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Piano,Tuba - Level 3 - Digital Download SKU: A0.844354 Composed by PHILLIP BLISS. Arranged by Dan Cutchen. Christian,Easter,Gospel,Sacred. Score and part. 9 pages. Dan Cutchen Music #4297735. Published by Dan Cutchen Music (A0.844354). Man of Sorrows Theme and VariationsGreat Easter hymn by Phillip Bliss for solo tuba and piano.Concert C. Medium difficulty.Approximate time: 3:45For piano ACCOMPANIMENT track, copy and paste the following into the search bar:Tuba - Man of Sorrows ACCOMPANIMENT track, Dan Cutchen1 Man of sorrows what a name for the Son of God, who came ruined sinners to reclaim:Hallelujah, what a Savior!2 Bearing shame and scoffing rude, in my place condemned he stood, sealed my pardon with his blood:Hallelujah, what a Savior!3 Guilty, helpless, lost were we; blameless Lamb of God was he, sacrificed to set us free:Hallelujah, what a Savior!4 He was lifted up to die; It is finished was his cry; now in heaven exalted high:Hallelujah, what a Savior!5 When he comes, our glorious King, all his ransomed home to bring, then anew this song we'll sing:Hallelujah, what a Savior!https://youtu.be/h0ND4G2fzTU
Tuba - "Man of Sorrows" Theme and Variations
Tuba et Piano

$5.00 4.29 € Tuba et Piano PDF SheetMusicPlus

Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
Penitent Thief, The (for viola and piano)
Alto, Piano

$24.99 21.42 € Alto, Piano PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.507392 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 5 pages. Published by Heather Cattanach (A0.507392). Hydra is the biggest of the 88 Constellations. Ptolemy, the Greek astronomer catalogued this constellation in the second century. Two Greek legends mention Hydra. The first tells how Heracles (Hercules) fought and killed the nine-headed monstrous predatory snake. The second relates the story of Corvus (the crow) who was commanded to bring water to Apollo, but was distracted, and blamed the water snake for his being late in returning to Apollo with the cup (Crater). In honour of Hydra’s extensive span across the sky, all 88 keys are used. Thus much of the material is chromatic (and also palindromic) but in bars 9, 19 and 29, you can see the approximate shape of the constellation if you join the dots of the noteheads. I have chosen to eschew the use of 8va and 8vb signs, instead opting to show the expanse of all the notes on the keyboard as they appear on the staff. It is easy to play these high and low leger line notes, knowing that they always begin (or end) at the top or bottom of the piano keyboard (i.e. the highest C and the lowest A). From “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Intermediate Piano Solo. Performance Time 1 1/2 minutes. 4 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital).
Hydra
Piano seul

$4.99 4.28 € Piano seul PDF SheetMusicPlus

Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818340 By Stephen R Dalrymple. By African American Spiritual, George C Stebbins, William D Longstaff. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 64 pages. Stephen R Dalrymple #6232369. Published by Stephen R Dalrymple (A0.818340). Standin’ in the Need of Prayer with Take Time to Be Holy arranged for flute and piano by Stephen R Dalrymple transcribed for clarinet, trumpet, euphonium (or trombone), violin, and cello sequenced by the composer Standin’ in the Need of Prayer African American Spiritual  Take Time to Be Holy lyrics - William D. Longstaff 1882 melody - George C. Stebbins 1890     It has often been said that when a person points a finger at someone else, that person is actually pointing 3 fingers back at himself or herself. All the way back to the Garden of Eden, blaming others can be useful to take the attention away from our own actions and problems. Living a clean life begins with acknowledging our guilt, finding God’s grace, then trying to follow the Creator’s plan.     This .pdf file includes 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet     (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
Standin’ in the Need of Prayer with Take Time to Be Holy
Flûte traversière et Piano
Stephen R Dalrymple
$4.50 3.86 € Flûte traversière et Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1118223 Composed by Dalva R. R. Barbosa. Classical,Latin. Score. 5 pages. Dalva Regina Ribeiro Barbosa #719739. Published by Dalva Regina Ribeiro Barbosa (A0.1118223). This piece presents the process of overcoming feelings of betrayal (romantic relationship, workplace, friendship, family). The first part describes the negative sensations. The second part represents the process of overcoming. The images with water have an important meaning in the message I am giving. The first seconds of the piece are sad with memories of good moments now lost. The next stage is the hurt and the feelings of guilt . Anger and indignation follow, blaming the world and shouting. What comes next is liberation. The second half of the piece begins with rethinking of the future, with the same theme from the beginning of the piece. The scene shows an upright boy looking at the new waves he will face. The mind begins to put things together and reorganize itself. Then the soul, once wounded, begins to rise again ready to face a new life. Finally, with high spirits, pleasantly, new waves will be experienced and dominated.
Why
Piano seul

$3.00 2.57 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.507292 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507292). Crater, the Cup, is the two-handled chalice of Apollo. In the Greek myth, Apollo sends Corvus, his sacred bird, to fetch water for the sacrifice to Zeus. At the spring, Corvus dilly dallies, waiting for some tempting figs to ripen. Several days later, having enjoyed the sweet treats, he returns to Apollo, and fibs about his lateness by blaming the water snake (Hydra) which he has carried back with him. Apollo, perceiving the truth, hurls all three into the sky- cup, crow, serpent- and condemns the crow to eternal thirst. This Intermediate Piano Solo can be paired alongside Corvus and Hydra, all from “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 1 minute. 2 pages. (General Instructional, Modern, Modal, Repertoire, Recital).
Crater
Piano seul

$3.99 3.42 € Piano seul PDF SheetMusicPlus


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