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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel

$9.99 8.71 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.814482 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Instructional,Jazz,Multicultural,World. Score. 16 pages. Alan R Thompson #421393. Published by Alan R Thompson (A0.814482). The C-TONIC ONLY version of Thompson's Structured Guide: Scales, Modes and Associated Chords - represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This Structured Guide will provide a foundation for improvisation sessions, building blocks for the creation of original music, be helpful in developing technical proficiency in your instrument of choice, improve your sight-reading skills and help you better develop an ear for music. Though here only C-Tonic Scales, Modes and Associated Chords are listed, the complete version of this book (available separately at https://www.sheetmusicplus.com/title/thompson-s-structured-guide-scales-modes-and-associated-chords-complete-version-digital-sheet-music/22266897) lists in standard sheet music notation over 50 scales and over 50 chords in each of the 12 Tonic/Tonal Centers (C thru B) and in all Key Signatures in Western Music. Each Tonic/Tonal Center is 16 pages of sheet music. The Audio Preview covers the 16 pages of C-Tonic/Tonal Center (trumpet over piano used). Together with the exercises in the Appendices the entire book (sold separately) is 316 pages long. Summary of Scales & Modes Covered: Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Whole-Tone, Octatonic Diminished & Octatonic Dominant Scales, numerous Bebop Scales with variations, numerous Pentatonic & Blues Scales with variations, Chromatic Scale, Lydian Diminished/Lydian b3 Scale, miscellaneous Pentatonic Major Modes & Japanese & Rock Pentatonic Style Scales, and the Augmented and Arabian Scales. There is a 50+ Chords Reference section (basic triads up to 13th chords). The entire book is in essence a series of practice exercises covering most every conceivable scale & associated chord combination used in the vast majority of music. Additionally, there are basic foundational exercises located in the Appendices A thru L. NOTE: Only SHEET MUSTIC is available here. However, a FREE PDF version of the Cover Page, Table of Contents, Introduction & Instructions is available for the entire book. Contact the author at alanrt63@gmail.com to request this if you desire.
Thompson's Structured Guide: Scales, Modes and Associated Chords (C-TONIC ONLY VERSION)
Piano seul
Alan R Thompson
$2.99 2.61 € Piano seul PDF SheetMusicPlus

Guitar Ensemble - Level 3 - Digital Download SKU: A0.1467745 By Rainbow. By Richard Blackmore and Ronnie James Dio. Arranged by Tracy Dean McCallum. 20th Century,Rock. Score and Parts. 6 pages. Tracy Dean McCallum #1046040. Published by Tracy Dean McCallum (A0.1467745). https://tracymccallum.com/Guitarists, elevate your game with authentic guitar tab and notation for Rainbow's iconic Catch the Rainbow!This legendary rock ballad features two distinct guitars, each playing a vital role in the song's emotional depth and driving energy. Now, you can learn both parts and capture the essence of Rainbow's signature sound.Guitar 1:Melodic Lead: Take flight with Ronnie James Dio's soaring vocals! This guitar part features expressive bends, bluesy scales, and a memorable main riff that perfectly complements the song's melancholic beauty.Clear Notation & Tab: Our easy-to-read format ensures you can grasp every nuance of the melody. Learn the techniques used to create the song's emotional core.Guitar 2:Rock-Solid Rhythm: Build the foundation of the song with the powerful rhythm section. This part features driving eighth-note strumming patterns, power chords, and accents that propel the music forward.Essential Techniques: Master techniques like palm muting and chord voicings to achieve the signature Rainbow sound.Together, these guitar parts create a captivating tapestry of sound. This sheet music provides you with the tools to:Faithfully reproduce the original recordingDevelop your lead and rhythm playing skillsImpress your friends and fellow musiciansDon't just listen to Catch the Rainbow, become a part of it!Order your sheet music today!
Catch The Rainbow
Rainbow
$7.77 6.77 € PDF SheetMusicPlus

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Dan Jones (www danjonesguitarist
$4.95 4.31 € Guitare notes et tablatures PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1295262 Composed by Carl Sandburg and Nathaniel Hontz. 20th Century,A Cappella,Contemporary,Religious,Sacred. 6 pages. TigerSong LLC #885562. Published by TigerSong LLC (A0.1295262). A musical setting to Carl Sandburg's 1918 poem Prayers of Steel for SATB choir. A short and powerful anthem, seeking to be an agent for change and growth. Ideally performed without accompaniment, piano reduction included.Lay me on an anvil, O God.  Beat me and hammer me into a crowbar.  Let me pry loose old walls.  Let me lift and loosen old foundations.    Lay me on an anvil, O God.Beat me and hammer me into a steel spike.  Drive me into the girders that hold a skyscraper together.  Take red-hot rivets and fasten me into the central girders.  Let me be the great nail holding a skyscraper through blue nights into white stars..
Prayers of Steel
Chorale SATB

$2.99 2.61 € Chorale SATB PDF SheetMusicPlus

Acoustic Guitar - Level 1 - Digital Download SKU: A0.1500248 Composed by Chadwick Becks. Classical,Instructional,Jazz. Educational Exercises. 30 pages. Chadwick Becks #1076326. Published by Chadwick Becks (A0.1500248). Scales are the foundation of all Western music. Scales build the framework for every music genre (classical, jazz, rock, blues, pop, etc.) regardless of style. Each genre of music will determine the extent of scale mastery needed for proficiency. However, most guitarists skip the first step to fretboard and harmonic mastery, the open-position major and minor scales.Many begin their scale studies with closed position (not using any open strings) scales. This is useful when moving up and down the fretboard and in transposition. However, few truly understand the notes played besides where the scale's root begins. This does not build a solid foundation for deep musical learning. It also places a large amount of emphasis on only learning patterns to achieve technical fluency but neglects the greater achievement of musicality. The scales in this book consist of the major and harmonic minor scales. The harmonic minor scale is the source from which the chords for the minor scales are built. It also uses the same fingering ascending and descending facilitating easier learning.
Open Position Major and Minor Scales

$9.99 8.71 € PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1367517 Composed by A Ammons. Arranged by A Ammons. 20th Century,Blues,Comedy,Holiday,Jazz. Score. 5 pages. Polly #951867. Published by Polly (A0.1367517). Boogie Woogie Stomp is a classic boogie-woogie piano composition, and it is often associated with Albert Ammons, who was a prominent boogie-woogie pianist. The song was recorded in 1936 and is one of Ammons' most famous and influential works.Here are some key points about Boogie Woogie Stomp and Albert Ammons:Boogie-Woogie Piano Style: Boogie-woogie is a style of blues piano playing characterized by a strong, repetitive, and often improvised bass figure in the left hand and melodic phrases in the right hand. It became immensely popular in the 1930s and 1940s.Albert Ammons: Along with Meade Lux Lewis and Pete Johnson, Albert Ammons was part of a trio of influential boogie-woogie pianists. They gained widespread recognition through their performances, recordings, and contributions to the boogie-woogie genre.Boogie Woogie Stomp Recording: Albert Ammons recorded Boogie Woogie Stomp as a solo piano piece. The recording showcases his virtuosic and energetic piano playing, with a driving left-hand boogie pattern and lively right-hand improvisations.Impact: Boogie Woogie Stomp is considered a seminal recording in the history of boogie-woogie. It influenced many pianists and became a standard in the boogie-woogie repertoire.Legacy: Albert Ammons, along with Meade Lux Lewis and Pete Johnson, played a significant role in popularizing boogie-woogie and laying the foundation for subsequent developments in rhythm and blues and rock and roll.Boogie Woogie Stomp is a testament to the exuberance and excitement of boogie-woogie piano, and Albert Ammons' contribution to this genre has left an indelible mark on the history of American music. The piece continues to be celebrated and studied by piano enthusiasts and musicians.   
Boogie Boogie Stomp
Piano seul

$2.00 1.74 € Piano seul PDF SheetMusicPlus

Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 4 - Digital Download SKU: A0.961216 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Robert Coil. 20th Century,Contemporary,Jazz,Pop. Score and parts. 40 pages. Polished Brass #6704317. Published by Polished Brass (A0.961216). This classic Doo-Wop song is arranged for trombone quintet with optional rhythm section. The range of the first and second trombone goes briefly up to B flat4, the third trombone goes up to G4. The range of the fourth trombone is a modest A flat2 to F4, but has the opening solo. The Bass Trombone provides the rhythmic drive and harmonic foundation, with range consistently low, from A flat1 to E flat3, thus requiring a player with solid technique and determination to keep the tempo from sagging. (ASPN pitch notation)This arrangement may be played by trombone quintet with or without the optional rhythm section. When performed without the rhythm section accompaniment, it is essential for each player to strive to keep the tempo up. A number of pieces popular in the 1940s, 50s, and 60s had lyrics that had no meaning but were nonsense syllables (non-lexical vocables) that were sung. Anyone familiar with the era will recognize songs such as: Witch Doctor (Ooo, eee, ooo ah ah, ting tang, Walla walla, bing bang), Sh-Boom (Do-roo-do-do, sh-boom), Blue Moon (Bom ba ba bom ba bom ba bom bom, Dang a dang dang, ding a dong ding). Often, the lead singer had lyrics that told a story, while a backup chorus just sang, Ooo, Aaah. The genre became known as Doo Wop. By the 1960s, the genre, with its simple chords, nonsense syllables, often sung a cappella or featuring a 4 or 5 part vocal group with simple accompaniment, was starting to fade in popularity. The song Who Put the Bomp manages to be both a part of the genre and a nostalgic reflection on its passing. This arrangement captures the essence of the era with close harmonies and a lively beat. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Barry Mann
$16.99 14.81 € PDF SheetMusicPlus






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