Concert Band - Level 5 - Digital Download SKU: A0.1314999 Composed by Frederick Delius. Arranged by John Ivor Holland. 20th Century,Classical,Film/TV,Romantic Period. 80 pages. John Ivor Holland #903747. Published by John Ivor Holland (A0.1314999). Born in 1862 in Bradford, Yorkshire into a merchant family, the young Delius shunned attempts of a career in commerce and, whilst in America for a short time, began composing, going on to study in Germany and then in Paris. Thanks to English conductor, Thomas Beecham, the works of Delius began to gain more recognition and this lovely work is taken from one of his six operas ('A Village Romeo and Juliet'), with whom he collaborated with his wife, Jelka, on the libretto. While the opera has rarely been staged, this orchestral interlude between Scenes 5 and 6, The Walk to the Paradise Garden, is heard separately in concerts and has been recorded many times, lasting approximately 9 minutes. Arranged for advanced bands for the first time, the original key is retained and the Harp part shared between vibraphone and glockenspiel.

Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874(Моде�т Петрович Му�орг�кий) Arranged for Piano Quartet by James M. Guthrie (Джейм� М. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)      Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов   Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)      Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы Largo       CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)      Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле      Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�адThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1256703 Composed by Franz Xaver Gruber and Joseph Mohr. Arranged by Glauco Fernandes. Chamber,Christian,Christmas,Holiday,Instructional. 9 pages. Glauco Fernandes #850072. Published by Glauco Fernandes (A0.1256703). Silent Night Arrangement for Piano with Brass Quintet 🎵Introducing our special arrangement of Silent Night for piano with brass quintet. This version combines the harmony and expressiveness of the piano with the vibrant and powerful sound of the brass quintet, resulting in an emotional interpretation of this Christmas melody.Our arrangement has been carefully crafted to highlight the unique characteristics of the piano and brass instruments, allowing each element to contribute to creating an engaging musical atmosphere. With this arrangement, you'll be able to showcase the beauty and richness of Silent Night through the expressive interplay between the piano and the brass quintet.Reasons to choose our Silent Night arrangement for piano with brass quintet:1�⃣ Versatile Sound: The combination of piano with the brass quintet offers a wide range of tones and musical possibilities, allowing you to explore different nuances and emotions while playing Silent Night.2�⃣ Energy and Impact: The contrast between the subtlety of the piano and the bold sound of the brass creates moments of great impact and emotion in the interpretation of this classic melody.3�⃣ Musical Expression: Our arrangement provides room for artistic expression, allowing you to infuse your own style and interpretation into the performance.4�⃣ Memorable Experience: Captivate your audience with the captivating rendition of Silent Night by the piano with brass quintet, creating unforgettable moments of musical joy.Get your copy of our Silent Night arrangement for piano with brass quintet now and immerse yourself in the magic of this classic melody. Celebrate Christmas with a unique and captivating performance. 🎶🎄🎵.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.

Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552865 Composed by Carl Philipp Emanuel Bach. Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #4999817. Published by jmsgu3 (A0.552865). Score: 9 Pages, Duration ca. 7:00 Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach was a German composer and the second surviving son of Johann Sebastian Bach. He is considered to be one of the most important figures in the transition between the Baroque and Classical periods of music history. CPE Bach was known for his experimentation with form and harmony, as well as his use of Empfindsamkeit, a style of expression that conveys intense emotion.CPE Bach's works have been influential in the development of classical chamber music and duet writing. He wrote a large number of chamber works, including symphonies, concertos, sonatas, and string quartets. His duets for flute and keyboard, as well as his string duets, are especially well-known. He also wrote several works for two harpsichords, which were often performed by himself and his father. CPE Bach's chamber works often contain surprising harmonic changes and unexpected musical twists, which helped to shape the Classical style. His works also helped to bridge the gap between the Baroque and Classical periods, as his compositions often featured elements of both styles.CPE Bach's influence is still felt today, as many of his works are still regularly performed. His compositions are an important part of the classical repertoire, and his influence on classical chamber music and duet writing continues to be felt.

Concert Band - Level 4 - Digital Download SKU: A0.1339375 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 31 pages. Motch Music #925066. Published by Motch Music (A0.1339375). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal   Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english

Fl Electronics - Advanced - Digital Download SKU: F2.FM527 Composed by Apostolos Loufopoulos and Myrto Korkokiou. Flute and Electronic Backing. Score. 9 pages. Forton Music - Digital #FM527. Published by Forton Music - Digital (F2.FM527). ISBN 9790570484263.Ghost (2010) is a continuous and kinetic transition between imaginary sound environments, an intense dialogue between the flute and the surrounding, continuously transforming sound-world of the electronics. The flute part uses a variety of wind tone articulations mostly imitating electronic sounds. This sound effect creates a homogeneity. Electronic part uses a lot of flute sounds electronic manipulated or not. The electronic part was composed by Apostolos Loufopoulos and the flute part by Myrto Korkokiou.

Lever Harp - Level 5 - Digital Download SKU: A0.1513472 Composed by Traditional Irish Jig. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Celtic,Irish,Traditional. Score. 9 pages. Learning the Harp #1088346. Published by Learning the Harp (A0.1513472). This arrangement of Butterfly Jig is fun, upbeat and sounds REALLY impressive on the harp! It’s a great performance piece to show off your technical skills and speed. This level is the most complex out of the two with a faster speed, impressive intros at the beginning, and more complexity between the hands.Difficulty Level and Skills Required: Advanced. The right hand plays the melody with quick, repetitive fingerwork, grace notes, and a long series of overlapping brackets. The left hand consists of 4-2-1 patterns, 5th intervals, and octaves. This piece is fast with quite a bit of jumping between registers, quick dynamic changes, and tricky placing.Type of Harp: The big harp version is for 33 string harps and larger, but the small harp version works for 26 string harps and largerRange: For big harps: the lowest note is E one and a half octaves below middle C, and the highest note is D, just more than two octaves above middle C. For small harps: the lowest note is C one octave below middle C, and the highest note is D, just more than two octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). No lever changes throughout.

Brass, Keyboard, Timpani, Trumpet - Level 3 - Digital Download SKU: H1.2158DP Arranged by Cynthia Dobrinski. Piano & Organ Worship Openers. Christmas, Sacred. Trumpet & Timpani Parts. 3 pages. Hope Publishing - Digital #2158DP. Published by Hope Publishing - Digital (H1.2158DP). Genesis 3:17 - Genesis 3:18 - Genesis 3:19 - Isaiah 40:3 - John 1:14 - Luke 2:10 - Matthew 3:3 - Psalms 98:4 - Psalms 98:5 - Psalms 98:6 - Psalms 98:7 - Psalms 98:8 - Psalms 98:9 - Revelation 11:15 - Revelation 22:3 - Romans 8:22.Popular Christmas carol A flashy, antiphonal fanfare between bells and organ sets up the entrance of this Handel/Mason favorite carol. A flashy, antiphonal fanfare between bells and organ sets up the entrance of this Handel/Mason favorite carol. The text is printed in the director's score to assist with the directing of congregational singing. One stanza is accompanied by handbells only followed by an interlude on the organ. An optional soprano descant adds excitement on the final stanza and brass and timpani spice things up throughout. Brass ensemble consists of 2 trumpets, Horn, Trombone, Tuba, Timpani.

Instrumental Duet Bass Recorder,Instrumental Duet,Tenor Recorder - Level 3 - Digital Download SKU: A0.835852 Composed by Edward Elgar. Arranged by Paul Burnell. 20th Century. Score and parts. 6 pages. Paul Burnell #5732523. Published by Paul Burnell (A0.835852). Nimrod (Variations on an Original Theme, Op. 36, Enigma: IX), by Edward Elgar arranged by Paul Burnell.For Duet - Tenor Recorder, Bass RecorderDuration 2:40In this arrangement the melody is shared between the two instruments and the key has been transposed to C major.In bars 7 and 9 of the Bass Recorder part the bracketed notes may be played should the low F sharp be unavailable.Programme note:English composer Edward Elgar wrote the orchestral workâ?? Variations on an Original Themeâ??, popularly known as the Enigma Variations, between 1898 and 1899. The work is dedicated to my friends pictured within, each variation being a musical representation of one of his close acquaintances. The name of the ninth variation Nimrod refers to Augustus Jaeger, Elgarâ??s music editor.

Choral Choir (SAB) - Digital Download SKU: A0.818255 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Contemporary. Octavo. 26 pages. Stephen R Dalrymple #3563107. Published by Stephen R Dalrymple (A0.818255). Three Blind Mice (aka A Civilized Discussion About the Size of the Prey) arranged for SAT choir by Stephen R Dalrymple music © 2018 Stephen R Dalrymple recording ℗ 2018 Stephen R Dalrymple presentation © 2021 Stephen R Dalrymple sequenced by the arranger ♫ Three Blind Mice was first published in 1609 as a round in A minor in Deuteromelia edited by Thomas Ravenscroft. Three Blinde Mice, Three Blinde Mice, Dame Iulian, Dame Iulian, the Miller and his merry olde Wife, shee scrapte her tripe licke thou the knife. ♫ The rhyme entered Children’s literature in 1842 as published by James Orchard Halliwell. ♫ It has been quoted in compositions by Robert Schumann (Kreisleriana #7), Joseph Holbrooke (Symphonic Variations), Franz Joseph Haydn (Symphony 83 – movement 4), Eric Coates (The Three Men), Leroy Anderson (Fiddle Faddle), Antonín Dvořák (Symphony No. 9 – movement IV Allegro con fuoco,) Havergal Brian (Fantastic Variations on an Old Rhyme), and possibly Sergei Rachmaninoff (Piano Concerto No. 4 – movement 2). ♫ This humorous version was written for a school choir, based on imaginary banter between between the farmer’s wife and her husband. ♫ This .pdf includes 3 files 1) the full score 2) vocal parts 3) full score - smaller size suitable for 10 inch tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).

Instrumental Duet Instrumental Duet,Viola,Violin - Level 4 - Digital Download SKU: A0.1128161 By Queen. By Freddie Mercury. Arranged by Krista Broadway Swider. Rock. Score and parts. 9 pages. Krista Swider #728777. Published by Krista Swider (A0.1128161). This arrangement for violin and viola duo is set in the same key as the original song. The intro begins at a slower tempo (quarter note equals 94) with legato arpeggiated eighth notes and chords in the viola. These imitate Freddie Mercury's piano accompaniment while the violin plays the lyrical vocal melody. A quick tempo change (notated according to Queen's recording of the piece, at quarter note equals 144) sets up the first full verse and chorus for a raucous good time with driving chords in the accompaniment and the upbeat vocal line traded off between instruments. In Queen's recording, Don't Stop Me is sung/chanted with drums emphasizing off beats in the bridge. This arrangement emulates Queen's original bridge with accented eighth notes and the sing song melody traded between violin and viola. Each instrument gets a stab at the following electric guitar riff while the other plays edgy chords as backup. After a recap of verse and chorus, the song returns to the original slower tempo and the parts instruct the players to fade out. Parts and score are bowed.

Brass, Keyboard, Timpani, Trumpet - Level 3 - Digital Download SKU: H1.2156DP Arranged by Cynthia Dobrinski. Piano & Organ Worship Openers. Christmas, Sacred. Director/Keyboard Score. 15 pages. Hope Publishing - Digital #2156DP. Published by Hope Publishing - Digital (H1.2156DP). Genesis 3:17 - Genesis 3:18 - Genesis 3:19 - Isaiah 40:3 - John 1:14 - Luke 2:10 - Matthew 3:3 - Psalms 98:4 - Psalms 98:5 - Psalms 98:6 - Psalms 98:7 - Psalms 98:8 - Psalms 98:9 - Revelation 11:15 - Revelation 22:3 - Romans 8:22.Popular Christmas carol A flashy, antiphonal fanfare between bells and organ sets up the entrance of this Handel/Mason favorite carol. A flashy, antiphonal fanfare between bells and organ sets up the entrance of this Handel/Mason favorite carol. The text is printed in the director's score to assist with the directing of congregational singing. One stanza is accompanied by handbells only followed by an interlude on the organ. An optional soprano descant adds excitement on the final stanza and brass and timpani spice things up throughout. Brass ensemble consists of 2 trumpets, Horn, Trombone, Tuba, Timpani.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1154538 Composed by Adolphe-Charles Adam. Arranged by Ray Thompson. 20th Century,Christian,Christmas. 9 pages. RayThompsonMusic #754821. Published by RayThompsonMusic (A0.1154538). Arranged wind quintet O Holy Night (original title: Cantique de Noël) is a well-known sacred song for Christmas performance. Originally based on a French-language poem by poet Placide Cappeau, written in 1843, with the first line Minuit, Chrétien, c'est l'heure solennelle (Midnight, Christian, is the solemn hour) that composer Adolphe Adam set to music in 1847. The English version (with small changes to the initial melody) is by John Sullivan Dwight. The carol reflects on the birth of Jesus as humanity's redemption. This arrangement for wind quintet is based an arrangement for organ and chorus, by Dudley Buck. The triplet figure are shared between clarinet, horn and bassoon. The melody is shared between oboe, clarinet and flute.