Cello Solo - Level 2 - Digital Download SKU: A0.950995 By Jason Mraz. By Jason Mraz. Arranged by Aimee Benton. Pop,Rock. Individual part. 2 pages. Aimee Benton #3536099. Published by Aimee Benton (A0.950995). For Cello, or other bass clef instrument.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1285736 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 8 pages. Chris Benton #876829. Published by Chris Benton (A0.1285736). This volume contains the Prelude & Fugue No. 21 in B flat major (BWV 866) from The Well-Tempered Clavier, Part 1, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1476012 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 147 pages. Chris Benton #1053579. Published by Chris Benton (A0.1476012). This volume contains the complete Well-Tempered Clavier, Part 2 (BWV 870-893) by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms these well-known works profoundly, allowing the player to hear them afresh from an entirely new perspective.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1400151 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 10 pages. Chris Benton #983365. Published by Chris Benton (A0.1400151). This volume contains the Prelude & Fugue No. 9 in E major (BWV 878) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1021642 Composed by Robert E. Benton, Jr. A Cappella,Praise & Worship,Sacred,Standards. Score. 2 pages. Robert E. Benton, Jr. #6136409. Published by Robert E. Benton, Jr. (A0.1021642). This hymn highlights God’s sovereignty over every aspect of our chaotic lives. We do not always like to see the storms that we, and our loved ones, may bring within the complexity of our own hearts.  Yet we can marvel with the disciples in the boat, saying, What manner of man is this, that even the winds and the sea obey him? (Matthew 8:27).    The hymn is appropriate for unison congregational singing, choral singing, ensemble, or solo; whether acapella, or with piano accompaniment.   For more information… Website: https://TRUSTHYMN.wordpress.com     Email:  TRUSTHYMN@yahoo.com Facebook: https://www.facebook.com/TrustHymn Instagram: https://www.instagram.com/trust_hymn/

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1418269 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 11 pages. Chris Benton #999826. Published by Chris Benton (A0.1418269). This volume contains the Prelude & Fugue No. 13 in F sharp major (BWV 882) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1282636 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 8 pages. Chris Benton #873894. Published by Chris Benton (A0.1282636). This volume contains the Prelude & Fugue No. 11 in F major (BWV 856) from The Well-Tempered Clavier, Part 1, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1271180 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 8 pages. Chris Benton #863575. Published by Chris Benton (A0.1271180). This volume contains the Prelude & Fugue No. 2 in C minor (BWV 847) from the Well-Tempered Clavier, Part 1, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1456534 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 8 pages. Chris Benton #1035606. Published by Chris Benton (A0.1456534). This volume contains the Prelude & Fugue No. 20 in A minor (BWV 889) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1452190 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 12 pages. Chris Benton #1031509. Published by Chris Benton (A0.1452190). This volume contains the Prelude & Fugue No. 18 in G sharp minor (BWV 887) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1422137 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 11 pages. Chris Benton #1003484. Published by Chris Benton (A0.1422137). This volume contains the Prelude & Fugue No. 14 in F sharp minor (BWV 883) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1379616 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 10 pages. Chris Benton #964319. Published by Chris Benton (A0.1379616). This volume contains the Prelude & Fugue No. 5 in D major (BWV 874) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.

Piano Solo - Level 3 - Digital Download SKU: A0.484844 Composed by Jae Young Ahn-Benton. Classical,Contemporary. Score. 10 pages. Jae Young Ahn-Benton #104054. Published by Jae Young Ahn-Benton (A0.484844). These are the composer's first set of short preludes, all of different styles. Nicknamed Nostalgia, The dueling singers, The dance of the brutes, and Sorrow, respectively, each prelude attempts to depict contrasting characters and challenge different aspects of the performer's technique.

Easy Piano - Level 1 - Digital Download SKU: A0.1021655 Composed by Robert E. Benton, Jr. Praise & Worship,Sacred,Standards. Score. 4 pages. Robert E. Benton, Jr. #6320905. Published by Robert E. Benton, Jr. (A0.1021655). This hymn climaxes in each verse with the wonderful reality that God’s love has filled the believer’s heart. The poetic expression of God’s love and grace in the text, which is based on Romans 5, is matched fully by the beautiful melody paired with a Dorian harmony.  

Instrumental Solo,Keyboard - Level 5 - Digital Download SKU: A0.1403870 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 11 pages. Chris Benton #987043. Published by Chris Benton (A0.1403870). This volume contains the Prelude & Fugue No. 11 in F major (BWV 880) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.