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Instrumental Duet Accordion,Guitar,Instrumental Duet - Level 5 - Digital Download

SKU: A0.976040

Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 25 pages. Lior Navok Music #4725305. Published by Lior Navok Music (A0.976040).

BLURRED FORMATIONS - for Concert Accordion and Classical Guitar
(2002)

DURATION: 10 Minutes
PROGRAM NOTES: The composer writes about his work: While composing Blurred Formations, I was occupied with the ideas of ever-changing spots of color, constantly-moving ocean plants, sea anemones and fish shoals. Usually, these visual images fascinate our eyes, as their continuous formation is truly harmonious and somewhat mysterious. Yet, the endless formations are not necessarily easy to catch or view sharply. These blurred formations in their visual sense, intrigued me to search for their sonic equivalence. Through ever-changing clusters, vague arpeggiations and occasional chromatic melody, I tried to translate my images into sound. In some cases the blur is thick and dark, and in some cases thin, light and spacious. Both the accordion and guitar contribute to the clearness and the blurriness of the formations, each with its own unique timbre.

INFO:
Item: Full Score Format:
Edition: 2nd Edition
Copyright: Lior Navok
Publisher: Lior Navok Music
Pages: 25
Ink: Black & White
Paper Size: DIN A4 / Letter.

"Blurred Formations" - for Concert Accordion and Classical Guitar [Score]

$14.00 13.45 € PDF SheetMusicPlus

Flute Solo - Level 4 - Digital Download

SKU: A0.1515510

Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. Individual part. 4 pages. Arellano, Jose Luis Jr #1089863. Published by Arellano, Jose Luis Jr (A0.1515510).

Wooded Blur was based on the ideas of an impressionist style painting 
that if you take a closer look at a piece art you could only see blurriness.
However, if you took a step back you could see the whole context. The main idea 
that you hear in the piece is the “closer look” that is so blurred that you don’t
understand the context until you see the big picture. You hear this repeating pattern 
(the main idea) becoming home and the root of this atonal piece. The variation around this
main idea becomes the context and helps create the bigger picture. It allows you
as the listener to see the character of the piece. The piece is the forest itself who is
playful, a trickster, and a guardian of his own home. The sections that take you on this strange
journey will give you glimpses of imagery that you can picture that gets you involved.
Building you a perception of this Wooded Blur.

The Wooded Blur

$7.99 7.67 € PDF SheetMusicPlus

Alto Saxophone,Baritone Saxophone,Bass Guitar,Double Bass,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download

SKU: A0.774344

By Blur. By Damon Albarn, David Rowntree, Graham Coxon, and Steven Alexander James. Arranged by Brad Esbensen. Contemporary,Pop,Rock. 33 pages. Brad Esbensen Music Services #3603515. Published by Brad Esbensen Music Services (A0.774344).

This arrangement is written in a little big band format and is in the original Blur key of F minor. While this chart has been written for 6 horns (alto sax, tenor sax, bari sax, 2 trumpets and trombone) it has been designed to be playable with rhythm section only or as few as two front line (trumpet, tenor sax). It follows the same form as the original Blur recording and is sure to be a crowd pleaser. If you would like this chart transposed into another key, please e-mail me at brad@bemus.com.au www.bemus.com.au

Song 2
Blur
$45.00 43.22 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.1268999

By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. Arranged by Claudio Mascaro. Pop,Rock. 19 pages. Claudio Mascaro #861533. Published by Claudio Mascaro (A0.1268999).

Calling all music rebels and string quartets with a taste for rock 'n' roll! Prepare to set the stage ablaze with the electrifying String Quartet Score of Somebody Told Me by The Killers - a fiery rendition that'll have audiences banging their heads and cheering for an encore!

Rock 'n' Roll Showstopper:
Unleash the rebellious spirit of rock 'n' roll with Somebody Told Me. This explosive arrangement packs the punch, power, and raw energy that define this iconic rock anthem. Your quartet will transform the stage into a musical powerhouse, leaving jaws dropped and hearts pounding.

Strings Infused with Rock Fury:
This sheet music captures the essence of The Killers' rock masterpiece while showcasing the exquisite harmony of classical strings. From the fierce violins to the soulful viola, the thundering cello to the heart-pounding basslines, your quartet will breathe new life into this chart-topping hit.

Empower Every Musician:
Let each member of your quartet shine as they embrace the spirit of rock 'n' roll. The expertly crafted notation ensures that players of all skill levels can embrace the adrenaline rush, channeling their inner rockstar and captivating audiences with a jaw-dropping performance.

Unforgettable Rock Fusion:
Witness the magic as classical strings intertwine with rock 'n' roll fury. Somebody Told Me sets the stage for an unforgettable experience, blurring the lines between genres and creating a performance that will be etched in memory.

From Chamber to Rock Arena: 
This edgy quartet score is a versatile powerhouse. Whether you're performing at an intimate chamber concert or rocking out on a grand stage, Somebody Told Me will elevate your quartet's reputation and leave a trail of mesmerized fans in its wake.

Your Ticket to Rock 'n' Roll Fame:
Take a leap into the rock 'n' roll limelight with Somebody Told Me. This electrifying quartet score is your ticket to musical stardom, setting the standard for jaw-dropping performances that'll leave your audience begging for more.

Ready to Rock the Quartet World?
Don't miss the chance to add this epic rock arrangement to your quartet's repertoire. Embrace the fusion of rock 'n' roll and classical strings, and let Somebody Told Me be the showstopper that takes your quartet to new heights!

Grab your String Quartet Score now and let the rebellious spirit of rock 'n' roll roar through your quartet's strings! Get ready to rock the stage with The Killers' electrifying hit!

Somebody Told Me
Quatuor à cordes: 2 violons, alto, violoncelle
The Killers
$12.99 12.48 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.922639

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Double Bass

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Resources:

• Visit.

Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes

$3.99 3.83 € Orchestre à Cordes PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.1025143

Composed by Kirk O'Riordan. 20th Century,Contemporary. Score. 12 pages. Kirk O'Riordan #4357415. Published by Kirk O'Riordan (A0.1025143).

Water Lilies for Solo Piano is the second in a series of Water Lilies pieces, which also includes versions for chamber winds and orchestra. Each version is based on the same melodic idea; in each piece this idea is developed using different compositional procedures. The result is a series of noticeably related but distinct pieces. The idea for these pieces comes from my impressions of an exhibit of Monet's Water Lilies at the Musée de L’Orangerie in Paris. The room that these magnificent works are displayed in is in the shape of an oval; and when sitting in the middle of the room one has the distinct impression that one is in the middle of Monet's pond.

My Water Lilies are not necessarily an attempt to reproduce each painting in sound; rather, they represent the attempt to reproduce the feeling of being surrounded by these images, which from far away seem perfectly clear and photographic but up close are rather blurry and repetitive. Indeed, Monet's genius lies in his ability to make his audience look upon his art from afar, taking in the whole view at once rather than focusing on the details of its construction. This series of pieces attempts to recreate this effect in sound.

Water Lilies was composed for pianist Holly Roadfeldt. Her recording of the work appears on the CD Strange Flowers (Ravello Records).

Water Lilies
Piano seul

$12.50 12.01 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.1023342

Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 43 pages. Kristian S. Rodriguez #5191607. Published by Kristian S. Rodriguez (A0.1023342).

I composed this work partially to serve as my master’s thesis, but also to explore the

blurring and eradication of boundaries – whether the boundaries are musical, social, cultural, linguistical, or political. I wanted to create a work that would explore the boundaries of my own dual identities, such as Mexican or American, or masculine or feminine, and that of my varied interests, such as popular, jazz, and European art music. After half a year of work, Sueño-Vibrant is the dazzling, whirlwind of a result (vibrant is pronounced just as it is in English).

I worked with poet Marco Piña because we share many similar artistic philosophies owing to our mutual identities as bilingual Chicanxs. Bastardized Spanglish Translations portrays an individual going through a painful break-up, whereas Night Song is about self-discovery of

Sueño-Vibrant
Chorale SATB

$19.99 19.2 € Chorale SATB PDF SheetMusicPlus


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