Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.546698 This edition: scorch. E-Z Play Today. Classical,Folk,Irish. Score. 2 pages. Hal Leonard - Digital #995903. Published by Hal Leonard - Digital (HX.546698). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.

Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken Litton. 20th Century,Christian,Contemporary,Religious,Sacred. Accompaniment. Duration 140. Artist of Note, Inc. #1078881. Published by Artist of Note, Inc. (A0.1503432). A Mission for Every OneAudio accompaniment/demo MP3A song I wrote at the request of the South Brazil Mission of the International Mission Board SBC, for their Annual South Brazil Mission Meeting in 1997 while we were serving the churches of the Federal District Baptist Convention in the capital city of Brasília (1000 miles into the interior of the country).The key reference here is Matthew 24:4-14...And Jesus answered and said unto them, Take heed that no man deceive you. For many shall come in my name, saying, I am Christ; and shall deceive many. And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake. And then shall many be offended, and shall betray one another, and shall hate one another. And many false prophets shall rise, and shall deceive many. And because iniquity shall abound, the love of many shall wax cold. But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.—KJV#evangelism #outreach #witness #testifyAvailable where you go for the best in downloadable resources, including:Sheet Music PlusSheet Music DirectAnd via your local Hal Leonard InStore music dealerAlso…check out other titles from East of the Altar/Artist of Note, Inc.!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!

Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.

Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.

Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1503195 Composed by Ken Litton. Arranged by Ken Litton. Christian,Contemporary,Praise & Worship,Religious. 4 pages. Artist of Note, Inc. #1078723. Published by Artist of Note, Inc. (A0.1503195). A song I wrote at the request of the South Brazil Mission of the International Mission Board SBC, for their Annual South Brazil Mission Meeting in 1997 while we were serving the churches of the Federal District Baptist Convention in the capital city of Brasília (1000 miles into the interior of the country).The key reference here is Matthew 24:4-14...And Jesus answered and said unto them, Take heed that no man deceive you. For many shall come in my name, saying, I am Christ; and shall deceive many. And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake. And then shall many be offended, and shall betray one another, and shall hate one another. And many false prophets shall rise, and shall deceive many. And because iniquity shall abound, the love of many shall wax cold. But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.—KJV#evangelism #outreach #witness #testify.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1205547 By The Beatles. By George Harrison. Arranged by Mattia Mugnai. Pop. Score and parts. 13 pages. Matt80 #803734. Published by Matt80 (A0.1205547). Here Comes the Sun is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison and is one of his best-known compositions. Harrison wrote the song in early 1969 at the country house of his friend Eric Clapton, where Harrison had chosen to play truant for the day to avoid attending a meeting at the Beatles' Apple Corps organisation.The Beatles recorded Here Comes the Sun at London's EMI Studios in the summer of 1969. Led by Harrison's acoustic guitar, the track features a Moog synthesizer, which he had introduced to the band's sound after acquiring an early model of the instrument in California. Reflecting the continued influence of Indian classical music on Harrison's writing, the composition includes several time signature changes. Here Comes the Sun has received acclaim from music critics. Combined with his other contribution to Abbey Road, Something, it gained for Harrison the level of recognition as a songwriter previously reserved for his bandmates John Lennon and Paul McCartney. Here Comes the Sun was the track used to promote the 50th anniversary reissue of Abbey Road in 2019. It peaked at number 3 on the US Billboard Hot Rock Songs chart at that time and has since been certified double platinum for UK sales since 2010. As of 2021, it was the most streamed Beatles song on Spotify globally.In the sting trio arrangement the beauty of this song is finely preserved, as much as it's original stucture.The file includes both score and parts.

Concert Band - Level 3 - Digital Download SKU: A0.1438061 By Andrew Gold. By Andrew Gold. Arranged by John Ivor Holland. 20th Century,Pop,Singer/Songwriter. 45 pages. John Ivor Holland #1018130. Published by John Ivor Holland (A0.1438061). Never Let Her Slip Away is a song written by American musician Andrew Gold, who recorded it for his third album, 'All This and Heaven Too' (1978). The single reached number five on the UK Singles Chart and number 67 on the Billboard Hot 100 in 1978. Queen frontman Freddie Mercury contributed harmony vocals to the song, as an uncredited background singer. A 1992 cover version by British dance outfit Undercover was also an international hit. As revealed in his album liner notes, Gold wrote Never Let Her Slip Away about meeting actress and Saturday Night Live cast member Laraine Newman, who was his girlfriend when he composed the song; Dave Grohl of the rock band Foo Fighters called the song the most beautiful piece of music ever written, and maybe one of the most melodically sophisticated songs I've ever heard in my entire life. This joyful little song swings along with lovely melodic twists and turns and gorgeous harmonies, allowing your band to bring back the nostalgic, carefree sound of the Seventies.

Concert Band - Level 3 - Digital Download SKU: A0.1311771 By The Beatles. By George Harrison. Arranged by John Ivor Holland. 20th Century,Film/TV,New Age,Pop,Singer/Songwriter. 48 pages. John Ivor Holland #900727. Published by John Ivor Holland (A0.1311771). Here Comes the Sun is a song by The Beatles from their 1969 album 'Abbey Road'. It was written by George Harrison and is one of his best-known compositions. He wrote the song at his friend Eric Clapton's house, whilst he was avoiding a dull business meeting. It peaked at number 3 on the US Billboard Hot Rock Songs chart in September 1969 and as of 2021, it was the most streamed Beatles song on Spotify globally. Reflecting the continued influence of Indian classical music on Harrison's writing, the composition includes several time signature changes, which may present a few challenges to players initially, but this wonderful song would make an excellent choice in a concert for all ages.

Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1505735 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 14 pages. Sarah Cellobat Chaffee #1081129. Published by Sarah Cellobat Chaffee (A0.1505735). *INSTRUMENTATION: VIOLIN AND VIOLA DUET*Written by Taylor Swift in 2010 for her third studio album Speak Now, Enchanted tells the story of meeting someone new and experiencing love at first sight, and hoping that your feelings are reciprocated by the object of your affections. Receiving critical acclaim and commercial success, the song was praised for its expert craftsmanship and captivating narrative; although it was considered one of her underrated songs initially, it has experienced a recent resurgence in popularity due to social media apps. So it's no wonder that it's now a popular request for weddings and events! This Cellobat arrangement for violin and viola maintains the soaring melodies, rhythmic drive, and passionate dynamic intensity of the original for a chart that will be as much fun to play as it is to listen to!  Originally written for a wedding ceremony, this will also be perfect for receptions, proposals, cocktail hour, and more. Rated intermediate; this will be playable for students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.

Piano Solo - Level 4 - Digital Download SKU: A0.888268 Composed by Jerry Ross and Richard Adler. Arranged by Edward David Zeliff. Contemporary. Score. 3 pages. Edward David Zeliff #4776255. Published by Edward David Zeliff (A0.888268). This is a charming little arrangement of this hit song from this hit musical. The setting for the song in the show is a favorite night spot in which people often have clandestine meetings and the dark interior allows for that, so the song is sung sotto voce for the most part, more whispered, as if everything's a secret. This arrangement maintains that mood with only a few vigorous accents. It is playful and witty and somewhat mischievous. It makes for a good study piece for more advanced intermediate students because of the staccatos all over the keyboard with only isolated pairs of notes played legato for accentuated phrasing. The middle section will help to develop dexterity in rapid finger work. And it's just plain fun to do.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.904599 Composed by A. C. Smyth. Arranged by Paul Pisano. 20th Century,A Cappella,Christian,Sacred. Octavo. 8 pages. PWP Enterprises #2948465. Published by PWP Enterprises (A0.904599). SATB a cappella with occasional divisi (keyboard accompaniment optional). Contrapuntal yet straightforward presentation of hymn melody; less chromatic and more metrically regular than some of this composer/arranger's other titles. Very appropriate for stake conferences and sacrament meetings. Moderately advanced difficulty. Duration ca. 2:40.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1342923 Composed by Peter Burton. Children,Christian,Classical,Contemporary,Religious. 9 pages. Peter Burton Music #928433. Published by Peter Burton Music (A0.1342923). This choral piece takes the words from Ephesians 3:20 - 4:6 with the central verse Now to Him who is able to do immeasurably than you can ask or imagine... This has been the strapline at the prayer meeting of Dundonald Church, Rayne's Park since it began. Scored for SATB choir and keyboard or small chamber ensemble. It could also be sung by a children's choir with the harmonies done by an adult choir or supporting instruments.

4 recorders (ATTB) - intermediate to advanced - Digital Download SKU: S9.Q16330 Composed by Hans-Martin Linde. This edition: score and parts. Original Music for Recorder. Downloadable, Score and parts. Schott Music - Digital #Q16330. Published by Schott Music - Digital (S9.Q16330). Hans-Martin Linde (b. 1930) is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A[treble]/T/T/B, uses musical themes from the 15th to 17th Centuries: from a “Prélude à l’imitation� by Froberger, a melody by Claudio Saraceni “Da te parto�, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles� by Binchois and a ground bass from Purcell’s harpsichord collection “Musik’s Handmaid�. The composer writes: “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.�.

Unison chorus - Digital Download SKU: C7.CGA726 Composed by Charlotte Algozin. Christmas. With Recorder, Small Percussion. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA726. Published by Chorister's Guild - Digital (C7.CGA726). UPC: 749193003794.The text of this unison anthem is set to the hauntingly beautiful melody accompanied by keyboard and optional recorder. It is a tender story of a shepherd boy's first meeting with the Christ child. It would be an excellent choice for a children's or family Christmas service. Composer: Charlotte Algozin Text Author: Charlotte Algozin.