no dude en mirar mi canal de YouTube, Sam Bateman’s Music. Si usted quiera contactarme para pregunta o solicitud, no dude en enviar un correo electrónico a sambateman.music@gmail.com, y responderé a usted lo antes posible.

Piano,Vocal - Level 3 - Interactive Download SKU: A0.1404070 By Ed Sheeran. By Ed Sheeran, Fred Gibson, and Johnny McDaid. Arranged by Peta Alexander. This edition: Interactive Download. Pop,Rock. Score. 2 pages. Duration 98. Peta Alexander #7b6ZAgIVfmusF80gPdmZtU. Published by Peta Alexander (A0.1404070). Key: B minor.Landscape formatting for easy display. Left Hand Chords with maximum 6 note spreads. Song sections labelled and bars formatted in groups (where possible) for easy pattern understanding.

Level 3 - Digital Download SKU: A0.1408422 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 4 pages. Robert A. Howard #991006. Published by Robert A. Howard (A0.1408422). Promenade II a flexibly scored, open form, improvisatory version of the original Promenade piece for full orchestra, based on the same musical material. This second piece features 21 separate musical 'blocks' (labelled A-U). These are to be allocated to the available musical instruments. The blocks can be freely stated and repeated, in an improvisatory manner, as players sensitively respond to the changing texture during the course of a performance. Full playing instructions are given on the score. Note: the document provided is the full score (with indicated transpositions). No audio track is provided due to the considerably flexibility and variability of performances. The original version is available via a search of the COMA Music Library.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edgar Ted Moon #962294. Published by Alan Edgar Ted Moon (A0.1377700). Instrumentation: Eb Clarinet, four Bb Clarinets, Alto, Bass, Contra-alto and Contrabass Clarinets. The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, 1598. originally for SSATTB a capella. As Wilbye labelled this Apt for Viols or Voices, I felt justified in making this arrangement.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-24E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Bassoon,Violin - Level 3 - Digital Download SKU: A0.1363834 By Franck Leblois (bassoon) and Pavel Eret (violin). By David Warin Solomons. Contemporary,Medieval. Full Performance. Duration 183. David Warin Solomons #948232. Published by David Warin Solomons (A0.1363834). Instrumental duo inspired by the poem Rosa Divina by Sor Juana Inez de la Cruz (a Mexican nun and poet from the 17th century). performed by Pavel Eret and Franck LeBloisThe poem explores the mystery of the rose, which deceives us in its life and teaches us in its death. The music is written with a mediaeval feel. The mode is Dorian.Rosa divina que en gentil cultura eres, con tu fragrante sutileza.Magisterio purpureo en la belleza, enseñanza nevada a la hermosura.Amago de la humana arquitectura, ejemplo de la vana gentileza.En cuyo ser unio naturaleza la cuna alegre y triste sepultura,cuan altiva en tu pompa premusida soberbia.El riesgo de morir desdeñas.Y luego desmayada y encogida.De tu caduco ser das mustias señas.Con que con docta muerte y necia vida,viviendo engañas, muriendo enseñas.Divine rose, you who are so finely cultivated with yourfragrant sweetness and magisterial purple, teaching snowy white beauty.You are the image of human architecture,in whose being nature is united.You have a happy grave and you scorn death in your pride.Then struck down, you teach us in your frailty.Your life is vain, you deceive us in your life.Your death is learnèd, you teach us in your death.

C Instrument - Level 1 - Digital Download SKU: A0.1117079 By Shakira. By Emile Kojidie, Eugene Victor Doo Belley, Jean Ze Bella, John Hill, Shakira, and Zolani Mahola. Arranged by juan carlos esteve / Gran Coda. Latin,Multicultural,Pop,World. Lead Sheet / Fake Book. 1 pages. Juan Carlos Esteve #718667. Published by Juan Carlos Esteve (A0.1117079). • Transcription of score for keyboard (accompaniment) with chord encryption of the theme Waka Waka (this time for Africa). • The download contains 1 page in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original tone: C • Degree of difficulty: Very easy • This score is set up for playing with a group or band.

Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506753 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 102. David Warin Solomons #1082124. Published by David Warin Solomons (A0.1506753). This is the fifth movement of the suite Times of Change. It is based on my setting of my father's translation of a poem about the month of April by Rémi BelleauApril, the grace and smileThat all beguile,The tang and the sweet breath:Perfume of Gods on high,Who from the skyRelish the scent of earth.April, courteous and gentleWho from exileSummons the wanderers,The forkèd swifts that skimTheir way and seemOf Spring the messengers.May-flower and eglantine,And verdant thyme,Lilies and roses redAt this so beauteous tide,Growing in prideWith lovely raiment spread.(c) S N Solomons.

Easy Piano - Level 3 - Digital Download SKU: A0.1471498 By Kylie Minogue/sia. By Jesse Shatkin and Sia Kate Isobelle Furler. Arranged by Zoltan Vegso. Pop. Score. 5 pages. Vegso Zoltan #1049272. Published by Vegso Zoltan (A0.1471498). This song is called Dance Alone by Kylie Minogue/sia reduction for piano.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-29E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Accordion,Arco Bass,Cello,Piano,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1381382 By Carlos Gardel. By A. Le Pera - M. Battistella and Carlos Gardel. Arranged by Alexis Galfre. Latin,Multicultural,World. 23 pages. Alexis Galfre #966094. Published by Alexis Galfre (A0.1381382). Gardel's melody that embellishes the verses of Le Pera and Battistella. Another of the songs that is part of the tribute concert to Carlos Gardel, arranged for piano, bandoneon, strings and singer (or solo instrument).Melodía de Gardel que embellece los versos de Le Pera y Battistella. Otra de las canciones que forma parte del concierto homenaje a Carlos Gardel, arreglada para piano, bandoneón, cuerdas y cantante (o instrumento solista).La melodia di Gardel che impreziosisce i versi di Le Pera e Battistella. Un'altra delle canzoni che fa parte del concerto tributo a Carlos Gardel, arrangiata per pianoforte, bandoneon, archi e cantante (o strumento solista).

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-39E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-39E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-39E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.