Interactive Download SKU: HX.15495 By Benny Goodman, Fred Astaire, and George Gershwin. This edition: Interactive Download,scorch. Blues,Jazz. Lead Sheet / Fake Book. 2 pages. Hal Leonard Europe #20756. Published by Hal Leonard Europe (HX.15495).

Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000010. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000010). ISBN 9780739068540. UPC: 038081386140.This songbook contains more than 50 of the biggest hits of the 1940s. Each song is sure to spark a memory or create a new one for pianists and vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: The Anniversary Waltz (Vera Lynn) * As Time Goes By (Dooley Wilson) * At Last (Glenn Miller) * Ballerina (Vaughn Monroe) * Blues in the Night (Woody Herman) * Chattanooga Choo Choo (Glenn Miller) * Don't Fence Me In (Bing Crosby and The Andrews Sisters) * Don't Sit Under the Apple Tree (The Andrews Sisters) * Elmer's Tune (Glenn Miller) * Enjoy Yourself (Guy Lombardo) * Fools Rush In (Glenn Miller) * A Gal in Calico (Johnny Mercer) * How About You? (Tommy Dorsey) * How Are Things in Glocca Morra? (Buddy Clark) * How High the Moon (Benny Goodman) * I Fall in Love Too Easily (Frank Sinatra) * I'll Walk Alone (Dinah Shore) * I'm in Love (Doris Day) * Imagination (Glenn Miller) * It's Magic (Doris Day) * I've Heard That Song Before (Harry James) * La Vie en Rose (Edith Piaf) * Laura (Woody Herman) * Mam'selle (Art Lund) * The More I See You (Dick Haymes) * Near You (Francis Craig) * New York, New York (Gene Kelly, Frank Sinatra, & Jules Munshin) * Oh! What It Seemed to Be (Frank Sinatra) * The Old Lamp-Lighter (Sammy Kaye) * Only Forever (Bing Crosby) * Paper Doll (The Mills Brothers) * Powder Your Face with Sunshine (Guy Lombardo) * Red Roses for a Blue Lady (Vaughn Monroe) * Serenade in Blue (Glenn Miller) * Speak Low (Guy Lombardo) * Straighten Up and Fly Right (Nat King Cole) * Swinging on a Star (Bing Crosby) * Take the A Train (Duke Ellington) * Taking a Chance on Love (Benny Goodman) * That Lucky Old Sun (Frankie Laine) * Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) (Bing Crosby) * The Trolley Song (Judy Garland) * You'd Be So Nice to Come Home To (Dinah Shore) * You'll Never Know (Dick Haymes) * Zip-a-Dee-Doo-Dah (James Baskett).

By Benny Goodman. Arranged by Cheryl Bray Jackson. Score, Set of Parts. 16 pages. Published by Cheryl Bray Jackson

Clarinet, Woodwind Quartet - Intermediate - Digital Download By Benny Goodman. Arranged by John Gibson. Score, Set of Parts. 19 pages. Published by JB Linear

Small Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.734831 By Artie Shaw. By Hoagy Carmichael. Arranged by Joseph Hasper. Jazz. Score and parts. 27 pages. Joseph Hasper #3563009. Published by Joseph Hasper (A0.734831). The Hoagy Carmichael signature tune arranged for combo with four horns (trumpet, alto sax, tenor sax, trombone) and rhythm section (piano, bass, and drums). Key of Db. 80 measures. Includes a full score and complete set of parts.Stardust was composed in 1927 by Hoagy Carmichael with lyrics added in 1929 by Mitchell Parish. According to Carmichael, the inspiration for Stardust came to him while he was on the campus of his alma mater, Indiana University, in Bloomington, Indiana. He began whistling the tune, then rushed to the Book Nook, a popular student hangout, and started composing. He worked to refine the melody over the course of the next several months. There have been many interpretations of the standard over the decades, both as a jazz instrumental and as a popular song. Some artists who have recorded Stardust include Bing Crosby, Artie Shaw, Louis Armstrong, Art Tatum, Benny Goodman, Tommy Dorsey, Harry James, Django Reinhardt, The Glenn Miller Orchestra, Lester Young, Erroll Garner, Dizzy Gillespie, Clifford Brown, Dave Brubeck, John Coltrane, Wynton Marsalis, Frank Sinatra, Doris Day, Joni James, Nat King Cole, Mel Tormé, Connie Francis, Harry Connick Jr, Ella Fitzgerald, Barry Manilow, Pat Boone, Willie Nelson, George Benson, Al Hirt, and even Bob Dylan.

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!

Piano Solo - Level 3 - Digital Download SKU: A0.948585 By Benny Goodman. By Benny Goodman, Chick Webb, and Edgar Sampson. Arranged by Robert Blond. Jazz. Score. 3 pages. Robert blond #3877503. Published by robert blond (A0.948585). 1936 instrumental popularized by the Benny Goodman orchestra, dubbed the Swing Era's national anthem by Gunther      Schuller (The Swing Era, p.682)Note-for-note transcription of part of Benny Goodman's improvisationDistinctive feature: syncopated last note of each bar in A sectionsSome walking bass, no repeatsTechnical difficulty minimized without compromising musical quality

Digital Download SKU: A0.981645 Composed by Jesse Greer. Arranged by Jim Ivy. Contemporary. 26 pages. Jim Ivy #5045017. Published by Jim Ivy (A0.981645). Just You, Just Me is a well-known jazz standard. Written in 1929 by Jesse Greer, the lyricist was Raymond Klages.This arrangement is for a small jazz combo and is suitable for both student and professional groups. There have been instrumental recordings (no vocal) by Red Norvo, Stan Tracey, Oscar Peterson and Lester Young, Buddy Rich, Artie Shaw, Les Paul, Benny Carter, Buddy Bregman, Tex Beneke, Coleman Hawkins, Harry James, Erroll Garner, Benny Goodman, Earl Hines, Joe Pass, Buddy Tate and Abdullah Ibrahim, Les Brown, Bill Coleman and Duke Ellington, and, of course, Dave Brubeck. In 1999, Lester Young's recording of Just You, Just Me was inducted into the Grammy Hall of Fame. Most jazz arrangements do not have vocals and, in fact, many of the songs do not have lyrics.Just You, Just Me has been recorded by quite a few vocalists, including Bing Crosby, Petula Clark, Doris Day, Ella Fitzgerald, Nat King Cole, Judy Garland, Jaye P. Morgan, and Rosemary Clooney. The song has also been used in 5 different movies, the last of which was the 1996 Woody Allen film, Everyone Says I Love You.

C Instrument - Level 4 - Digital Download SKU: A0.500273 By Count Basie. By Billy Hill. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113457. Published by John Fries (A0.500273). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   The Glory of Love is a song that was written by Billy Hill and recorded in 1936 by Benny Goodman. Goodman's version was a number one pop hit. The song has been recorded by many artists. It was the signature theme of the 1967 film Guess Who's Coming to Dinner, performed by nightclub singer Jacqueline Fontaine on camera, as well as over the opening and closing credits. Bette Midler included the song in the film Beaches (1988) and it appears on the soundtrack.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377063 By Count Basie. By Billy Hill. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #961669. Published by DAVID LEE GINGRAS (A0.1377063). The Glory of Love is a song that was written by Billy Hill and recorded in 1936 by Benny Goodman. Goodman's version was a number one pop hit and the song has been recorded by many artists. It was the signature theme of the 1967 film Guess Who's Coming to Dinner. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added what we think are some pretty cool left-hand fills that we hope you will like! It's a beautiful tune, easy to play and sounds great!

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1205969 By (See Below). By William J. Hill. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #804161. Published by John Fries (A0.1205969). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.   The Glory of Love is a song that was written by Billy Hill and recorded in 1936 by Benny Goodman. Goodman's version was a number one pop hit. The song has been recorded by many artists. It was the signature theme of the 1967 film Guess Who's Coming to Dinner, performed by nightclub singer Jacqueline Fontaine on camera, as well as over the opening and closing credits. Bette Midler included the song in the film Beaches (1988) and it appears on the soundtrack.

C Instrument - Level 4 - Digital Download SKU: A0.1205968 By Count Basie. By Billy Hill. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #804160. Published by John Fries (A0.1205968). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  The Glory of Love is a song that was written by Billy Hill and recorded in 1936 by Benny Goodman. Goodman's version was a number one pop hit. The song has been recorded by many artists. It was the signature theme of the 1967 film Guess Who's Coming to Dinner, performed by nightclub singer Jacqueline Fontaine on camera, as well as over the opening and closing credits. Bette Midler included the song in the film Beaches (1988) and it appears on the soundtrack.

Guitar - Level 3 - Digital Download SKU: A0.569808 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by PianoSheetNow. 20th Century,Contemporary,Film/TV,Jazz,Standards. Guitar Tab. 2 pages. PianoSheetNow #179178. Published by PianoSheetNow (A0.569808). It's Only a Paper Moon is a popular song published in 1933 with music by Harold Arlen and lyrics by Yip Harburg and Billy Rose. The song's lasting fame stems from its revival by popular artists during the last years of World War II, with hit recordings being made by Nat King Cole, Ella Fitzgerald, and Benny Goodman. It is now regarded as a jazz and pop standard, and has been recorded by numerous artists over the years.Guitar solo fingerstyle. Intermediate.With standard notation and Tablature (TAB). With finger position suggestions.Pages : Two (2) pages, 1:15' min.

Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!