Instrumental Duet Bass Recorder,Instrumental Duet,Tenor Recorder - Level 3 - Digital Download SKU: A0.835852 Composed by Edward Elgar. Arranged by Paul Burnell. 20th Century. Score and parts. 6 pages. Paul Burnell #5732523. Published by Paul Burnell (A0.835852). Nimrod (Variations on an Original Theme, Op. 36, Enigma: IX), by Edward Elgar arranged by Paul Burnell.For Duet - Tenor Recorder, Bass RecorderDuration 2:40In this arrangement the melody is shared between the two instruments and the key has been transposed to C major.In bars 7 and 9 of the Bass Recorder part the bracketed notes may be played should the low F sharp be unavailable.Programme note:English composer Edward Elgar wrote the orchestral workâ?? Variations on an Original Themeâ??, popularly known as the Enigma Variations, between 1898 and 1899. The work is dedicated to my friends pictured within, each variation being a musical representation of one of his close acquaintances. The name of the ninth variation Nimrod refers to Augustus Jaeger, Elgarâ??s music editor.

C Instrument - Level 1 - Digital Download SKU: A0.1346062 By Prof. Pöllö. By José Lucas. Arranged by José Lucas. Children,Classical,Contemporary,Folk,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #930915. Published by José Lucas (A0.1346062). ABC For Guitar Beginners Vol.1Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.1. Learn how to read notes, chords, music theory and interaction with the teacher2. Simple exercises to practice before the kids tackle the pieces/songs3. Rules for how to train a difficult part4. Learn to read left vs. right hand in music5. Learn the differences between strings and frets6. Famous children's songs from around the world7. Visually appealing pages for kids8. Famous pieces from classical music9. Audio to all music in the book on Spotify10. Diploma“This method guides students in mastering the 1st, 2nd, and 3rd strings with whole, half, and quarter notes. Before progressing to the next step, they hone these skills on the 3rd string, 2nd fret, using the long finger (2nd, left hand). For kids, pressing on the 3rd string is made easier. Transitioning to the A note, students can also use the 1st and 3rd fingers (left hand), to prepare themselves for C and D notes on the 2nd string. Mastering C & D paves the way for playing F and G notes. Crucial exercises on each note develop strength in both hands. The book includes helpful audio, ensuring students stay in rhythm and practice independently at home. Along the way, students learn music theory at the right time.� - José Lucas, 2023CONTENTMary had a little lamb (US)The spring song (Hungary)Playful dialogue (Germany)Old MacDonald (US)Björnen sover (Sweden)Au clair de la lune (France)Hänschen klein (Germany)Andantino Op. 59 (Carcassi)Russian theme (Russia)Dog waltz (Germany)Savez-vous planter les choux? (France)Sonata no.11 K331 (Mozart)Brandenburg dance (Germany)Gran vals (Tarrega)Carnevale di Venezia (Italy)Andantino (Küffner)Go to sleep (Germany)The silly song (Irland)El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!

Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874(Моде�т Петрович Му�орг�кий) Arranged for Piano Quartet by James M. Guthrie (Джейм� М. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)      Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов   Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)      Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы Largo       CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)      Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле      Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�адThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.

String Orchestra - Level 5 - Digital Download SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published by Studio at the Post (A0.1365113). Parts only (see A879420 for Score). Duration: 18 - 19 min., 5 ensemble parts and 5 solo parts, average 9 pp each. Description: Triptych for String Orchestra sets up three contrasting musical tableaux in as many different genres. Though this approach is often called post-modern, the composer prefers to see it as an indulgence of the many types of music he enjoys. The work opens with a free form improvisatory movement whose sour romanticism comes from its rich chromatic palette. The second movement is in many ways the opposite of the first. It is a very tightly constrained serial work where the parameters of rhythm, inflection, and dynamics, not just pitch, get a full serial workout of permutations. The third and finale movement, then can be seen as a happy medium between the two extremes of the previous movements. It's in the form of an episodic Dionysian romp that alternates between expositions of an ever more shrill theme with puckish episodes of varied quasi-ad lib solos embedded in coloristic texture. There are three movements, Chroma - The Academy - Rock.

2-Part Mixed Voices, Piano - Easy - Digital Download SKU: MQ.50-7309-E Composed by Susan Borwick. 9/11 Service. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-7309-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7309-E). The author of this text, George Matheson, once said his poem,came like a dayspring from on high. The words stir the soul with their truth and eloquence, couched in archaic 19th-century language. Albert L. Peace's tune ST. MARGARET carries Matheson's text simply and directly. The arrangement was written at the request the Wake Forest University Theatre, who asked for a setting of the hymn for a production of Thornton Wilder's well-known play Our Town, specifically for the graveyard scene. The piano accompaniment conjures up the tolling of a bell that between stanzas breaks forth between stanzas into poignant melody as the voices in monotonerest in God's everlasting love.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84

Full Orchestra - Level 4 - Digital Download SKU: A0.796757 Composed by Gary D. Belshaw. 20th Century,Contemporary. Score and parts. 403 pages. DR GARY D BELSHAW #5793507. Published by DR GARY D BELSHAW (A0.796757). COMPLETE SCORE AND PARTS. Duration 10 minutes. 403 pages. Formatted for 9½ x 12½ page size; select fit to page or similar to print on letter size sheets. With motives built from the first four pitch classes of the major scale, Essay represents in music the deterioration of human cells by cancer. The intervals between the pitches of the various motives are decreased by semitones until one motive is stated with quarter-tone (pitches played in the cracks between keys on a piano. Dedicated to the memory of two who lost battles with cancer. 

Concert Band - Level 4 - Digital Download SKU: A0.1339368 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 85 pages. Motch Music #925059. Published by Motch Music (A0.1339368). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal   Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  

Easy Piano - Level 1 - Digital Download SKU: A0.1376532 By SilverTonalities. By Edvard Grieg. Arranged by SilverTonalities. Classical,Instructional,Opera,Romantic Period. Score. 39 pages. SilverTonalities #961052. Published by SilverTonalities (A0.1376532). In the Hall of the Mountain King Beginner Piano Collection Popular Classics for Beginner Pianists by SilverTonalities!With Colored Notation to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2BELLA BOCCA POLKA Opus 163, written in 1881 by the French Romantic Composer Emile Waldteufel. Born into a musical family, Waldteufel composed over 270 Works including his famous “Skater’s Waltz�, pages 3-6TOREADOR Song is a popular Aria from the 4 Act Opera “Carmen� ,by the French Romantic Composer Georges Bizet, which premiered in Paris in 1875, pages 7-9SUNRISE QUARTET Opus 76 Number 4 1st Movement, was written by the famous German Composer, Franz Joseph Haydn. Known as the “Sunrise� due to the rising theme throughout, this String Quartet which was written between 1797 to 1798, pages 10-12THE QUEEN OF THE NIGHT is from the Austrian Composer, Wolfgang Amadeus Mozart’s famous Opera “The Magic Flute� which premiered in 1791 in Vienna, pages 13-16IN THE HALL OF THE MOUNTAIN KING, Opus 46 Number 4 from the Norwegian Composer, Edvard Grieg’s Peer Gynt Suite written in 1875, pages 17-20CAN CAN from the Opera “Orpheus in the Underworld�, was written in 1858 by the French Romantic Era Composer Jaques Offenbach, pages 21-22AIR from the five Act Opera “King Arthur�, written by the English Baroque Composer Henry Purcell, which premiered in London in 1691. The plot is based on the battles between King Arthur’s Britons and the enemy Saxons, pages 23-25COMIC DUET FOR TWO CATS by the Italian Romantic Era Composer, Gioachino Rossini in 1825 is a popular performance piece originally written for two Sopranos and Piano, pages 26-30THE UNFINISHED SYMPHONY, from the Austrian Composer Franz Peter Schubert, originates from his Symphony Number 8 in D Minor D759. Schubert started it in 1822 but only completed 2 Mvts even though he lived another 6 years, pages 31-36.

Instrumental Duet Guitar,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1002501 Composed by Cleber Correia. Concert,Instructional,Standards. Score and parts. 2 pages. Cleber Domingues #6418487. Published by Cleber Domingues (A0.1002501). Raízes suggests a journey through a feeling of contemplation. Some of its technical elements are: Slides between some chords, and a constant switch between the chord and its inversions. Contacts: Tel - 55 11 9 5348 3015 Instagram - euclebercorreia

Full Orchestra - Level 5 - Digital Download SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages. Panagiotis Theodossiou #5753415. Published by Panagiotis Theodossiou (A0.886728). Work written in 2018 a thesis for composer's postgraduate studies in Musical Department of Ionian University (Composition for Vocal and Instrumental Ensembles). It is based on the, under the same title ('Premonition'), poem by the 19th century British-Canadian poet Robert William Service (1874 - 1958). Point of departure is the eternal conflict between light and darkness, hope and despair, vision and nightmare, spiritual formation and inner confusion, being together and being apart, past and future, life and death. Leading by love (eros), a series of sudden thoughts and premonitions and the composer's inner visions on Service's text is a vehicle, a canvas for this composition. It follows a multilanguage style between serial-atonal and tonal idiom. It consists of an introduction which is repeated variated at the end as an epilogue and nine variations, each of a different character - independent but following one another without a pause: 1. Introduction, Sudden Thoughts (Severo) 2. Var.I. Towards the Light (Lento ambiamente) 3. Var.II.Nightmare - Shadows' Chase (Allegro deciso) 4. Var.III. Hope (Lento mystico) 5. Var.IV. Moonlight Wandering (Valse noire) (Poco piu mosso) 6. Var.V.Vision i, An Imaginary Procession (L' istesso tempo) 7.Var.VI.Vision ii, Butterflies - An Unexpected Love Affair (Valse d'amour) (Allegro) 8.Var.VΙI. Depression and Relief (Illusion) (Grave) 9.Var.VIII. Contemplation Waltz (Passacaglia) (Con moto) 10.Var.IΧ. Confusion - A Broken Heart (Moderato) 11. Finale. Last Thought (Tempo primo)

Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - Digital Download SKU: A0.1128161 By Queen. By Freddie Mercury. Arranged by Krista Broadway Swider. Rock. Score and parts. 9 pages. Krista Swider #728777. Published by Krista Swider (A0.1128161). This arrangement for violin and viola duo is set in the same key as the original song. The intro begins at a slower tempo (quarter note equals 94) with legato arpeggiated eighth notes and chords in the viola. These imitate Freddie Mercury's piano accompaniment while the violin plays the lyrical vocal melody. A quick tempo change (notated according to Queen's recording of the piece, at quarter note equals 144) sets up the first full verse and chorus for a raucous good time with driving chords in the accompaniment and the upbeat vocal line traded off between instruments. In Queen's recording, Don't Stop Me is sung/chanted with drums emphasizing off beats in the bridge. This arrangement emulates Queen's original bridge with accented eighth notes and the sing song melody traded between violin and viola. Each instrument gets a stab at the following electric guitar riff while the other plays edgy chords as backup. After a recap of verse and chorus, the song returns to the original slower tempo and the parts instruct the players to fade out. Parts and score are bowed.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.882969 By Elton John. By Bernie Taupin and Elton John. Arranged by Jeremy Landig. Pop,Rock. Octavo. 9 pages. Landig Music Productions #4280991. Published by Landig Music Productions (A0.882969). A dynamic SATB (with divisi) arrangement of the pop classic for choir.  An opening solo gives way to vocal harmonies infused with a touch of gospel flavor.  The verses in this arrangement are kept moving by selectively trimming some of the measures between vocal phrases, and filling others with background vocals and/or echoes of the melodic material, so there are no awkward stand and wait pauses between lyrics.  Please note: This arrangement is not licensed for use with show choirs.  The accompaniment pak (5 horns and rhythm section) is found here:  https://www.sheetmusicplus.com/title/don-t-let-the-sun-go-down-on-me-accompaniment-pak-digital-sheet...

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.554074 Composed by Henry Balfour Gardiner. Arranged by Ray Thompson. Contemporary. 48 pages. RayThompsonMusic #6597257. Published by RayThompsonMusic (A0.554074). Composed in 1911.Probably intended as an interlude for a projected one-act opera based on Thomas Hardy's 'The Three Strangers'. Premiered at the Queen's Hall at a Promenade Concert and so successful that it was repeated a month later during the same Proms season.(It became a favourite at the Proms, chalking up 35 performances between 1911 and 1951) Henry Balfour Gardiner (7 November 1877 – 28 June 1950) was a British musician, composer, and teacher.He was born at Kensington (London), began to play at the age of 5 and to compose at 9.Between his conventional education at Charterhouse School and New College, Oxford, where he obtained only a pass degree, Gardiner was a piano student at the Hoch Conservatory in Frankfurt, where he was taught by Iwan Knorr and Lazzaro Uzielli, who had been a pupil of Clara Schumann. He belonged to the Frankfurt Group, a circle of composers who studied at the Hoch Conservatory in the late 1890s Gardiner's most important work, possibly, was his promotion of the music of contemporary British and colonial composers, particularly through a series of concerts he personally financed at Queen's Hall London in 1912 to 1913. The composers represented included Arnold Bax, Frederic Austin, Gustav Holst, Percy Grainger, Roger Quilter, Cyril Scott and Norman O'Neill. (The last four had also studied with him at Frankfurt.)Arranged for symphonic wind dectet and bass

Flute, clarinet & piano - Digital Download SKU: IZ.CMS1814 Composed by Daniel Baldwin. Score and Parts. 15 pages. Imagine Music - Digital #CMS1814. Published by Imagine Music - Digital (IZ.CMS1814). 9 x 12 in inches.Western Serenade for Oboe, Clarinet, and Piano was a project that percolated for a few years. I began this piece when I was a student with the intention of sending it to a composition competition. I composed the first 29 measures and then left it to do another project. The sketch sat in a pile for a few years until I came in contact with KarlWentzel. Karl requested a piece for the same instrumentation; a piece perform himself and to have for his students to perform. On getting this request, I dug out that sketch and completed the piece. I think it is a fine example of my progressionfrom a student to a more honed composer.Western Serenade begins with a nice pastoral melody tossed back and forth between the two soloists. The piece then alternates between pastoral and dramatic moods and closes with an exciting and surprising presto coda.This version of Western Serenade was written for flute, clarinet, and piano.