Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Piano, 4 hands - Intermediate - Digital Download SKU: F0.E1041 Composed by Carolyn Miller. Sheet Music. The FJH Piano Ensemble Series. Jazz. Duet Sheet. 7 pages. The FJH Music Company - Digital #E1041. Published by The FJH Music Company - Digital (F0.E1041). UPC: 674398219117.In this intermediate level ensemble written for one piano four hands, students will enjoy the overall relaxed character created by the melody and the Latin-style rhythm. The secondo part primarily plays the accompaniment while the primo part primarily contains the melody.

By Burl Ives. Arranged by Carolyn Miller. Children; Disney; Film/TV; Love; Standards. EDPNO. 2 pages. Published by Hal Leonard - Digital Sheet Music

Concert Band - Level 3 - Digital Download SKU: A0.944081 Composed by Stephen Brodie. Jazz. Score and parts. 38 pages. Stephen Brodie #4609663. Published by Stephen Brodie (A0.944081). A gentle swing ballad for Concert Band, much in the style of Glenn Miller's Moonlight Serenade.Orchestration is suitable for an intermediate level bandDuration : 3.5 minutes.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1193548 Composed by George Whiting and Walter Donaldson. Arranged by Fredrik Lundquist. 19th Century,20th Century,Broadway,Film/TV,Jazz,Musical/Show. Brass Band. 23 pages. Fredrik Lundquist #793013. Published by Fredrik Lundquist (A0.1193548). Light Concert/ Entertainment PieceComposed by Walter Donaldson and published by Leo Feist in 1927.It was a well known piece of the Glen Miller Band.

Arranged by Cristi Cary Miller. SSA. Concert. Choral. 12 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1112375 By Bobby Vinton. By Bernie Wayne and Lee Morris. Arranged by Paul Hemmer. Jazz,Pop,Standards. Score and parts. 29 pages. PJMS MUSIC #714437. Published by PJMS MUSIC (A0.1112375). This classic from the Great American Songbook was popularized by Vaughn Monroe, Tony Bennett & Bobby Vinton. This one-chorus arrangement simulates the recording by the Ray Anthony Orchestra with Glenn Miller-style reeds and a low register trumpet solo ala Ray Anthony. An additional arrangement of There I've Said It Again can create a nice medley for your orchestra.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1373862 Composed by Spencer Williams. Arranged by Peet du Toit. Blues. 21 pages. Peet du Toit #958336. Published by Peet du Toit (A0.1373862). Basin Street Blues is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric Won't you come along with me / To the Mississippi... was later added by Glenn Miller and Jack Teagarden.The Basin Street of the title refers to the main street of Storyville, the red-light district of early 20th-century New Orleans, north of the French Quarter. It became a red light district in 1897.Here's a laid back arrangement by the brilliant Erich Siebert, adapted for a brass quintet and percussion to be enjoyed by the players and the audience!

C Instrument - Level 4 - Digital Download SKU: A0.499827 Composed by Spencer Williams. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113099. Published by John Fries (A0.499827). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Basin Street Blues is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric Won't you come along with me / To the Mississippi... was later added by Glenn Miller and Jack Teagarden. The Basin Street of the title refers to the main street of Storyville, the red-light district of early 20th-century New Orleans, north of the French Quarter. It became a red light district in 1897.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.979359 Composed by Timothy Lee Miller. Blues,Jazz. Score and parts. 80 pages. TLM Music Publishing #3534603. Published by TLM Music Publishing (A0.979359). Twelve-bar blues for big band in a 12/8 feel with flute and tenor sax solos and a shout chorus that will have you shouting for more!! Optional parts for soprano and alto sax without flute doubles.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197896 By Kelvin Roy. By Kelvin Roy Gapper. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #797071. Published by John Fries (A0.1197896). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Basin Street Blues is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric Won't you come along with me / To the Mississippi... was later added by Glenn Miller and Jack Teagarden. The Basin Street of the title refers to the main street of Storyville, the red-light district of early 20th-century New Orleans, north of the French Quarter. It became a red light district in 1897.