Flute (also bassflute) and piano - Digital Download SKU: S9.Q779422 For flute and piano. Composed by Faz?l Say. Downloadable, Score and part. Op. 101. Duration 30'. Schott Music - Digital #Q779422. Published by Schott Music - Digital (S9.Q779422). Portraits besteht aus acht musikalischen Beschreibungen bedeutender Persönlichkeiten, die die Kultur, Kunst und Literatur in der Türkei geformt und Leben und Werk des Komponisten entscheidend geprägt haben. Die Haupttextur dieser sehr unterschiedlichen Porträts wird von anatolischer oder klassischer türkischer Musik untermalt.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)

Concert Band - Level 3 - Digital Download SKU: A0.1382178 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Benoit BARRAIL. 21st Century,Disco,Pop,Standards. 75 pages. Benoît Barrail #966706. Published by Benoît Barrail (A0.1382178). All parts of the choir are doubled in  the instrumental parts. Blinding Lights is a song recorded in 2019 by Canadian singer The Weeknd. While referring to Las Vegas (Sin City), the singer insists on the importance of the partner in a resurgent couple relationship. Billboard magazine named it one of the best songs of the year. With its sounds of the 80s (synthesizers), this song ranks first on the charts in 34 countries and becomes the most listened to song on Spotify in 2022. Discover without delay this arrangement for 2-Part Choir and Concert Band, the band can also play without the choir.Toutes les parties de chœur sont doublées à l’orchestre. Blinding Lights est une chanson enregistrée en 2019 par le chanteur canadien The Weeknd. Tout en faisant référence à Las Vegas (Sin City), le chanteur insiste sur l’importance du partenaire dans une relation de couple renaissante. La revue Billboard l’a nommée comme l’une des meilleures chansons de l’année. Avec ses sonorités des années 80 (synthétiseurs), cette chanson se classe à la première place des hit-parades dans 34 pays et devient la chanson la plus écoutée sur Spotify en 2022. Découvrez sans tarder cet arrangement pour chœur à 2 voix égales et orchestre d’harmonie, l’orchestre pouvant également jouer sans le chœur.

Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1380269 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 26 pages. Benoît Barrail #965021. Published by Benoît Barrail (A0.1380269). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for 2-Part Choir and Clarinet Quartet of this timeless song.The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur lâ??album Wednesday Morning, 3 A.M., câ??est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu lâ??année suivante, elle fait partie de lâ??album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour chÅ?ur à 2 voix égales et quatuor de clarinettes de cette chanson indémodable.

Concert Band - Level 3 - Digital Download SKU: A0.1284110 Composed by Gonzalo Hermosa and Ulises Hermosa. Arranged by Benoit BARRAIL. 20th Century,Latin,Multicultural,Pop,World. Score and Parts. 37 pages. Benoît Barrail #875343. Published by Benoît Barrail (A0.1284110). Score in portrait format, instrumental parts in landscape format. La Lambada or Chorando se foi (The tears are gone) was recorded in 1989 by the Brazilian group Kaoma on the album Worldbeat. It quickly became the hit of the summer and sold more than 5 million copies worldwide in the year of its release alone. This song is a cover of Llorando se fue from the Bolivian group Los Kjarkas. Discover this dynamic and pleasant arrangement, it can be played by incomplete ensembles because many parts are doubled. It can also be played by festive orchestras and fanfares.Conducteur en format portrait, parties séparées en format paysage. La Lambada ou Chorando se foi (Les pleurs sont partis) a été enregistrée en 1989 par le groupe brésilien Kaoma sur l’album Worldbeat. Elle est très vite devenue le tube de l’été et s’est vendue à plus de 5 millions d’exemplaire dans le monde uniquement durant l’année de sa sortie. Cette chanson est une reprise de Llorando se fue du groupe bolivien Los Kjarkas.Découvrez cet arrangement dynamique et agréable, il peut être joué par des ensembles incomplets car beaucoup de parties sont doublées. Il peut aussi être joué par des orchestres festifs de type fanfares ou bandas.

Concert Band - Level 2 - Digital Download SKU: A0.1282616 By Gala. By Filippo Carmeni, Gala Rizzatto, and Maurizio Molella. Arranged by Benoit BARRAIL. 20th Century,21st Century,Hip-Hop,Pop,R & B. Score and Parts. 44 pages. Benoît Barrail #873872. Published by Benoît Barrail (A0.1282616). Arrangement for Concert Band. Score in portrait format and parts in landscape format. The song Freed From Desire was recorded in 1996 by Italian singer Gala on her second album Come into my life. The lyrics criticize the desire to always have more money, but also power or fame. This song very quickly became an international hit, often played and sung during football or rugby world cups. There are many doubled parts in the orchestration, which will allow you to play this piece with a small band. Arrangement pour orchestre d'harmonie. Score en format portrait et parties séparées en paysage. La chanson Freed From Desire a été enregistrée en 1996 par la chanteuse italienne Gala sur son deuxième album Come into my life. Les paroles critiquent l'envie de posséder toujours davantage d'argent, mais également de pouvoir ou de célébrité. Cette chanson est très rapidement devenue un tube international, souvent jouée et chantée lors des coupes du monde de football ou de rugby. Ce morceau peut aussi être joué par des orchestres festifs de type fanfares ou bandas. Il y a beaucoup de parties doublées dans l'orchestration, ce qui vous permettra de jouer ce morceau avec un petit orchestre.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1275570 Composed by Claudio Ruccolo, Meir Nahum Salah, Slimane Nebchi, and Yaacov Salah. Arranged by Benoit BARRAIL. 21st Century,Pop,Singer/Songwriter. Score. 12 pages. Benoît Barrail #867440. Published by Benoît Barrail (A0.1275570). The song Chez toi (Your house) was recorded in 2022 by Slimane fet. Claudio Capéo, on the album Croniques d’un Cupidon (Chronicles of a Cupid). Slimane (Slimane Nebchi) is a French singer and actor who won The Voice in 2016. The song Chez toi (Your house) tells us about a very strong childhood friendship between two people who hear from each other.La chanson Chez toi a été enregistrée en 2022 par le chanteur Slimane et son invité Claudio Capéo, sur l'album Croniques d’un Cupidon. Slimane (Slimane Nebchi) est un chanteur et acteur français vainqueur de The Voice en 2016. La chanson Chez toi nous parle d’une très forte amitié d’enfance entre deux personnes qui prennent des nouvelles l’une de l’autre.

Low Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1382004 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 33 pages. Benoît Barrail #966629. Published by Benoît Barrail (A0.1382004). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for Low Brass Quartet (Euphonium 1 – 2 – 3 and Tuba – Euphonium and Bass in Bb in B.C. or T.C. also available) of this timeless song. The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur l’album Wednesday Morning, 3 A.M., c’est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu l’année suivante, elle fait partie de l’album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor de cuivres graves (3 euphoniums et tuba – euphonium et basse Sib également disponible en clé de fa ou clé de sol) de cette chanson indémodable.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1381506 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 17 pages. Benoît Barrail #966217. Published by Benoît Barrail (A0.1381506). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for Woodwind Quartet (Flute, Oboe, Clarinet and Bassoon) of this timeless song. The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur l’album Wednesday Morning, 3 A.M., c’est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu l’année suivante, elle fait partie de l’album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor à vent (flûte traversière, hautbois, clarinette et basson) de cette chanson indémodable.

Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1383288 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 17 pages. Benoît Barrail #967717. Published by Benoît Barrail (A0.1383288). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for String Quartet of this timeless song. The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur l’album Wednesday Morning, 3 A.M., c’est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu l’année suivante, elle fait partie de l’album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor à cordes de cette chanson indémodable.

Concert Band - Level 3 - Digital Download SKU: A0.1382353 By Slimane. By Meir Nahum Salah, Slimane, Slimane Nebchi, and Yaacov Salah. Arranged by Benoit BARRAIL. 21st Century,Hip-Hop,Pop,R & B,Singer/Songwriter. 42 pages. Benoît Barrail #966869. Published by Benoît Barrail (A0.1382353). All parts of the choir are doubled in the instrumental parts. The song La recette (The recipe) was recorded in 2022 by Slimane, on the album Croniques d’un Cupidon (Chronicles of a Cupid). Slimane (Slimane Nebchi) is a French singer and actor who won The Voice in 2016. La recette (The recipe) is a dynamic love song in which the singer begs his partner not to leave him despite disagreements. Discover without delay this arrangement for 2-Part Choir and Concert Band, the band can also play without the choir. Toutes les parties vocales sont doublées à l’orchestre. La chanson La recette a été enregistrée en 2022 par le chanteur Slimane, sur l'album Croniques d’un Cupidon. Slimane (Slimane Nebchi) est un chanteur et acteur français vainqueur de The Voice en 2016. La recette est une chanson d’amour dynamique dans laquelle le chanteur supplie sa compagne de ne pas le quitter malgré les mésententes. Découvrez sans tarder cet arrangement pour chœur à 2 voix égales et orchestre d’harmonie, l’orchestre pouvant également jouer sans le chœur.

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1381502 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 19 pages. Benoît Barrail #966213. Published by Benoît Barrail (A0.1381502). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for Flute Quartet (Flute 1 â?? 2 â?? 3 and Bass Flute or Alto Flute in G) of this timeless song.The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur lâ??album Wednesday Morning, 3 A.M., câ??est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu lâ??année suivante, elle fait partie de lâ??album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor de flûtes traversières (Flûtes 1 â?? 2 â?? 3 et Flûte basse ou Flûte alto en sol) de cette chanson indémodable.

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 1 - Digital Download SKU: A0.1380319 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. Score and parts. 17 pages. Benoît Barrail #965076. Published by Benoît Barrail (A0.1380319). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for Clarinet Quartet of this timeless song. The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur l’album Wednesday Morning, 3 A.M., c’est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu l’année suivante, elle fait partie de l’album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor de clarinettes de cette chanson indémodable.