SKU: A0.1030615

William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,� where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.� He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,� Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league� of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunes�—a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand� though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.� I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.

SKU: A0.828654

2020 SMP Press Composition Contest Entry for the Popular instrumental ensemble category:  This is a flexible string/wind arrangement of the incidental music for the closing credits of Sylvester Stallone's first ROCKY movie.
(According to Wikipedia: The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976... Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture.)
Originally, this arranger had envisioned and created this as an arrangement for wind quartet (flute, clarinet, horn and bassoon or bass clarinet). But after it was completed and shared, requests were received for a similar arrangement for string quartet (i.e., the original instrumentation used in the movie).  And so, this flexible package was created, in which the violin part is mirrored by the flute part (same key and page), the viola is mirrored by a clarinet, the cello is mirrored by a horn, and the string bass is mirrored by a bassoon/bass clarinet/euphonium.  So, virtually any combination of these instruments may be used to form a quartet, or even a double quartet!  The duration is approximately 2.5 minutes. 
NOTE: The YouTube link leads to a wind quartet rendition.

SKU: A0.1116337

William Billings's early American hymn Africa adapted for wind ensemble. It opens with a grand processional in 3/4 stating an original melody. It then moves to a minor inversion of Billings's melody, before resolving to the Africa as a trio between euphonium, trombone, and cornet. It then blossoms into a brass choir before ending with a grand march, in which the processional melody and Africa are played together. An easy piece that sounds great!