Concert Band - Level 2 - Digital Download SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelson (A0.1379251). - When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues� - sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better� - sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!

Concert Band - Level 1 - Digital Download SKU: A0.1504098 Composed by Jonathan L Nelson. Contemporary,Contest,Festival. 60 pages. Jonathan Nelson #1079553. Published by Jonathan Nelson (A0.1504098). When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues” - sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better” - sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!

Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1272842 By Sharon Wilson. By D. S. Hakes, DS Hakes, and F. E. Belden. Arranged by Sharon Wilson and Sharon Wilson Music. 20th Century,Christian,Easter,Praise & Worship,Sacred. 22 pages. Sharon Wilson #865039. Published by Sharon Wilson (A0.1272842). Here is a flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of a beautiful hymn from the early 1900's titled My Song by D. S. Hakes. The original lyrics were inspired by the following Bible verse: The Lord is my strength and song. Psalm 118:14 This hymn may be better known by its Spanish title Mi Redentor es Cristo (O Jesus, my Redeemer) when used with lyrics translated by Edgar L. Maxwell. The original lyrics by F. E. Belden are shown below.Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The song begins in the key of C major for the first and second verses, then transitions to the key of G major during the piano interlude before the third and final verse.The range for each part is as follows: VIOLIN ~ G4 to B5; CELLO ~ G2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.  Duration 3:00.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (3 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicLyrics by F. E. Belden Verse 1:O Jesus, my Redeemer, Thou art my Joy and Song,My Saviour and my Solace when griefs around me throng.Chorus:O Jesus, my Redeemer, My song shall be of thee;No other Friend so constant, no friend so dear to me.Verse 2:Thou art my Hope and Comfort through all the weary years,When shadows dark surround me, when all the bitter tears.Verse 3:I trust in Thee, my Saviour, My faithful Friend and Guide;For thou to me art dearer than all on earth beside.

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1272501 By Sharon Wilson. By D. S. Hakes and DS Hakes. Arranged by Sharon Wilson and Sharon Wilson Music. 20th Century,Christian,Easter,Praise & Worship,Sacred. 22 pages. Sharon Wilson #864726. Published by Sharon Wilson (A0.1272501). Here is a flowing instrumental trio arrangement (for FLUTE and/or VIOLIN duet with PIANO accompaniment) of a beautiful hymn from the early 1900's titled My Song by D. S. Hakes. The original lyrics were inspired by the following Bible verse: The Lord is my strength and song. Psalm 118:14. This hymn may be better known by its Spanish title Mi Redentor es Cristo (O Jesus, my Redeemer) when used with lyrics translated by Edgar L. Maxwell. The original lyrics by F. E. Belden are shown below.Both the FLUTE and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The FLUTE plays the melody for the first verse and then the two instruments alternate for the second verse. The VIOLIN leads with the melody for the third verse. The song begins in the key of C major for the first two verses, then transitions to the key of G major during the piano interlude before the final verse.Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS or 2 FLUTES. The range for each part is as follows: Part 1 (FLUTE) ~ G4 to B5; Part 2 (VIOLIN) ~ D4 to G5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. Duration 3:00.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined FLUTE and VIOLIN score (3 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicLyrics by F. E. Belden Verse 1:O Jesus, my Redeemer, Thou art my Joy and Song,My Saviour and my Solace when griefs around me throng.Chorus:O Jesus, my Redeemer, My song shall be of thee;No other Friend so constant, no friend so dear to me.Verse 2:Thou art my Hope and Comfort through all the weary years,When shadows dark surround me, when all the bitter tears.Verse 3:I trust in Thee, my Saviour, My faithful Friend and Guide;For thou to me art dearer than all on earth beside.

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-20954 Incorporating I'll Fly Away, We'll Understand It Better By and By, When the Roll Is Called up Yonder, On Jordan's Stormy Banks, and When the Saints Go Marching In. Arranged by Mark Hayes. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Form: Medley. All Saints Day; Easter; Fall; Gospel; Lent; Movie; Sacred; Spring; Summer; Transfiguration. Part(s). 51 pages. Jubilate Music Group - Digital #00-20954. Published by Jubilate Music Group - Digital (JX.00-20954). English. Joel 2:1-32, 1 Corinthians 13:12, 2 Corinthians 5:1-8, Hebrews 11:1-16, 1 Thessalonians 4:13-17.The arranging genius of Mark Hayes shines in this stellar medley of gospel favorites, including Albert Brumley's, I'll Fly Away, recently featured in the movie, O Brother, Where Art Thou? The SATB and SAB editions open with a stylized vocal trio. Great fun for All Saints', early Lent, Transfiguration or any time of the year! Don't miss Mark's terrific orchestration! Includes director's score and parts for 2 trumpets, 2 trombones, tuba, solo violin, percussion and master rhythm.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.546809 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Alpin Smart (transcription for voice and guitar). 20th Century,Blues,Film/TV,Jazz,Standards. Score. 3 pages. SmartWorks Publications #156743. Published by SmartWorks Publications (A0.546809). The arrangement of this classic jazz/blues/cabaret song is based on the earliest (1937) of (at least?) three recordings by the late, great Billie Holliday, and is closer in feel to the original French version, as sung by cabaret and movie star, Mistinguett. Of course, the most famous version (and most closely associated with Holliday) is the one recorded by Billie in the '50s; but, I like to think that this uptempo version is a truer reflection of this great singer - in happier times - when she loved to sing uptempo jazz (she never regarded herself as a blues singer, although she could sing the blues with the best of them! And, it's important to reflect that her most famous interpretation of this song was made when she was - tragically - at death's door, and blues was better suited to her mood, and a deeply-felt despair, at this time of her all too brief, and, ultimately tragic, life). Besides, the uptempo rhythms, I feel, lend the words more of a 'Brechtian' sense of irony and impact.

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include E♭ and B♭. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com

Piano - Level 3 - Digital Download SKU: A0.1408123 By Damien Gauci. By Damien Gauci. Classical. Full Performance. Duration 178. Damien Gauci #990693. Published by Damien Gauci (A0.1408123). This piece originally began with the idea of the repeated chords in the right hand which I came up with near the end of 2018. I stumbled across this chord progression and developed it into the first eight bars of the composition. I liked the sound of the main section so I decided to use a Rondo form which is structured as ABACA with section A as the repeated chords in the right hand.It was a lot of fun to write this piece and I learnt many new things whilst writing, especially creating a good structure and developing the A section when it returns throughout the piece. The middle, near to the end section with the Alberti bass gives it a nice break between all of the heavy repeated notes. That's one thing I would have done differently in this piece; separate it a little bit more from the heavy repeated chords.The context and idea behind this piece is a bit more abstract than my other pieces as I usually aim to have a story behind my music but it was born out of a musical idea rather than a philosophical one. However, it seems to convey a frantic mood as well as some times for rest and slowing down.There are some sections that I personally think are still a bit basic, which I think with more experience I will be able to write better. I would have to say the start of the second page, or the ascending chords part sounds quite nice. Overall, I'm fairly happy with the end result, and I have another piece to fully release in the near future. I plan on narrowing down certain parameters to further develop my composition techniques and skills.

Piano Solo - Level 4 - Digital Download SKU: A0.1425889 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 52 pages. Damien Gauci #1006655. Published by Damien Gauci (A0.1425889). This is the second album that I have released and it is another soft piano album. Ever since I published my first album ‘Sunday’ I have been wanting to write another one because I enjoyed writing the first one so much. I wanted to write even better pieces than the first one as well as a couple more pieces too. When thinking about a theme for this album, I decided to go for the season of summer and write music that reminds me of summer such as the warm breeze, the fragrance of the trees and flowers, and the sparkle of the sun on the water.In a lot of the pieces in this album, I explored the line between the ambient and melodic world with some pieces featuring a strong melody while others cycle through a chord progression in a certain pattern. This is something that I like to explore in a lot of my music as I think a melody is a great way to make a piece of music memorable but I also find that less melodically driven pieces still have their place in telling a story or setting a mood.So, if you are listening to this album or learning it, I hope that you find each piece enjoyable and that there is one that sticks out to you as your favourite. My intention is for you to listen to them while you drive, study, work, or have a rest or do anything else to make those moments a little more enjoyable and special. Thanks very much for taking the time to check out this album!

Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.â€Â� I said, “Yes. I would be delighted to do so.â€Â� He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pages. David Warin Solomons #863483. Published by David Warin Solomons (A0.1271090). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.The pdf file is the score based on the alto and guitar parts with spoken voices provided in text on the score.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, and if I go on singing it much longer, he thought, it will be time for the little something, and then the last line won't be true. So he turned it into a hum instead.   ..... etc.

Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.â€Â� I said, “Yes. I would be delighted to do so.â€Â� He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.

Choral Choir (SATB) - Digital Download SKU: A0.777014 By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Jon Arterton. Contemporary. Octavo. 9 pages. Jon Arterton #4755115. Published by Jon Arterton (A0.777014). This powerful song has been made universally popular by Matisyahu. It’s about hope for a better world. The arranger says “I’ve got about seventy arrangements available online and this one song has outsold all of my other arrangements COMBINED.� There’s a reason for that – it’s an amazing song that is a perfect concert closer. Its melody causes instant earworms to all who hear it.Sometimes I lay under the moon and I thank God I'm breathin'. Then I pray don't take me soon 'cause I am here for a reason. Sometimes in my tears I drown, but I never let it get me down. So when negativity surrounds,  I know someday it'll all turn around because All my life I been waitin' for, I been prayin' for, for the people to say; That we don't want to fight no more. They'll be no more wars, and our children will play. One day. One day.

Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 1608. David Warin Solomons #863477. Published by David Warin Solomons (A0.1271084). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, ... etc.

C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!