Easy Piano - Level 1 - Digital Download SKU: A0.1376532 By SilverTonalities. By Edvard Grieg. Arranged by SilverTonalities. Classical,Instructional,Opera,Romantic Period. Score. 39 pages. SilverTonalities #961052. Published by SilverTonalities (A0.1376532). In the Hall of the Mountain King Beginner Piano Collection Popular Classics for Beginner Pianists by SilverTonalities!With Colored Notation to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2BELLA BOCCA POLKA Opus 163, written in 1881 by the French Romantic Composer Emile Waldteufel. Born into a musical family, Waldteufel composed over 270 Works including his famous “Skater’s Waltz�, pages 3-6TOREADOR Song is a popular Aria from the 4 Act Opera “Carmen� ,by the French Romantic Composer Georges Bizet, which premiered in Paris in 1875, pages 7-9SUNRISE QUARTET Opus 76 Number 4 1st Movement, was written by the famous German Composer, Franz Joseph Haydn. Known as the “Sunrise� due to the rising theme throughout, this String Quartet which was written between 1797 to 1798, pages 10-12THE QUEEN OF THE NIGHT is from the Austrian Composer, Wolfgang Amadeus Mozart’s famous Opera “The Magic Flute� which premiered in 1791 in Vienna, pages 13-16IN THE HALL OF THE MOUNTAIN KING, Opus 46 Number 4 from the Norwegian Composer, Edvard Grieg’s Peer Gynt Suite written in 1875, pages 17-20CAN CAN from the Opera “Orpheus in the Underworld�, was written in 1858 by the French Romantic Era Composer Jaques Offenbach, pages 21-22AIR from the five Act Opera “King Arthur�, written by the English Baroque Composer Henry Purcell, which premiered in London in 1691. The plot is based on the battles between King Arthur’s Britons and the enemy Saxons, pages 23-25COMIC DUET FOR TWO CATS by the Italian Romantic Era Composer, Gioachino Rossini in 1825 is a popular performance piece originally written for two Sopranos and Piano, pages 26-30THE UNFINISHED SYMPHONY, from the Austrian Composer Franz Peter Schubert, originates from his Symphony Number 8 in D Minor D759. Schubert started it in 1822 but only completed 2 Mvts even though he lived another 6 years, pages 31-36.

Lever Harp - Level 5 - Digital Download SKU: A0.1513472 Composed by Traditional Irish Jig. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Celtic,Irish,Traditional. Score. 9 pages. Learning the Harp #1088346. Published by Learning the Harp (A0.1513472). This arrangement of Butterfly Jig is fun, upbeat and sounds REALLY impressive on the harp! It’s a great performance piece to show off your technical skills and speed. This level is the most complex out of the two with a faster speed, impressive intros at the beginning, and more complexity between the hands.Difficulty Level and Skills Required: Advanced. The right hand plays the melody with quick, repetitive fingerwork, grace notes, and a long series of overlapping brackets. The left hand consists of 4-2-1 patterns, 5th intervals, and octaves. This piece is fast with quite a bit of jumping between registers, quick dynamic changes, and tricky placing.Type of Harp: The big harp version is for 33 string harps and larger, but the small harp version works for 26 string harps and largerRange: For big harps: the lowest note is E one and a half octaves below middle C, and the highest note is D, just more than two octaves above middle C. For small harps: the lowest note is C one octave below middle C, and the highest note is D, just more than two octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). No lever changes throughout.

Piano Solo - Digital Download SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728). Music and song composed by me  ♫ *'¨` * • .¸¸. As Dante (To hell and back)♫ ♫ *'¨` * • .¸¸. ♫ I'd recognize anywhere and millions  your  eyes when will my time I certainly find  it my rebellious soul that more chains will not have over the time and distances Your light will follow   and how Dante I will commence from the bottom the deepest hell between the screams of the damned three groans and sins between greedy and slothful but you're not here I feel that changes and transforms the essence takes shape love transfigures removes all fear I find you I swear I'll take you with me   memories, images in my mind 2 of us in the excerpt of apparent life for us that we are in hell were forged on us a tear and 100 sins I do not believe, do not watch and do not feel You that  rest and peace have reached and then suddenly appears to me your face We are in hell for us is heaven ... we rush wrists tied, I do not care You  squeeze  to hurt me   think of me stronger and shalt see my colors It was death to turn me but you can repaint me  and then I'll be whatever you want as in life if you want me  wind I breath and the evils I will comfort If you want me want rose scent the air and will blossom As Dante told We are  Paolo and Francesca 2 doves and then just and I find the joy of living smile reborn and fight to recover what in life we we never had happiness everyone is looking for and chase and then expect strange to say but I find it here On  flames on  hell as Dante that one day for that dark forest left   dance, dance white souls purgatory are never tired why the hell is a real torture but it is the paradise that do  more scares and how Dante but without Virgilio I try by myself to my best because Charonte accept my toll conceal my love and now we are already on journey   how strange my mind that does not have any rest It has no limits or boundaries and fear a little 'makes me is  my  curse as a mark on the skin but as  said one on  last Dante I go out to see the stars that day will come and then I swear I look for you and take you to a safe place Please , just remember  only my face and will not be hell will be heaven ...                                                                                              Monica Bergo

Instrumental Duet Bass Recorder,Instrumental Duet,Tenor Recorder - Level 3 - Digital Download SKU: A0.835852 Composed by Edward Elgar. Arranged by Paul Burnell. 20th Century. Score and parts. 6 pages. Paul Burnell #5732523. Published by Paul Burnell (A0.835852). Nimrod (Variations on an Original Theme, Op. 36, Enigma: IX), by Edward Elgar arranged by Paul Burnell.For Duet - Tenor Recorder, Bass RecorderDuration 2:40In this arrangement the melody is shared between the two instruments and the key has been transposed to C major.In bars 7 and 9 of the Bass Recorder part the bracketed notes may be played should the low F sharp be unavailable.Programme note:English composer Edward Elgar wrote the orchestral workâ?? Variations on an Original Themeâ??, popularly known as the Enigma Variations, between 1898 and 1899. The work is dedicated to my friends pictured within, each variation being a musical representation of one of his close acquaintances. The name of the ninth variation Nimrod refers to Augustus Jaeger, Elgarâ??s music editor.

Instrumental Duet,Piano Baritone Horn TC/Euphonium,Piano - Level 2 - Digital Download SKU: A0.844515 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #3490485. Published by Phil Beaman (A0.844515). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.  2 1/2 minutes, 5 page score, 2 page solo part (includes solo part in both Bass Clef and Treble Clef)Temporary MIDI recording; a live performance will be much more expressive and free

Choral SATB choir with optional percussion - Digital Download SKU: H1.C5371DP Composed by Allen Pote. Piano with Optional Percussion. General Worship, Joy, Adoration & Praise. Octavo. 12 pages. Hope Publishing - Digital #C5371DP. Published by Hope Publishing - Digital (H1.C5371DP). Psalms 95:1 - Psalms 95:2 - Psalms 95:3 - Psalms 95:4 - Psalms 95:5 - Psalms 95:6 - Psalms 95:7 - Psalms 95:8 - Psalms 95:9 - Psalms 95:10 - Psalms 95:11 - Psalms 100:1 - Psalms 100:2 - Psalms 100:3 - Psalms 100:4 - Psalms 100:5 - Ps.Original anthem Rhythmic energy characterizes this Allen Pote anthem based on Psalm 95 and 100, instructing us to make a joyful noise to God and sing! The contrast of shifting modes between minor and major tonalities, as well as a shift between rhythmic lines contrasted with legato melodic lines is a fine example of text painting, reflecting each of these familiar Psalm texts.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss #6135. Published by Colin Bayliss (A0.938385). This work was written between January and March 1997. It has thirteen short continuous movements, one for each note of the tone row and a resolution of the row into an adagio movement in C major. The movements are written in a time signature beginning with one beat to a bar and ending in 13 beats to a bar until the final section of the last movement. The number of bars for each movement is in multiples of 13, then 14 and onwards to 25. The harmonic language is dictated by the combinations of notes in the original row combining with a row with its inversions and retrogrades begun from the first note of each new section. The sections may be briefly summarised as follows:- 1. Adagio A basic statement of the row with its inversion and retrograde 2. Con brio A rhythmic miniature scherzo and trio 3. Allegretto Dynamic contrasts using pizzicato and glissando 4. Andante piacevole e mesto Aduet between the violins with accompaniment from the viola and 'cello 5. Agitato An atmospheric spiccato section interrupted by foot-stamping 6. Andante languido A barcarolle-like section with passages of col legno 7. Allegro A rhythmic section contrasted by passages in harmonics 8. Tempo di tango presto The tango is apt to slip into many of the composer's pieces, even where nominally 12-tone, and is never remotely serious! 9. Andante pastorale Another atmospheric section but more relaxed 10. Allegro molto A scherzando section using rhythmic retrogrades 11. Allegretto The music begins to pull into feeling of tonality around C 12. Allegro moderato This process continues with tremolandi and glissandi searching for the way to a diatonic C major 13. Molto adagio - adagietto The last traces of atonality are wiped away and the work ends in an unashamed sense of quiet triumph The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ For this 4th quartet see: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id585288847.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.

Fl Electronics - Advanced - Digital Download SKU: F2.FM527 Composed by Apostolos Loufopoulos and Myrto Korkokiou. Flute and Electronic Backing. Score. 9 pages. Forton Music - Digital #FM527. Published by Forton Music - Digital (F2.FM527). ISBN 9790570484263.Ghost (2010) is a continuous and kinetic transition between imaginary sound environments, an intense dialogue between the flute and the surrounding, continuously transforming sound-world of the electronics. The flute part uses a variety of wind tone articulations mostly imitating electronic sounds. This sound effect creates a homogeneity. Electronic part uses a lot of flute sounds electronic manipulated or not. The electronic part was composed by Apostolos Loufopoulos and the flute part by Myrto Korkokiou.

C Instrument - Level 1 - Digital Download SKU: A0.1346062 By Prof. Pöllö. By José Lucas. Arranged by José Lucas. Children,Classical,Contemporary,Folk,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #930915. Published by José Lucas (A0.1346062). ABC For Guitar Beginners Vol.1Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.1. Learn how to read notes, chords, music theory and interaction with the teacher2. Simple exercises to practice before the kids tackle the pieces/songs3. Rules for how to train a difficult part4. Learn to read left vs. right hand in music5. Learn the differences between strings and frets6. Famous children's songs from around the world7. Visually appealing pages for kids8. Famous pieces from classical music9. Audio to all music in the book on Spotify10. Diploma“This method guides students in mastering the 1st, 2nd, and 3rd strings with whole, half, and quarter notes. Before progressing to the next step, they hone these skills on the 3rd string, 2nd fret, using the long finger (2nd, left hand). For kids, pressing on the 3rd string is made easier. Transitioning to the A note, students can also use the 1st and 3rd fingers (left hand), to prepare themselves for C and D notes on the 2nd string. Mastering C & D paves the way for playing F and G notes. Crucial exercises on each note develop strength in both hands. The book includes helpful audio, ensuring students stay in rhythm and practice independently at home. Along the way, students learn music theory at the right time.� - José Lucas, 2023CONTENTMary had a little lamb (US)The spring song (Hungary)Playful dialogue (Germany)Old MacDonald (US)Björnen sover (Sweden)Au clair de la lune (France)Hänschen klein (Germany)Andantino Op. 59 (Carcassi)Russian theme (Russia)Dog waltz (Germany)Savez-vous planter les choux? (France)Sonata no.11 K331 (Mozart)Brandenburg dance (Germany)Gran vals (Tarrega)Carnevale di Venezia (Italy)Andantino (Küffner)Go to sleep (Germany)The silly song (Irland)El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798110 By Luiz Gonzaga. By Joao Leocadio Da Silva and Luiz Gonzaga Do Nascimento. Arranged by Inacio Saldanha. Contemporary. Score and parts. 9 pages. Inacio Saldanha #5210673. Published by Inacio Saldanha (A0.798110). Pagode Russo is configured as a song in a happy tone typical of Northeastern festivities. When announcing the famous Cossack dance, the music ends up showing the Pernambuco frevo, pointing to one of the main similarities between the two dances: the juggling jumps or the falls don't fall. It therefore addresses the cultural approaches between different peoples. In this way, we understand that lyrics (verbal aspect) and music (melodic aspect) are worked in order to reinforce the meaning of each other. Both emphasize the modalization of a / doing / and express the joy and euphoria of an enunciating subject in line with his values, in this case, the cultural values ​​of his people, his land. (Text of Líllian da Cruz Régis and Maria de Fátima B. de Mesquita Batista¹)Arranged for String Quartet. Key of G minor. Early intermediate.¹Source: (http://www.sbpcnet.org.br/livro/64ra/resumos/resumos/7269.htm)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1154538 Composed by Adolphe-Charles Adam. Arranged by Ray Thompson. 20th Century,Christian,Christmas. 9 pages. RayThompsonMusic #754821. Published by RayThompsonMusic (A0.1154538). Arranged wind quintet O Holy Night (original title: Cantique de Noël) is a well-known sacred song for Christmas performance. Originally based on a French-language poem by poet Placide Cappeau, written in 1843, with the first line Minuit, Chrétien, c'est l'heure solennelle (Midnight, Christian, is the solemn hour) that composer Adolphe Adam set to music in 1847. The English version (with small changes to the initial melody) is by John Sullivan Dwight. The carol reflects on the birth of Jesus as humanity's redemption. This arrangement for wind quintet is based an arrangement for organ and chorus, by Dudley Buck. The triplet figure are shared between clarinet, horn and bassoon. The melody is shared between oboe, clarinet and flute.

Full Orchestra - Level 4 - Digital Download SKU: A0.796754 Composed by Gary D. Belshaw. 20th Century,Contemporary. Score and parts. 38 pages. DR GARY D BELSHAW #5793505. Published by DR GARY D BELSHAW (A0.796754). Full (Conductor) Score. Duration 10 minutes. 38 pages. Formatted for 9½ x 12½ page size; select fit to page or similar to print on letter size sheets. With motives built from the first four pitch classes of the major scale, Essay represents in music the deterioration of human cells by cancer. The intervals between the pitches of the various motives are decreased by semitones until one motive is stated with quarter-tone (pitches played in the cracks between keys on a piano. Dedicated to the memory of two who lost battles with cancer.