Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_D Drums. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_D). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.631672 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Octavo. 6 pages. Exultet Music #6672677. Published by Exultet Music (A0.631672). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The beautiful Passion song by Sandi Patti which talks about a street within the Old City of Jerusalem, held to be the path that Jesus walked on the way to his crucifixion. Perfect for Palm Sunday, Holy Week, Tenebrae and Good Friday. Accessible and appropriate for any church or concert setting. Scored for 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) with Piano accompaniment.

Choral Choir (SA) - Level 1 - Digital Download SKU: A0.519155 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Octavo. 7 pages. Exultet Music #129776. Published by Exultet Music (A0.519155). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The beautiful Passion song by Sandi Patti which talks about a street within the Old City of Jerusalem, held to be the path that Jesus walked on the way to his crucifixion. Perfect for Palm Sunday, Holy Week, Tenebrae and Good Friday. Accessible and appropriate for any church or concert setting. Scored for 2-part choir (SA) with Piano accompaniment.

Choral Choir (SA) - Level 1 - Digital Download SKU: A0.631668 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Octavo. 7 pages. Exultet Music #6672671. Published by Exultet Music (A0.631668). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The beautiful Passion song by Sandi Patti which talks about a street within the Old City of Jerusalem, held to be the path that Jesus walked on the way to his crucifixion. Perfect for Palm Sunday, Holy Week, Tenebrae and Good Friday. Accessible and appropriate for any church or concert setting. Scored for 2-part choir (SA) with Piano accompaniment.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_BTX E-flat Baritone Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_BTX). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T1 1st B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T1). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T2 2nd B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_G Guitar. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_G). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.631674 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Octavo. 7 pages. Exultet Music #6672689. Published by Exultet Music (A0.631674). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The beautiful Passion song by Sandi Patti which talks about a street within the Old City of Jerusalem, held to be the path that Jesus walked on the way to his crucifixion. Perfect for Palm Sunday, Holy Week, Tenebrae and Good Friday. Accessible and appropriate for any church or concert setting. Scored for 2-part choir (Soprano and Tenor) with Piano accompaniment.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.519161 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Octavo. 7 pages. Exultet Music #129783. Published by Exultet Music (A0.519161). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The beautiful Passion song by Sandi Patti which talks about a street within the Old City of Jerusalem, held to be the path that Jesus walked on the way to his crucifixion. Perfect for Palm Sunday, Holy Week, Tenebrae and Good Friday. Accessible and appropriate for any church or concert setting. Scored for 2-part choir (Soprano and Tenor) with Piano accompaniment.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453552 By Glenn Miller & His Orchestra. By Joe Garland. Arranged by John Hoesly. Jazz,Pop,Standards. 74 pages. PRS&B #1032776. Published by PRS&B (A0.1453552). IN THE MOOD- You know it! You love it (maybe)! A staple for big band. Arrangement for Little Big Band/ Jazz Ensemble. In the Mood is a swing-era classic that has endured as a timeless favorite since its release in 1939. Composed by Joe Garland and popularized by the Glenn Miller Orchestra, this instrumental piece is synonymous with the vibrant, toe-tapping sound of the Big Band era. A reduction of the big band version (all the same notes). Difficulty: Intermediate.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_TN4 4th Trombone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TN4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TN4). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.