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Piano and voice - Digital Download

SKU: LV.4231

Composed by Fred Foster. Arranged by John Braham. Portraits, Optimism, Happiness, Wealth, Leisure, Fathers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4231).

Favorite Songs. The Governor Pays the Bills. Written and Composed by Fred Foster. Arr. by John Braham. Published 1872 by White & Goullaud, 86 Tremont St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Optimism, Happiness, Wealth, Leisure, Fathers & children. First line reads There is not a happier fellow about than the fellow that now you see..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Favorite Songs. The Governor Pays the Bills
Piano, Voix

$5.99 5.66 € Piano, Voix PDF SheetMusicPlus

Electric guitar, 2 violas and cello - Digital Download

SKU: S9.Q47102

For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: set of parts. Downloadable, set of parts. Duration 16 minutes. Schott Music - Digital #Q47102. Published by Schott Music - Digital (S9.Q47102).

I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design. The piece is dedicated to the two Bills (Cadman and Frisell).

After the Requiem

$29.99 28.34 € PDF SheetMusicPlus

Electric guitar, 2 violas and cello - Digital Download

SKU: S9.Q47101

For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101).

I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).

After the Requiem

$18.99 17.94 € PDF SheetMusicPlus

Instrumental Solo,Piano - Level 2 - Digital Download

SKU: A0.1391218

By Christopher Alexander. By Joseph Meyer. Arranged by Christopher Alexander. 20th Century,Barbershop,Standards,Traditional. Score and individual part. 16 pages. Christopher Alexander #974749. Published by Christopher Alexander (A0.1391218).

Upbeat, light-hearted songs were the norm for American popular songs during the early 20th century. Vaudevillian and comedic in their musical treatment, many of these tunes were designed as love songs. This particular tune by Joseph Meyer illustrates the scene at an automat or diner where a simple date - along with a light meal and drink - can be the best thing on the menu. Arrangement for this song was mainly modeled from its performance by the barbershop quartet The Buffalo Bills.

A Cup of Coffee, a Sandwich, and You is included in the collection:
Songs Without Words: Ten Popular Songs Arranged for Solo Instrument with Piano Accompaniment

A Cup of Coffee, a Sandwich and You
Piano seul
Christopher Alexander
$2.00 1.89 € Piano seul PDF SheetMusicPlus

Guitar (classical and lute) - Digital Download

SKU: M0.30105MEB

Composed by Tom Bills. Flatpicking Guitar. E-book and online video. Mel Bay Publications - Digital Sheet Music #30105MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30105MEB).

ISBN 9781619115378. 8.75x11.75 inches.

The Art Of Lutherie offers a glimpse into the mind and craft of luthier Tom Bills, whom many consider to be one of the most talented luthiers today. In this beautifully written and enjoyable read, Tom elegantly and clearly shares his best-kept secrets and methods of custom guitar making - those which make his guitars favorites among top collectors and players. Tom's unique approach to The Art Of Lutherie will empower and inspire you to create more than just a guitar, but a truly unique work of art. The information that is generously shared within this insightful and timeless work is both practical and applicable. It contains the same hard-won wisdom that only comes from years of experience and experimentation that Tom uses in creating his inspiring instruments. Over the years, he has produced instruments considered to be some of the best sounding guitars ever made.

Learning the steps of how to build a guitar is important, but understanding why master luthiers take those steps and make those decisions can empower you to make your own educated choices. This will allow you to create unique guitars, and the world needs your art, your guitars - your important contribution. The Art Of Lutherie, a truly unique and inspiring guide, can prepare you to reach new heights when designing and creating unique guitars. It is not often I heap such lavish praise on people; however, Tom is in this case more than deserving: I know of no other luthier whose work I respect more. Tom knows his craft inside and out; he pours his soul into every guitar he makes; he uses cutting-edge science to guide his work, and it shows...as head of Artist Relations and Product Development at Mel Bay, it gives me great pleasure to publish Tom's work, which will no doubt take the art of lutherie to a new level. I hope you'll spend some time soaking in this book - it will certainly augment your musicality - Collin Bay. Includes access to online video.

The Art of Lutherie

$14.99 14.16 € PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1461603

Composed by Meredith Willson. Arranged by Will Corbin. Barbershop,Broadway,Film/TV,Musical/Show. 21 pages. Will Corbin #1040346. Published by Will Corbin (A0.1461603).

Meredith Willson's one-man masterpiece, The Music Man, features a couple of counterpoint combinations, where one song shares the chord structure with another and can be played/sung together. This is one of them. The Buffalo Bills barbershop quartet (the school board) sings Lida Rose, while Shirley Jones (in the movie) as Marian the Librarian sings Will I Ever Tell You elsewhere in River City. This arrangement is built from a barbershop arrangement found floating on the 'net from a gay men's chorus, with the four higher horns -- two trumpets, horn, trombone -- providing the quartet. The trombone peels off for the Marian ballad.
If you need alternative instrumentation, I'm happy to oblige. Contact me at wilcor@aol.com.

Lida Rose / Will I Ever Tell You
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 14.17 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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