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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774768 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 10 pages. Sandra Milliken #6021497. Published by Sandra Milliken (A0.774768). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.
Ebony And Ivory
Chorale SATB
Paul Mccartney W/Stevie Wonder
$2.20 1.88 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.774770 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 8 pages. Sandra Milliken #6021501. Published by Sandra Milliken (A0.774770). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.
Ebony And Ivory
Chorale 3 parties
Paul Mccartney W/Stevie Wonder
$2.20 1.88 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.774771 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #6021503. Published by Sandra Milliken (A0.774771). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.
Ebony And Ivory
Chorale 2 parties
Paul Mccartney W/Stevie Wonder
$2.20 1.88 € Chorale 2 parties PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.906793 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Joy Gilmore. Film/TV. Score. 20 pages. Joyful Sound Music #6140795. Published by Joyful Sound Music (A0.906793). **This is arranged in C major key. The original key is in Bb major. C major key is for the people who are struggling to play with black keys. The Bb major is available for purchase**Easy Piano arrangementsThis pdf includes two easy piano arrangements.You will receive two files in each arrangement. One is with notes names and the other one is regular notes. If you are not good at reading notes, you can use the one with the note's name.Easy levels. Notes name included.Lyrics included.This is a Single User License (for personal use). Studio unlimited reproduction license available.Many Youtube videos are available. #1. Include in different keys: in C major (for the beginners who struggle playing black keys) and in the original keys (for people who enjoy play and sing along with the song). #2, Include the slow speed (for beginners) and original speed (for intermediates). #3, Have RH melody exercise and many different arrangements.https://www.youtube.com/channel/UCetXGBaQFh3WpW3D5C7eNrg/playlists?view_as=subscriberFree lifetime new version upgrade:You will get a lifetime upgrade for free in the future. Join the Facebook discussion group https://www.facebook.com/groups/joyfulsoundmusicpublishing to receive upgrade news.Contact joyfulsoundpiano@gmail.comA free downloadable digital paper keyboard is available. This paper keyboard will help you to play any songs. Contact me via email with proof of purchase of this song.https://joyfulsoundpiano.com/product/paper-basic-keyboards/I can rearrange any songs to your level for you. Contact me if you need assistance.
Don't Stop Believin'
Piano Facile
Journey
$7.99 6.82 € Piano Facile PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.984772 Composed by John M. Honeycutt. Instructional,Standards. Score. 36 pages. Music Innovators Workshop #4764243. Published by Music Innovators Workshop (A0.984772). This article begins by covering some of the same ground covered in article KMA-05, emphasizing the role of the incredible design of the keyboard. The present article then goes on to compare the key maps with the grand staff, demonstrating how much easier the key maps are to learn and read. It provides comparisons of how the 12 key positions on the key maps replace the 88 key positions of the grand staff. Key maps have notes for black keys, but the grand staff has no notes dedicated to the black keys. The grand staff uses an incredibly complex series of #, b, ##, and bb codes to modify the natural notes before they can identify which keys to play. Profusely illustrated in full color.
KMA-10 - About Beginning Piano Study With Key Maps
Piano Facile

$3.60 3.07 € Piano Facile PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1294155 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 pages. Dana Thynes #884580. Published by Dana Thynes (A0.1294155). BRAVEHEART THEME for piano, in the key of FThe main theme of Braveheart begins with soft flute-like melody notes against a quiet background.  A fragment of the Scottish tune Black is the Color of My True Love's Hair weaves its way into the bottom of page one, and then deep chords at the top of page two give a low and ominous premonition of battle. Slowly it builds with bigger chords.  Dissonances compete in the melody and harmony, always building.  Big octave-plus-fifth left hand chords give a medieval sound.The flavor of Braveheart, the movie, is captured in this arrangement.  Not too difficult, but with a few challenges, this is a satisfying piece to play over and over again, emotions soaring and always feeling like you are there with William Wallace in the fight for FREEDOM.Two versions in different keys (F & Gb), but otherwise identical.  The arrangement in F is much easier, of course, and easier to read.  Though most of the music remains in the primary key (either F or Gb) Braveheart travels rapidly through several key transitions on pages 2-3 in the key of F, and pages 2-4 in the key of Gb.Though the key of F is easier, the key of Gb seems to have a special magic, as piano pieces utilizing the black keys frequently do!  The piano recording heard in the video is performed in the key of Gb.
Braveheart - Main Title
Piano seul

$5.99 5.11 € Piano seul PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.799608 Composed by Franz Joseph Haydn. Arranged by Nicole Elyse DiPaolo. Classical,Romantic Period,Standards. Score and parts. 5 pages. Nicole Elyse DiPaolo #4611217. Published by Nicole Elyse DiPaolo (A0.799608). This theme is originally attributed to Franz Joseph Haydn, who included it as the slow movement of his Divertimento for Winds in Bb, Hob.II:46. However, it's uncertain whether he actually wrote the theme or took it from another source (like a hymn tune, which the St. Anthony name would suggest, or a folksong). Several decades later, Johannes Brahms ran across Haydn's Divertimento, liked the theme, and used it in his Variations on a Theme by Haydn, now the most famous setting of this theme. Carl Czerny also used it for a variation set. Specifically arranged for the early-stage piano student who is just beginning to play hands together, and for teachers who don't wish to prolong the hands alone stage, this unique adaptation keeps the hands in rhythmic unison and symmetrical contrary motion, optimizing ease of playing when first beginning to engage the both hands motor area of the brain. Throughout the piece, the student uses the same finger at the same time in both hands, and the fingers are matched to both-white or both-black keys, respectively. Strongly auditory and kinesthetic learners who don't require visual feedback may successfully learn this piece via rote instruction, too. This arrangement has also been designed so that it can work in both 2-piano 4-hands and 1-piano 4-hands settings.Additionally, the transposition to G-flat major (from B-flat) allows the student to take advantage of the black keys' inherent posture- and accuracy-enhancing qualities, which are vital in those early lessons when correct technique habits need to be installed. Finally, particularly for the adult student who's keen to dive into the classical repertoire: this is a genuine, well-known piece of music treated by multiple famous composers from the common practice era. Even finicky audience members will enjoy this piece, which will not sound like something a first-year piano student might play: some of the world's most elite orchestras have also recorded this work in Brahms's arrangement. Given that the tune is potentially a bit long for a beginner student, I've placed a double bar after m. 10, noting that if necessary, a student could excerpt mm. 1-10 and perform these without the middle section and return of A. I have not reproduced Haydn's original(?) repeats, but the student and teacher could add them if desired. The PDF, when purchased, will include both the student part (half of which is pictured) and a full score in standard notation for the teacher.
Chorale St. Antoni - Proto-Notation Beginner Arrangement w/ Teacher Duet (2P4H or 1P4H)
Piano Facile

$3.99 3.4 € Piano Facile PDF SheetMusicPlus

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1495808 Composed by Richard John (Gb1) Thompson. Arranged by Peet du Toit. Traditional. 7 pages. Peet du Toit #1072337. Published by Peet du Toit (A0.1495808). BANKS AND BRAES (O' BONNY DOON). AKA and see “Bonnie Doon,” Lost is My Quiet, Caledonian Hunt's Delight (The), Ye Banks and Braes. Scottish, Air and Waltz (6/8 or 3/4 time). The antiquarian William Chappell claims the tune is English on the strength of its being included in a Collection of English Songs by Dale (who published about 1780-1794) under the title Lost is my quiet. However, the collector John Glen (1891) relates a delightful story of the tune's origins involving the famous Scots poet, Robert Burns (1759-1796), who wrote to publisher George Thomson in 1794:Do you known the history of the air? It is curious enough. A good many years ago, Mr. James Miller, writer in your good own (Edinburgh), a gentleman whom, possibly, you know, was in company with our good friend Clarke; and taling of Scottish music, Miller expressed an ardent ambition to be able to compose a Scots air. Mr. Clarke, partly by way of a joke, told him to keep to the black keys of the harpsichord, and preserve some kind of rhythm, and he would infallibly compose a Scots air. Certain it is, that, in a few days, Mr. Miller produced the rudiments of an air which Mr. Clarke, with some touches and corrections, fashioned into the tune in question. Ritson, you know, has the same story of the black keys; but this account which I have just given you, Mr. Clarke informed me of several years ago.Miller's tune was first published under the title Caledonian Hunt's Delight (The) in Gow's 2nd Collection (1788), but Glen concludes that it is more likely that Lost is my quiet is a poor adaptation and nothing else. He also notes there is a tune having a supposed resemblance in Playford's Appollo's Banquet (1690) entitled Scotch Tune (A) (No. 68), but in the end he believes that neither Chappell's arguments nor facts are strong enough to deprive Mr. Miller of his claim. The Caledonian Hunt's Delight appears also in George Thomson's A Select Collection of Original Scottish Airs for the Voice (Edinburgh, 1793-1797), arranged by Kozeluch. A rondo on the air was composed by Domenico Corri (1746-1825) under the title Favourite Irish Air (which, of course, it is not).
Ye Banks & Braes (Trad. Arr.)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$13.00 11.09 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus


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