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Piano,Viola - Level 3 - Digital Download

SKU: A0.1269874

By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and part. 7 pages. Benzaiten Editions #862350. Published by Benzaiten Editions (A0.1269874).

Hey! Are you a violist who wants to learn how to play Vampire by Olivia Rodrigo? It's your lucky day! 🎵

Vampire by Olivia Rodrigo - Intermediate Viola Sheet Music with piano accompaniment

The Benzaiten Editions Arrangement

Prepare to be entranced by the haunting and emotive ballad, Vampire by Olivia Rodrigo! This poignant song showcases Olivia's incredible songwriting and vocal prowess, making it a powerful and captivating piece for viola.

Our viola and piano arrangement of Vampire allows you to embody the raw emotion and vulnerability of Olivia's performance. Through delicate melodies and expressive chords, you'll be able to convey the bittersweet essence of this mesmerizing track.

Perfect for intermediate viola players who want to explore Olivia Rodrigo's music or simply appreciate heartfelt compositions, this arrangement strikes a balance between accessibility and musicality.

About the song

Vampire by Olivia Rodrigo is a soul-stirring ballad that delves into themes of love, heartbreak, and emotional vulnerability. Olivia's evocative lyrics and haunting melody resonate deeply with listeners, capturing the raw essence of human emotions. This viola arrangement allows you to embody the song's bittersweet beauty and express your own feelings through its touching melodies and chords.

Whether you're a devoted fan of Olivia Rodrigo or a viola enthusiast seeking emotive compositions, Vampire offers a powerful musical journey that speaks straight to the heart.

Vampire Alto, Piano
Olivia Rodrigo
$5.99 5.54 € Alto, Piano PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download

SKU: A0.1269861

By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and part. 7 pages. Benzaiten Editions #862337. Published by Benzaiten Editions (A0.1269861).

Hey! Are you a oboe player who wants to learn how to play Vampire by Olivia Rodrigo? It's your lucky day! 🎵

Vampire by Olivia Rodrigo - Intermediate Oboe Sheet Music with piano accompaniment

The Benzaiten Editions Arrangement

Prepare to be entranced by the haunting and emotive ballad, Vampire by Olivia Rodrigo! This poignant song showcases Olivia's incredible songwriting and vocal prowess, making it a powerful and captivating piece for oboe.

Our oboe and piano arrangement of Vampire allows you to embody the raw emotion and vulnerability of Olivia's performance. Through delicate melodies and expressive chords, you'll be able to convey the bittersweet essence of this mesmerizing track.

Perfect for intermediate oboe players who want to explore Olivia Rodrigo's music or simply appreciate heartfelt compositions, this arrangement strikes a balance between accessibility and musicality.

About the song

Vampire by Olivia Rodrigo is a soul-stirring ballad that delves into themes of love, heartbreak, and emotional vulnerability. Olivia's evocative lyrics and haunting melody resonate deeply with listeners, capturing the raw essence of human emotions. This oboe arrangement allows you to embody the song's bittersweet beauty and express your own feelings through its touching melodies and chords.

Whether you're a devoted fan of Olivia Rodrigo or a oboe enthusiast seeking emotive compositions, Vampire offers a powerful musical journey that speaks straight to the heart.

Vampire Hautbois, Piano (duo)
Olivia Rodrigo
$5.99 5.54 € Hautbois, Piano (duo) PDF SheetMusicPlus

Piano - difficult - Digital Download

SKU: S9.Q11149

Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate edition. Op. 65. Duration 4 minutes. Schott Music - Digital #Q11149. Published by Schott Music - Digital (S9.Q11149).

Der im Herbst 2011 entstandene kleine Variationszyklus über einen Ländler von Schubert entstand zwar aus Anlass des Petrushka-Projekts von Schott. Da mir aber kleine Aufträge grundsätzlich zu groß geraten, beschloss ich, aus der Not eine Tugend zu machen und einfach ein richtiges großes Stück en miniature zu schreiben. Der Witz des Zyklus besteht darin, dass er trotz seiner nur 5minütigen Spieldauer (ohne Widerholungen sind es sogar nur dreieinhalb Minuten) ein ausgewachsener Variationszyklus mit den wichtigsten Merkmalen dieser Form ist. Das tänzerische Element des a-Moll-Themas verschwindet immer mehr bis zu einem dramatischen Trauermarsch in der vierten Variation, um dann in der letzten Variation wieder zu dem Schubert’schen Original zurück zu finden, allerdings in A-Dur und in langsamerem Tempo, so dass sich in seiner bitteren Süße sogar noch ein Überbieten des typischen Schubert-Tons ereignet. Das kleine Opus ist das Schwester-Werk des etwas umfangreicheren Variationszyklus op.64 Variationen über einen Ländler von Schubert für Klavier zu vier Händen, mit dem es in mancherlei inhaltlichem und musikalisch-formalem Zusammenhang steht. - Stefan Heucke.

Six Variations on a Ländler by Schubert Piano seul

$3.99 3.69 € Piano seul PDF SheetMusicPlus

Small Ensemble Cello,Piano,Voice - Level 3 - Digital Download

SKU: A0.905711

Composed by James Weldon Johnson, John Rosmond Johnson. Arranged by Brandon Haynes. Concert,Sacred,Spiritual. Score and parts. 10 pages. Brandon Haynes #4603703. Published by Brandon Haynes (A0.905711).

Lift Every Voice and Sing was initially written as a poem by James Weldon Johnson in 1900 and set to music by his brother John Rosamond Johnson in 1905 and has become known a national anthem for African-Americans. The initial hymn tune is intense with grandeur and immense hope. With this arrangement; I have set the music more somberly to reflect the seriousness of the text that speaks of the bitterness and anguish of America’s dark racial past that is still rampant today. This allows the listener to reflect on the text thoughtfully. Remarkably, I have heard this hymn many times throughout my lifetime both in predominantly Caucasian denominations and predominantly African-African American denominations and the differences in interpretation are fascinating. White congregations tend to sing this hymn spritely with great pomp and circumstance while the Black congregations tend to sing it more labored and meditative as if it were a dirge. I believe both interpretations are valid, but interesting given its context. This arrangement is written for medium-high voice, cello obbligato and piano accompaniment.

Lift Every Voice and Sing
$6.50 6.01 € PDF SheetMusicPlus

Choral Choir - Level 5 - Digital Download

SKU: A0.1262540

Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540).

Listen to this piece here

          During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon:
 
I. Europa
          Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line.
 
II. Ganymede 
          This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored. 
 
III. Callisto 
          Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.   
            - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution.
 
IV. Io
          Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.

- Matthew Nunes
Windsor, August 2014.

A Moon, A Minute
$2.50 2.31 € PDF SheetMusicPlus

Euphonium,Piano - Level 5 - Digital Download

SKU: A0.792567

Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567).

As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two.

The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio.

Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth.

I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.

Dying and Dancing for Euphonium and Piano Euphonium, Piano (duo)

$27.50 25.43 € Euphonium, Piano (duo) PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - Digital Download

SKU: A0.938913

Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913).

NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.

Halevi Songs (piano/vocal score only) Voix Soprano, Piano

$8.99 8.31 € Voix Soprano, Piano PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.847874

By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 34 pages. Stephen R Dalrymple #454566. Published by Stephen R Dalrymple (A0.847874).

Hope of the World 06: On the Road to Bethlehem
original song for SATB choir and piano by Stephen R Dalrymple
♫ sequenced by the composer
♫ music © 1999, 2022 Stephen R Dalrymple
♫ recording ℗ 2022 Stephen R Dalrymple
♫ presentation © 2023
♫ based on Genesis 35, Jeremiah 36, Matthew 2
♫ This prophecy alludes to Rachel’s death near Bethlehem. Rachel dies in bitterness. Jeremiah prophecies the grief of the mothers of Jerusalem will experience at the sack of Jerusalem by Nebuchadnezzar and personifies it as Rachel weeping. A third use of the metaphor is the mothers whose babies are destroyed at Herod the Great’s command. 
♫ Coventry Carol is 1 of 3 songs belonging to Pageant of the Shearmen and Tailors, a Coventry Mystery play of the nativity. The only surviving copy of the play (and the song) is dated 1534. The text of Coventry Carol expresses horror of the murder of the innocents by Herod.
♫ To balance the darkness and grief of the music, the composer has concluded the song with a reminder of how God intervened to protect His Son and the redemption of mankind.
♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion.
♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet
♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
♫ YouTube channel @DalrympleDesigns.

Hope of the World 06: On the Road to Bethlehem Chorale SATB
Stephen R Dalrymple
$2.00 1.85 € Chorale SATB PDF SheetMusicPlus


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