Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.

Piano Solo - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer

Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1371453 Composed by Leonhard Stampler. Arranged by Leonhard Stampler. 21st Century,A Cappella,Contemporary,Multicultural,Pop,World. 16 pages. Leonhard Stampler #955672. Published by Leonhard Stampler (A0.1371453). Sing for Peace is a song dedicated to all who are suffering from war and terrorism.The lyrics of this song are based on and inspired by these quotes showing us how music can ease tension, bring people together and inspire change:“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.� (Leonard Bernstein)“Where words fail, music speaks.� (Hans Christian Andersen)“Some of us are born with a weakness for music. As a baby, music would stop whatever thought I was having. If I was worried, it would stop me worrying; if I was crying, it would stop me crying. Music was a healing thing for me.� (Andrea Bocelli)“Music is the message of peace, and music only brings peace.� (Zubin Mehta)“Brotherhood despite all wars and conflicts: I try - to the best of my ability - to serve this idea in my music.� (Béla Bártok)“Music is meaningless noise unless it touches a receiving mind.� (Paul Hindemith)Music - that wonderful language - should be a source of communication among men. (Pablo Casals)When music and courtesy are better understood and appreciated, there will be no war.� (Confucius).

Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!

Easy Piano - Level 4 - Digital Download SKU: A0.892451 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Francesco Mannino. Pop. Score. 4 pages. Francesco Mannino #4338013. Published by Francesco Mannino (A0.892451). This is an arrangement of Lady Gaga - Shallow Piano Solo Arrangement (From A Star is Born). It features many different types of chords that are meant for the late intermediate to advanced player. The arrangement is based on the original song by Lady Gaga, but features many changes that I thought would make a great sounding and beautiful piano solo arrangement of Shallow. l also wanted to add a rhythmic element to the arrangement, which you will see during some of the parts of the arrangement. The arrangement is in E minor.The arrangement took me about 2 days to create. I was inspired by Lady Gaga's performance with Bradley Cooper at the Oscar's. When making the arrangement, I listened to their performance many times as well as their official recorded version of the song. I have also touched up some of the chords to make a better sounding piano solo arrangement.Shallow was featured in A Star is Born, where Lady Gaga performs along with Bradley Cooper in a loving rendition of the song.Lady Gaga - Shallow Piano Solo Arrangement (From A Star is Born) is meant for the high intermediate to advanced players looking to play some of the popular music of today (Mar 2019). This is the latest hit on radios and TV having been featured at the Oscars. The song will take a bit of practice. If you are having a hard time with the arrangement, you can omit some of the bottom notes of the right hand. These notes will not effect the melody, but are just there to add some color.The arrangement of Lady Gaga Shallow for piano solo is 4.5 pages long, and should take about 3 minutes and 40 seconds to fully perform. You can remove some of the bottom notes in the right hand if you wish to make the arrangement easier.

Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune� was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations� work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the Terezín Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)    So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.�  It had a soulful, melancholic core; an almost “bluesy� feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.    Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant� setting.III. Grateful Funk … The “bluesiness� of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th� in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!

Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!

Guitar - Level 2 - Digital Download SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Published by Brian Streckfus (A0.1150935). Important: This include two versions, a heavily notated version, and a blank version.1. Added tablature. 2. Fingerings added (Counterintuitive fingerings are left blank for the performer to realize first hand that it will be an awkard passage).3. Chord nomenclature added4. Fonts made larger and more appealing5. Position and Bar markings addedTips:1. Measure 13 is a good example of melodic minor as scale degrees 6 and 7 are rasied by a half step on an upward scale run, and then lowered on the way back down.2. Measures 23-27 is an example of a sequence. I recommend making the catchiness and repetition as obvious as possible as the audience is expecting the sequence to complete. For example, if there is a slur happening on a certain beat, I'll make sure it is mantained for every repetition, which is why measure 20 is more difficult with a fretted B instead of an open string. It's more work, but it sounds better to my ears.3. There is a certain order that the right hand fingers should be following depending on if you are going to thicker or thinner strings. Since this is an etude designed to get a player used to classical guitar technique, it made sense to show the a novice finger-style player which right hand fingers to use and when. Example: 2nd thinnest to thinnest string...Should be i m...not m iTo Do:1. Theoretical explanations in the score? Especially on the heavily notated version?

Concert Band - Level 3 - Digital Download SKU: A0.971801 Composed by Britt Andrew Burns. Contemporary. Score and parts. 71 pages. Indie Classical Publications #1932369. Published by Indie Classical Publications (A0.971801). A TRAIN THROUGH YORKSHIRE is one of my earliest works for band. Composed in 2007, it was inspired by the train rides I took while studying abroad in Great Britain. The Yorkshire area is especially beautiful, and the music was inspired by my memory of sitting on a train with a tea in hand on a drizzly day.  However, I was never fully satisfied with the work, as it felt incomplete. One reason was that I was rushed to meet a short deadline when composing this piece. It wasn't until the summer of 2018 that I decided to do it justice and revise it. This new and final version is a little shorter than the original and offers a better balanced orchestration.  Level: grade 3+ (medium)  Duration: About 5 minutes, 15 seconds

Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics  For GuitarTab Chords Lyrics  For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.874531 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Gavin Koh. Celtic,New Age. Score. 4 pages. Gavin Koh #6023993. Published by Gavin Koh (A0.874531). Here is my piano + vocal arrangement of Tempus Vernum, as performed by the inimitable and enchanting Enya. This song is featured in her 2000 album - A Day Without Rain - whose cover is featured in the video. My arrangement stays as true to the original melody as much as possible, so I sincerely hope you enjoy it. When translated from Latin, the title of the song reads Springtime... However, when you hear Enya's song, you might think that it's going to be a dark year ahead, just like the year - 2020. Let's hope it gets better. Real soon.Do follow me at https://www.facebook.com/gavinkoh1970 to stay updated on my releases.

Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).

Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends.  Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more!  Any kind of diatonic Harp can be used to perform this piece.  The harp part can also be performed as a solo piece.  When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale.  The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira

Incorporating I\'ll Fly Away, We\'ll Understand It Better By and By, When the Roll Is Called up Yonder, On Jordan\'s Stormy Banks, and When the Saints Go Marching In. Arranged by Mark Hayes. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Form: Medley. All Saints Day; Easter; Fall; Gospel; Lent; Movie; Sacred; Spring; Summer; Transfiguration. Choral Octavo. 16 pages. Jubilate Music Group - Digital #00- 20952. Published by Jubilate Music Group - Digital