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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1487194

By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 1 pages. John Fries #1064165. Published by John Fries (A0.1487194).

TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Wished on the Moon is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936. Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.

I Wished On The Moon
Piano, Voix et Guitare
Bill Perkins
$5.99 5.69 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1199577

By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Pop,Standards. Score. 1 pages. John Fries #798646. Published by John Fries (A0.1199577).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed.

I Wished On The Moon
Piano, Voix et Guitare
Bill Perkins
$4.99 4.74 € Piano, Voix et Guitare PDF SheetMusicPlus

C Instrument - Level 3 - Digital Download

SKU: A0.499581

By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112878. Published by John Fries (A0.499581).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed.

I Wished On The Moon
Instruments en Do
Bill Perkins
$3.99 3.79 € Instruments en Do PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download

SKU: A0.1487192

By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #1064163. Published by John Fries (A0.1487192).

TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Wished on the Moon is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936.
Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.

I Wished On The Moon
Instruments en Do
Bill Perkins
$3.99 3.79 € Instruments en Do PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - Digital Download

SKU: A0.861899

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899).

Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160B

Violin Part (score and parts available)

Music by Mark O’Connor

20 pages - 29:00 minutes in length


I. Man In Black

II. The Tennessee Two

III. My June

IV. Hello, I’m Johnny Cash


Piano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.

My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.

Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         

As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.

I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.

I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Can be heard on An American Journey by the Eroica Trio, Angel Records

Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records

 

Catalogue Number MO160.

Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)

$15.00 14.24 € PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - Digital Download

SKU: A0.861898

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898).

Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160A

Piano Score (parts available)

Music by Mark O’Connor

51 pages - 29:00 minutes in length


I. Man In Black

II. The Tennessee Two

III. My June

IV. Hello, I’m Johnny Cash


Piano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.

My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.

Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         

As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.

I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.

I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Can be heard on An American Journey by the Eroica Trio, Angel Records

Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records

 

Catalogue Number MO160A

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Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)

$22.50 21.36 € PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - Digital Download

SKU: A0.861901

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901).

Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160C

Cello Part (score and parts available)

Music by Mark O’Connor

18 pages - 29:00 minutes in length


I. Man In Black

II. The Tennessee Two

III. My June

IV. Hello, I’m Johnny Cash


Piano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.

My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.

Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         

As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.

I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.

I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Can be heard on An American Journey by the Eroica Trio, Angel Records

Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records

 

Catalogue Number.

Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)

$15.00 14.24 € PDF SheetMusicPlus

Piano and voice - Digital Download

SKU: LV.14097

Composed by Cy. Perkins. Cartoons, Dogs, Satire. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14097).

They Gotta Quit Kickin' My Dawg Aroun.' The Sensational New Song Hit. Words by Webb M. Oungst. Music by Cy. Perkins. Published 1912 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cartoons, Dogs, Satire. First line reads Wunst me 'n' Lem Briggs 'n' ol' Bill Brown..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

They Gotta Quit Kickin' My Dawg Aroun.'
Piano, Voix

$5.99 5.69 € Piano, Voix PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.1414965

By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 94 pages. Cascia Talbert #996694. Published by Cascia Talbert (A0.1414965).

Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.

The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.

This arrangement is for concert band and choir.

Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Orchestre d'harmonie
Nitty Gritty Dirt Band
$49.99 47.46 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1414977

By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. Score. 24 pages. Cascia Talbert #996710. Published by Cascia Talbert (A0.1414977).

Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.

The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.

This arrangement is for flute, voice and piano.

Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Piano, Voix
Nitty Gritty Dirt Band
$4.99 4.74 € Piano, Voix PDF SheetMusicPlus

Acoustic Guitar,Banjo,Bass Guitar,Drums,Electric Guitar,Fiddle,Flute,Mandolin,Piano,Voice - Level 5 - Digital Download

SKU: A0.1414993

By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 81 pages. Cascia Talbert #996726. Published by Cascia Talbert (A0.1414993).

Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.

The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.

This arrangement is for a country/bluegrass band with flute and vocal.

Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Nitty Gritty Dirt Band
$24.99 23.73 € PDF SheetMusicPlus






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